Getting Started |
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1 | (5) |
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About Classroom in a Book |
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1 | (1) |
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1 | (1) |
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Installing Adobe Premiere Pro CC |
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2 | (1) |
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2 | (1) |
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2 | (1) |
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Relinking the lesson files |
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3 | (1) |
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3 | (1) |
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How to access updates to this book |
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4 | (1) |
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4 | (1) |
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5 | (1) |
1 Touring Adobe Premiere Pro Creative Cloud |
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6 | (18) |
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8 | (1) |
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Nonlinear editing in Adobe Premiere Pro |
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8 | (3) |
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11 | (3) |
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Touring the Adobe Premiere Pro workspace |
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14 | (10) |
2 Setting Up A Project |
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24 | (22) |
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26 | (1) |
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27 | (11) |
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38 | (8) |
3 Importing Media |
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46 | (18) |
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48 | (1) |
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48 | (3) |
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Working with the Media Browser |
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51 | (4) |
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55 | (6) |
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61 | (3) |
4 Organizing Media |
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64 | (28) |
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66 | (1) |
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66 | (6) |
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72 | (7) |
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Organizing media with content analysis |
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79 | (3) |
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82 | (5) |
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87 | (5) |
5 Essentials Of Video Editing |
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92 | (26) |
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94 | (1) |
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94 | (7) |
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101 | (8) |
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Essential editing commands |
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109 | (9) |
6 Working With Clips And Markers |
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118 | (26) |
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120 | (1) |
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120 | (5) |
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125 | (2) |
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127 | (6) |
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Using Sync Lock and Track Lock |
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133 | (1) |
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Finding gaps in the Timeline |
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134 | (1) |
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135 | (2) |
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137 | (4) |
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Extracting and deleting segments |
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141 | (3) |
7 Adding Transitions |
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144 | (20) |
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146 | (1) |
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146 | (2) |
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148 | (1) |
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149 | (7) |
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Using A/B mode to fine-tune a transition |
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156 | (4) |
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160 | (4) |
8 Advanced Editing Techniques |
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164 | (36) |
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166 | (1) |
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166 | (2) |
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168 | (6) |
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Replacing clips and footage |
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174 | (5) |
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179 | (3) |
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182 | (2) |
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184 | (8) |
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Trimming in the Program Monitor |
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192 | (8) |
9 Putting Clips In Motion |
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200 | (28) |
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202 | (1) |
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Adjusting the Motion effect |
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202 | (6) |
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Changing clip position, size, and rotation |
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208 | (8) |
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Working with keyframe interpolation |
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216 | (4) |
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Using other motion-related effects |
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220 | (8) |
10 Multi-Camera Editing |
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228 | (14) |
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230 | (1) |
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231 | (1) |
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Creating a multi-camera sequence |
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231 | (4) |
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Switching multiple cameras |
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235 | (3) |
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Finalizing multi-camera editing |
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238 | (4) |
11 Editing And Mixing Audio |
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242 | (24) |
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244 | (1) |
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Setting up the interface to work with audio |
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245 | (7) |
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Examining audio characteristics |
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252 | (1) |
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252 | (5) |
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257 | (1) |
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Adjusting audio levels for a clip |
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258 | (8) |
12 Sweetening Sound |
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266 | (30) |
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268 | (1) |
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Sweetening sound with audio effects |
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269 | (5) |
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274 | (3) |
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Applying effects in the Audio Track Mixer |
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277 | (8) |
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285 | (11) |
13 Adding Video Effects |
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296 | (32) |
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298 | (1) |
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298 | (16) |
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314 | (4) |
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318 | (3) |
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321 | (7) |
14 Color Correction And Grading |
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328 | (34) |
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330 | (1) |
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331 | (11) |
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An overview of color-oriented effects |
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342 | (5) |
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347 | (2) |
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349 | (7) |
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356 | (2) |
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358 | (4) |
15 Exploring Compositing Techniques |
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362 | (24) |
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364 | (1) |
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What is an alpha channel? |
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364 | (2) |
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Making compositing part of your projects |
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366 | (2) |
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Working with the Opacity effect |
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368 | (3) |
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Working with alpha-channel transparencies |
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371 | (1) |
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Color keying a greenscreen shot |
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372 | (5) |
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377 | (9) |
16 Creating Titles |
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386 | (34) |
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388 | (1) |
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WA An overview of the Titler window |
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388 | (5) |
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Video typography essentials |
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393 | (5) |
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398 | (5) |
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403 | (5) |
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Working with shapes and logos |
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408 | (5) |
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Making text roll and crawl |
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413 | (7) |
17 Managing Your Projects |
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420 | (14) |
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422 | (1) |
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422 | (2) |
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Using the Project Manager |
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424 | (4) |
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Final project management steps |
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428 | (1) |
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Importing projects or sequences |
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429 | (1) |
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430 | (1) |
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Managing your hard drives |
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430 | (4) |
18 Exporting Frames, Clips, And Sequences |
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434 | (26) |
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436 | (1) |
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Overview of export options |
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436 | (1) |
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437 | (2) |
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439 | (3) |
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Working with Adobe Media Encoder |
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442 | (8) |
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Exchanging with other editing applications |
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450 | (6) |
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456 | (4) |
19 Authoring DVDs With Adobe Encore |
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A PDF of this chapter is available on the companion disc |
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Index |
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460 | |