| Getting Started |
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xvii | |
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About Classroom in a Book |
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xvii | |
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xviii | |
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Installing Premiere Pro CC |
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xviii | |
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xviii | |
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xix | |
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Relinking the lesson files |
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xx | |
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xx | |
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xxi | |
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xxi | |
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Accessing the Web Edition |
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xxi | |
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xxii | |
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Adobe Authorized Training Centers |
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xxiii | |
| 1 Touring Adobe Premiere Pro CC |
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2 | (20) |
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4 | (1) |
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Performing nonlinear editing in Premiere Pro |
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4 | (4) |
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Looking at the standard digital video workflow |
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5 | (1) |
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Enhancing the workflow with Premiere Pro |
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6 | (2) |
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8 | (2) |
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Incorporating other components into the editing workflow |
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8 | (1) |
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Looking at the Adobe Creative Cloud video workflow |
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9 | (1) |
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Touring the Premiere Pro workspace |
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10 | (8) |
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Looking at the workspace layout |
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11 | (3) |
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Customizing the workspace |
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14 | (2) |
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16 | (2) |
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18 | (2) |
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Moving, backing up, and syncing user settings |
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19 | (1) |
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20 | (1) |
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21 | (1) |
| 2 Setting Up A Project |
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22 | (26) |
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24 | (1) |
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25 | (13) |
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Exploring video rendering and playback settings |
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26 | (2) |
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Setting the video and audio display formats |
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28 | (3) |
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Setting the capture format |
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31 | (1) |
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Displaying the project item names and label colors |
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31 | (1) |
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Setting up the scratch disks |
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32 | (1) |
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Setting up Project Auto Save location |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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Importing projects from Final Cut Pro |
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36 | (1) |
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Importing Avid Media Composer projects |
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37 | (1) |
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38 | (8) |
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Creating a sequence that automatically matches your source |
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39 | (1) |
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Choosing the correct preset |
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39 | (3) |
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Customizing a sequence preset |
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42 | (1) |
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Understanding track types |
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43 | (2) |
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45 | (1) |
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46 | (1) |
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47 | (1) |
| 3 Importing Media |
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48 | (20) |
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50 | (1) |
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50 | (2) |
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When to use the Import command |
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50 | (1) |
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When to use the Media Browser |
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51 | (1) |
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Working with ingest options and proxy media |
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52 | (3) |
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Working with the Media Browser |
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55 | (4) |
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Following a file-based camera workflow |
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55 | (1) |
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Understanding supported video file types |
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56 | (1) |
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Finding assets with the Media Browser |
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56 | (3) |
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59 | (4) |
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Importing flattened Adobe Photoshop files |
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60 | (1) |
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Importing layered Adobe Photoshop files |
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60 | (2) |
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Importing Adobe Illustrator files |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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Customizing the media cache |
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64 | (1) |
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65 | (2) |
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67 | (1) |
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67 | (1) |
| 4 Organizing Media |
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68 | (28) |
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70 | (1) |
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70 | (5) |
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Customizing the Project panel |
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71 | (2) |
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Finding assets in the Project panel |
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73 | (2) |
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75 | (8) |
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76 | (1) |
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77 | (1) |
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78 | (2) |
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80 | (1) |
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81 | (1) |
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81 | (2) |
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Having multiple bins open at once |
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83 | (1) |
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83 | (6) |
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Lowering the playback resolution |
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85 | (1) |
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Getting timecode information |
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86 | (1) |
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Using essential playback controls |
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87 | (1) |
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88 | (1) |
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89 | (5) |
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89 | (1) |
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90 | (1) |
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Interpreting video footage |
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91 | (1) |
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92 | (2) |
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94 | (1) |
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95 | (1) |
| 5 Mastering The Essentials Of Video Editing |
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96 | (26) |
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98 | (1) |
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98 | (7) |
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99 | (1) |
