| Getting Started |
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xiii | |
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About Classroom in a Book |
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xiii | |
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xiii | |
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Installing Premiere Pro CC |
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Relinking the lesson files |
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Adobe Authorized Training Centers |
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xix | |
| 1 Touring Adobe Premiere Pro CC |
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2 | (24) |
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4 | (1) |
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Performing nonlinear editing in Premiere Pro |
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4 | (4) |
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8 | (2) |
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Touring the Premiere Pro interface |
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10 | (11) |
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Using and setting keyboard shortcuts |
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21 | (3) |
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24 | (1) |
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25 | (1) |
| 2 Setting Up A Project |
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26 | (24) |
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28 | (1) |
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29 | (3) |
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What do rendering and real time mean? |
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32 | (1) |
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The Mercury Playback Engine |
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33 | (2) |
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35 | (3) |
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Typical drive setup and network-based storage |
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38 | (3) |
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41 | (2) |
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43 | (2) |
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Creating a sequence preset |
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45 | (1) |
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Maximum Bit Depth and Maximum Render Quality Settings |
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45 | (2) |
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47 | (1) |
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48 | (1) |
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49 | (1) |
| 3 Importing Media |
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50 | (22) |
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52 | (1) |
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52 | (2) |
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Working with ingest options and proxy media |
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54 | (2) |
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Working with the Media Browser panel |
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56 | (1) |
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Importing from Adobe Prelude |
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57 | (4) |
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Making the most of the Media Browser |
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61 | (1) |
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Importing still image files |
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62 | (1) |
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62 | (2) |
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Image tips for Adobe Photoshop files |
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64 | (2) |
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66 | (1) |
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67 | (1) |
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Customizing the media cache |
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67 | (2) |
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69 | (1) |
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Tape vs. tapeless workflow |
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69 | (2) |
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71 | (1) |
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71 | (1) |
| 4 Organizing Media |
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72 | (30) |
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74 | (1) |
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74 | (6) |
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80 | (2) |
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82 | (2) |
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84 | (1) |
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Changing the available label colors |
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85 | (3) |
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How Metadata display settings are stored |
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88 | (1) |
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89 | (1) |
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90 | (5) |
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95 | (1) |
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What is an audio channel? |
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96 | (1) |
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A few tips on audio clip channel interpretation |
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97 | (4) |
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101 | (1) |
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101 | (1) |
| 5 Mastering The Essentials Of Video Editing |
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102 | (26) |
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104 | (1) |
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104 | (1) |
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Viewing video on a second monitor |
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105 | (2) |
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107 | (1) |
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Editing from the Project panel |
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108 | (2) |
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Navigating the Timeline panel |
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110 | (3) |
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113 | (6) |
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Using essential editing commands |
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119 | (4) |
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What happens if you use four points? |
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123 | (2) |
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Setting the duration for still images |
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125 | (1) |
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126 | (1) |
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127 | (1) |
| 6 Working With Clips And Markers |
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128 | (32) |
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130 | (1) |
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Using Program Monitor controls |
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130 | (1) |
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Comparing the Program Monitor and the Source Monitor |
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131 | (1) |
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132 | (4) |
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Setting the playback resolution |
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136 | (1) |
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Why are there so many ways to edit clips into a sequence? |
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136 | (3) |
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139 | (1) |
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What's the difference between 360 video and virtual reality? |
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139 | (2) |
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141 | (5) |
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Using Sync Lock and Track Lock |
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146 | (1) |
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Adding markers with Adobe Prelude |
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146 | (2) |
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Finding gaps in the sequence |
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148 | (1) |
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149 | (3) |
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152 | (2) |
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Default clip-nudging shortcuts |
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154 | (1) |
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Extracting and deleting segments |
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155 | (1) |
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Different shortcuts to add In and Out marks |
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156 | (3) |
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159 | (1) |
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159 | (1) |
| 7 Adding Transitions |
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160 | (22) |
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162 | (1) |
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163 | (1) |
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163 | (2) |
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Using edit points and handles |
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165 | (1) |
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166 | (6) |
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172 | (1) |
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Using A/B mode to fine-tune a transition |
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173 | (5) |
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178 | (3) |
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181 | (1) |
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181 | (1) |
| 8 Mastering Advanced Editing Techniques |
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182 | (30) |
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184 | (1) |
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Performing four-point editing |
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184 | (1) |
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Setting editing options for four-point edits |
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184 | (2) |
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186 | (1) |
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187 | (5) |
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Replacing clips and footage |
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192 | (1) |
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Recognizing the downstream effects of changing time |
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192 | (4) |
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196 | (2) |
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Performing regular trimming |
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198 | (2) |
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Performing advanced trimming |
