Getting Started |
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xi | |
About Classroom in a Book |
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xi | |
Prerequisites |
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xi | |
Installing Premiere Pro CC |
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xii | |
Optimizing performance |
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xii | |
Copying the lesson files |
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xiii | |
Relinking the lesson files |
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xiii | |
How to use these lessons |
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xiv | |
How to access updates to this book |
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xiv | |
Additional resources |
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xv | |
Adobe Authorized Training Centers |
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xv | |
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1 Touring Premiere Pro CC |
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xvi | |
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2 | (1) |
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Nonlinear editing in Premiere Pro |
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2 | (3) |
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5 | (3) |
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Touring the Premiere Pro workspace |
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8 | (10) |
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18 | (24) |
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20 | (1) |
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21 | (12) |
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33 | (9) |
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42 | (20) |
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44 | (1) |
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44 | (4) |
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Working with the Media Browser |
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48 | (4) |
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52 | (4) |
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56 | (6) |
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62 | (26) |
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64 | (1) |
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64 | (5) |
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69 | (7) |
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Organizing media with content analysis |
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76 | (2) |
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78 | (5) |
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83 | (5) |
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5 Essentials Of Video Editing |
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88 | (26) |
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90 | (1) |
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90 | (7) |
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97 | (7) |
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Essential editing commands |
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104 | (10) |
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6 Working With Clips And Markers |
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114 | (28) |
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116 | (1) |
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116 | (5) |
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121 | (2) |
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123 | (6) |
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Using Sync Lock and Track Lock |
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129 | (2) |
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Finding gaps in the Timeline |
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131 | (1) |
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131 | (3) |
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134 | (3) |
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Extracting and deleting segments |
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137 | (5) |
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142 | (20) |
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144 | (1) |
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144 | (2) |
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146 | (1) |
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147 | (5) |
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Using A/B mode to fine-tune a transition |
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152 | (5) |
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157 | (5) |
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8 Advanced Editing Techniques |
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162 | (32) |
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164 | (1) |
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164 | (2) |
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166 | (6) |
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Replacing clips and footage |
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172 | (4) |
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176 | (3) |
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179 | (2) |
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181 | (5) |
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Trimming In the Program Monitor |
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186 | (8) |
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9 Putting Clips In Motion |
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194 | (26) |
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196 | (1) |
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Adjusting the Motion effect |
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196 | (5) |
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Changing clip position, size, and rotation |
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201 | (7) |
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Working with keyframe interpolation |
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208 | (4) |
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Using other motion-related effects |
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212 | (8) |
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220 | (14) |
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222 | (1) |
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223 | (1) |
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Creating a multi-camera sequence |
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223 | (4) |
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Switching multiple cameras |
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227 | (4) |
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Finalizing multi-camera editing |
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231 | (3) |
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11 Editing And Mixing Audio |
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234 | (26) |
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236 | (1) |
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Setting up the interface to work with audio |
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236 | (8) |
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Examining audio characteristics |
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244 | (1) |
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Voice-over "scratch track" |
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244 | (1) |
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245 | (5) |
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250 | (1) |
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Adjusting audio levels for a clip |
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251 | (9) |
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260 | (30) |
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262 | (1) |
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Sweetening sound with audio effects |
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262 | (6) |
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268 | (5) |
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Applying effects in the Audio Track Mixer |
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273 | (6) |
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279 | (11) |
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290 | (36) |
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292 | (1) |
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292 | (15) |
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307 | (2) |
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Masking and tracking visual effects |
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309 | (3) |
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312 | (4) |
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316 | (3) |
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319 | (7) |
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14 Color Correction And Grading |
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326 | (38) |
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328 | (1) |
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328 | (12) |
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An overview of color-oriented effects |
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340 | (7) |
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347 | (3) |
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350 | (8) |
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358 | (1) |
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359 | (5) |
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15 Exploring Compositing Techniques |
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364 | (26) |
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366 | (1) |
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What is an alpha channel? |
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367 | (1) |
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Making compositing part of your projects |
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368 | (3) |
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Working with the Opacity effect |
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371 | (4) |
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Working with alpha-channel transparencies |
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375 | (1) |
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Color keying a greenscreen shot |
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376 | (5) |
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381 | (9) |
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390 | (32) |
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392 | (1) |
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An overview of the Titler window |
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392 | (4) |
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Video typography essentials |
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396 | (6) |
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402 | (4) |
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406 | (5) |
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Working with shapes and logos |
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411 | (4) |
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Making text roll and crawl |
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415 | (7) |
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17 Managing Your Projects |
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422 | (16) |
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424 | (1) |
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425 | (2) |
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Using the Project Manager |
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427 | (5) |
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Final project management steps |
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432 | (1) |
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Importing projects or sequences |
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432 | (1) |
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433 | (1) |
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Managing your hard drives |
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434 | (4) |
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18 Exporting Frames, Clips, And Sequences |
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438 | (27) |
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440 | (1) |
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Overview of export options |
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440 | (1) |
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440 | (2) |
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442 | (2) |
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Working with Adobe Media Encoder |
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444 | (9) |
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Exchanging with other editing applications |
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453 | (6) |
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459 | (6) |
Index |
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465 | |