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100 | (1) |
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Using Source Monitor controls |
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101 | (1) |
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Selecting a range in a clip |
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101 | (3) |
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104 | (1) |
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105 | (8) |
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107 | (1) |
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Opening a sequence in the Timeline panel |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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110 | (2) |
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112 | (1) |
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Customizing track headers |
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112 | (1) |
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Using essential editing commands |
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113 | (8) |
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113 | (1) |
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114 | (2) |
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116 | (1) |
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117 | (4) |
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121 | (1) |
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121 | (1) |
| 6 Working With Clips And Markers |
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122 | (30) |
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124 | (1) |
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Using Program Monitor controls |
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124 | (5) |
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What is the Program Monitor? |
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124 | (2) |
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Adding clips to the Timeline with the Program Monitor |
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126 | (3) |
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Setting the playback resolution |
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129 | (3) |
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Changing playback resolution |
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130 | (1) |
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Changing resolution when playback is paused |
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131 | (1) |
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132 | (1) |
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133 | (7) |
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133 | (1) |
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Exploring the types of markers |
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134 | (3) |
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Automating the editing to markers |
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137 | (2) |
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Finding clips in the Timeline |
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139 | (1) |
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Using Sync Lock and Track Lock |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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Finding gaps in the Timeline |
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141 | (1) |
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142 | (3) |
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Selecting a clip or range of clips |
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142 | (1) |
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Selecting all the clips on a track |
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143 | (1) |
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Selecting audio or video only |
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143 | (1) |
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144 | (1) |
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Linking and unlinking clips |
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144 | (1) |
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145 | (3) |
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145 | (1) |
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146 | (1) |
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Rearranging clips in a sequence |
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147 | (1) |
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148 | (1) |
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Extracting and deleting segments |
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148 | (3) |
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148 | (1) |
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Performing an extract edit |
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149 | (1) |
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Performing a delete and ripple delete edit |
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149 | (1) |
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150 | (1) |
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151 | (1) |
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151 | (1) |
| 7 Adding Transitions |
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152 | (20) |
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154 | (1) |
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155 | (1) |
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Knowing when to use transitions |
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155 | (1) |
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Implementing best practices with transitions |
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156 | (1) |
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Using edit points and handles |
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156 | (1) |
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157 | (6) |
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Applying a single-sided transition |
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158 | (1) |
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Applying a transition between two clips |
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159 | (2) |
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Applying transitions to multiple clips at once |
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161 | (2) |
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Using A/B mode to fine-tune a transition |
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163 | (5) |
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Changing parameters in the Effect Controls panel |
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163 | (2) |
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165 | (1) |
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Dealing with inadequate (or nonexistent) head or tail handles |
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166 | (2) |
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168 | (3) |
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168 | (1) |
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Applying audio transitions |
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169 | (2) |
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171 | (1) |
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171 | (1) |
| 8 Performing Advanced Editing Techniques |
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172 | (28) |
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174 | (1) |
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Performing four-point editing |
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174 | (2) |
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Editing options for four-point edits |
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174 | (1) |
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175 | (1) |
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176 | (7) |
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Changing the speed/duration of a clip |
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178 | (2) |
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Changing the speed/duration with the Rate Stretch tool |
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180 | (1) |
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Changing the speed/duration with time remapping |
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180 | (3) |
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Replacing clips and footage |
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183 | (3) |
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Dragging in a replacement clip |
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183 | (1) |
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184 | (1) |
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Using the Replace Footage feature |
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185 | (1) |
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186 | (2) |
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187 | (1) |
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Performing regular trimming |
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188 | (1) |
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Trimming in the Source Monitor |
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188 | (1) |
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188 | (1) |
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Performing advanced trimming |
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189 | (4) |
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189 | (2) |
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191 | (1) |
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191 | (1) |
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192 | (1) |
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Trimming in the Program Monitor |