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200 | (1) |
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Making ripple edits with keyboard shortcuts |
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201 | (3) |
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Trimming in the Program Monitor |
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204 | (4) |
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208 | (2) |
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210 | (1) |
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211 | (1) |
| 9 Putting Clips In Motion |
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212 | (26) |
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214 | (1) |
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Adjusting the Motion effect |
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214 | (5) |
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Changing clip position, size, and rotation |
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219 | (8) |
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Working with keyframe interpolation |
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227 | (2) |
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Temporal vs. spatial interpolation |
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229 | (1) |
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Adding a drop shadow and bevel |
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230 | (6) |
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236 | (1) |
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237 | (1) |
| 10 Editing And Mixing Audio |
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238 | (30) |
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240 | (1) |
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Setting up the interface to work with audio |
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240 | (4) |
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What is an audio channel? |
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244 | (1) |
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245 | (5) |
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Examining audio characteristics |
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250 | (1) |
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What are audio characteristics? |
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250 | (1) |
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Recording a voice-over track |
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251 | (1) |
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252 | (5) |
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Sending audio to Adobe Audition CC |
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257 | (1) |
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258 | (2) |
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260 | (1) |
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Adjusting audio levels for a clip |
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261 | (1) |
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Changing clip volume with keyboard shortcuts |
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262 | (3) |
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The difference between Pan and Balance |
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265 | (1) |
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266 | (1) |
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267 | (1) |
| 11 Sweetening Sound |
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268 | (28) |
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270 | (1) |
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Sweetening sound with the Essential Sound panel |
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270 | (1) |
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271 | (2) |
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273 | (14) |
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287 | (2) |
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Removing background noise with Adobe Audition |
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289 | (5) |
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294 | (1) |
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295 | (1) |
| 12 Adding Video Effects |
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296 | (36) |
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298 | (1) |
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298 | (7) |
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Other ways to apply effects |
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305 | (3) |
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Sending a clip to Adobe After Effects |
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308 | (2) |
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Working with master clip effects |
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310 | (3) |
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Masking and tracking visual effects |
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313 | (2) |
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315 | (4) |
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Understanding interpolation methods |
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319 | (1) |
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320 | (3) |
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Using frequently used effects |
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323 | (1) |
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323 | (6) |
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329 | (1) |
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330 | (1) |
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331 | (1) |
| 13 Improving Clips With Color Correction And Grading |
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332 | (40) |
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334 | (1) |
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334 | (1) |
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Understanding display color management |
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335 | (1) |
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Following a color-oriented workflow |
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336 | (1) |
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Color correction and color grading |
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336 | (9) |
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345 | (4) |
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About primary and secondary colors |
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349 | (1) |
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Additive and subtractive color |
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350 | (1) |
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351 | (2) |
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353 | (1) |
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Exploring the color-oriented effects |
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354 | (3) |
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357 | (4) |
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361 | (1) |
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When is color correction right? |
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361 | (7) |
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Using special color effects |
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368 | (1) |
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369 | (2) |
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371 | (1) |
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371 | (1) |
| 14 Exploring Compositing Techniques |
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372 | (22) |
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374 | (1) |
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What is an alpha channel? |
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375 | (1) |
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Making compositing part of your projects |
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376 | (3) |
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Working with the Opacity effect |
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379 | (3) |
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Working with alpha-channel transparencies |
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382 | (1) |
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Color keying a greenscreen shot |
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383 | (5) |
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388 | (4) |
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392 | (1) |
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393 | (1) |
| 15 Creating Graphics |
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394 | (34) |
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396 | (1) |
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Getting an overview of the Essential Graphics panel |
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396 | (6) |
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Mastering video typography essentials |
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402 | (7) |
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409 | (4) |
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413 | (3) |
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Creating a graphic or title in Adobe Photoshop CC |
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416 | (1) |
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Working with shapes and logos |
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417 | (2) |
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Making a graphic roll and crawl |
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419 | (2) |
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Working with template titles |
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421 | (2) |
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423 | (4) |
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427 | (1) |
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427 | (1) |
| 16 Exporting Frames, Clips, And Sequences |
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428 | (20) |
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430 | (1) |
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Understanding the export options |
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430 | (1) |
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431 | (1) |
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432 | (5) |
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Working with Adobe Media Encoder CC |
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437 | (1) |
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438 | (4) |
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Uploading to social media |
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442 | (1) |
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Exchanging with other editing applications |
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443 | (1) |
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Working with edit decision lists |
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444 | (1) |
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445 | (2) |
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447 | (1) |
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447 | (1) |
| Glossary |
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448 | (2) |
| Index |
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450 | |