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193 | (6) |
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Using Trim mode in the Program Monitor |
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194 | (1) |
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Choosing a trimming method in the Program Monitor |
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195 | (2) |
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Performing dynamic trimming |
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197 | (1) |
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Trimming with the keyboard |
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198 | (1) |
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199 | (1) |
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199 | (1) |
| 9 Putting Clips In Motion |
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200 | (28) |
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202 | (1) |
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Adjusting the Motion effect |
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202 | (5) |
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Understanding Motion settings |
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203 | (2) |
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Examining Motion properties |
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205 | (2) |
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Changing clip position, size, and rotation |
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207 | (9) |
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207 | (2) |
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209 | (1) |
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Adding rotation and changing the anchor point |
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210 | (1) |
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211 | (3) |
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Animating clip size changes |
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214 | (2) |
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Working with keyframe interpolation |
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216 | (3) |
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Using different keyframe interpolation methods |
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216 | (2) |
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218 | (1) |
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Using other motion-related effects |
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219 | (7) |
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219 | (1) |
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220 | (2) |
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Adding motion with the Transform effect |
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222 | (2) |
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Manipulating clips in 3D space with Basic 3D |
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224 | (2) |
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226 | (1) |
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227 | (1) |
| 10 Multicamera Editing |
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228 | (12) |
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230 | (1) |
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Following the multicamera process |
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230 | (1) |
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Creating a multicamera sequence |
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231 | (4) |
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Determining the sync points |
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231 | (1) |
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Adding clips to a multicamera source sequence |
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232 | (2) |
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Creating the multicamera target sequence |
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234 | (1) |
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Switching multiple cameras |
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235 | (3) |
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Performing a multicamera edit |
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235 | (2) |
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Re-recording multicamera edits |
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237 | (1) |
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Finalizing multicamera editing |
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238 | (1) |
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238 | (1) |
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Flattening a multicamera edit |
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238 | (1) |
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239 | (1) |
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239 | (1) |
| 11 Editing And Mixing Audio |
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240 | (24) |
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242 | (1) |
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Setting up the interface to work with audio |
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242 | (8) |
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Working in the Audio workspace |
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243 | (2) |
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Defining master track output |
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245 | (1) |
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246 | (1) |
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246 | (2) |
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248 | (1) |
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Working with standard audio tracks |
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249 | (1) |
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250 | (1) |
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Examining audio characteristics |
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250 | (2) |
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Creating a voice-over "scratch track" |
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252 | (1) |
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253 | (4) |
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Adjusting audio in the Effect Controls panel |
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253 | (2) |
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255 | (1) |
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255 | (2) |
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257 | (1) |
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258 | (1) |
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258 | (1) |
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Adjusting audio levels for a clip |
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258 | (5) |
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Adjusting overall clip levels |
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259 | (1) |
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Keyframing volume changes |
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260 | (1) |
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Smoothing volume between keyframes |
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260 | (1) |
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Using clip vs. track keyframes |
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261 | (1) |
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Working with the Audio Clip Mixer |
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261 | (2) |
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263 | (1) |
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263 | (1) |
| 12 Sweetening Sound |
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264 | (22) |
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266 | (1) |
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Sweetening sound with audio effects |
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266 | (5) |
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267 | (1) |
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268 | (1) |
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269 | (1) |
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270 | (1) |
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270 | (1) |
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271 | (4) |
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272 | (1) |
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272 | (3) |
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275 | (10) |
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Highpass and Lowpass effects |
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275 | (1) |
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MultiBandCompressor effect |
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276 | (3) |
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279 | (3) |
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282 | (3) |
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285 | (1) |
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285 | (1) |
| 13 Adding Video Effects |
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286 | (34) |
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288 | (1) |
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288 | (11) |
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288 | (2) |
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290 | (2) |
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292 | (2) |
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294 | (2) |
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Sending a clip to Adobe After Effects |
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296 | (3) |
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299 | (2) |
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Masking and tracking visual effects |
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301 | (3) |
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304 | (4) |
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305 | (1) |
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Adding keyframe interpolation and velocity |
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306 | (2) |
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308 | (4) |
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309 | (1) |
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310 | (2) |
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312 | (5) |
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Image stabilization and rolling shutter reduction |
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312 | (1) |
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313 | (2) |
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315 | (2) |
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317 | (1) |
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317 | (1) |
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317 | (2) |
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319 | (1) |
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319 | (1) |
| 14 Improving Clips With Color Correction And Grading |
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320 | (34) |
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322 | (1) |
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Following a color-oriented workflow |
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323 | (14) |
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324 | (1) |
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325 | (3) |
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Lumetri Scopes essentials |
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328 | (2) |
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330 | (7) |
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An overview of color-oriented effects |
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337 | (4) |
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338 | (1) |
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Color removal or replacement |
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339 | (1) |
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339 | (1) |
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340 | (1) |
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341 | (3) |
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342 | (1) |
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343 | (1) |
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344 | (6) |
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Basic white balance (Fast Color Corrector) |
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345 | (1) |
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346 | (2) |
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Balancing Lumetri color wheels |
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348 | (2) |
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Using special color effects |
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350 | (1) |
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350 | (1) |
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350 | (1) |
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350 | (1) |
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351 | (2) |
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353 | (1) |
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353 | (1) |
| 15 Exploring Compositing Techniques |
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354 | (20) |
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356 | (1) |
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What is an alpha channel? |
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357 | (1) |
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Making compositing part of your projects |
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358 | (2) |
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Shooting videos with compositing in mind |
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358 | (1) |
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359 | (1) |
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Working with the Opacity effect |
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360 | (3) |
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361 | (1) |
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Combining tracks based on a blend mode |
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362 | (1) |
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Working with alpha-channel transparencies |
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363 | (1) |
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Color keying a greenscreen shot |
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364 | (5) |
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Preprocessing the footage |
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365 | (1) |
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Using the Ultra Key effect |
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366 | (3) |
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369 | (3) |
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Using mattes that use graphics or other clips |
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370 | (2) |
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372 | (1) |
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373 | (1) |
| 16 Creating Titles |
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374 | (28) |
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376 | (1) |
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An overview of the Titler window |
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376 | (4) |
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Mastering video typography essentials |
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380 | (5) |
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380 | (1) |
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381 | (1) |
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381 | (1) |
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382 | (1) |
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383 | (1) |
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384 | (1) |
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384 | (1) |
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385 | (4) |
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385 | (3) |
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388 | (1) |
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389 | (4) |
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Changing a title's appearance |
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389 | (2) |
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391 | (1) |
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Creating an Adobe Photoshop graphic or title |
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391 | (2) |
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Working with shapes and logos |
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393 | (3) |
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393 | (2) |
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395 | (1) |
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Aligning shapes and logos |
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395 | (1) |
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Making text roll and crawl |
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396 | (2) |
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398 | (3) |
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399 | (2) |
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401 | (1) |
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401 | (1) |
| 17 Managing Your Projects |
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402 | (18) |
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404 | (1) |
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404 | (2) |
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Using the File menu commands |
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405 | (1) |
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405 | (1) |
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Using the Project Manager |
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406 | (8) |
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Collecting files and copying them to a new location |
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408 | (1) |
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Consolidating and transcoding |
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409 | (2) |
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|
|
411 | (1) |
|
Using the Link Media panel and the Locate command |
|
|
412 | (2) |
|
Performing the final project management steps |
|
|
414 | (1) |
|
Importing projects or sequences |
|
|
414 | (2) |
|
|
|
416 | (1) |
|
Using the Libraries panel |
|
|
417 | (1) |
|
Managing your hard drives |
|
|
417 | (2) |
|
|
|
417 | (2) |
|
|
|
419 | (1) |
|
|
|
419 | (1) |
| 18 Exporting Frames, Clips, And Sequences |
|
420 | (22) |
|
|
|
422 | (1) |
|
Overview of export options |
|
|
422 | (1) |
|
|
|
423 | (1) |
|
|
|
424 | (3) |
|
Matching sequence settings |
|
|
424 | (2) |
|
|
|
426 | (1) |
|
Working with Adobe Media Encoder |
|
|
427 | (8) |
|
Choosing a file format for export |
|
|
427 | (3) |
|
|
|
430 | (2) |
|
Using the Source and Output panels |
|
|
432 | (1) |
|
|
|
432 | (2) |
|
Additional options in Adobe Media Encoder |
|
|
434 | (1) |
|
Uploading to social media |
|
|
435 | (1) |
|
Exchanging with other editing applications |
|
|
436 | (4) |
|
Exporting a Final Cut Pro XML file |
|
|
436 | (1) |
|
|
|
436 | (1) |
|
|
|
437 | (1) |
|
|
|
438 | (2) |
|
|
|
440 | (1) |
|
|
|
441 | (1) |
| Index |
|
442 | |
