Getting Started |
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1 | (7) |
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About Classroom in a Book |
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1 | (1) |
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2 | (1) |
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Installing Adobe Premiere Pro CS5 |
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2 | (1) |
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Adobe Premiere Pro CS5 trial |
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2 | (1) |
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3 | (1) |
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3 | (1) |
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4 | (1) |
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4 | (2) |
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6 | (1) |
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6 | (2) |
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1 Touring Adobe Premiere Pro CS5 |
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8 | (16) |
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Topics covered in this lesson |
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8 | (2) |
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New features in Adobe Premiere Pro CS5 |
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10 | (1) |
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Nonlinear editing in Adobe Premiere Pro CS5 |
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11 | (1) |
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Presenting the standard digital video workflow |
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12 | (1) |
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Enhancing the workflow with high-level features |
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12 | (1) |
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Incorporating other CS5 components into the editing workflow |
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13 | (2) |
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Adobe CS5 Production Premium workflow |
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15 | (1) |
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Touring the Adobe Premiere Pro workspace |
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15 | (2) |
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17 | (3) |
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Customizing the workspace |
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20 | (4) |
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2 Selecting Settings, Adjusting Preferences, and Managing Assets |
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24 | (20) |
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Topics covered in this lesson |
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24 | (2) |
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26 | (1) |
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Selecting project settings by sequence |
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26 | (1) |
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26 | (1) |
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Specifying project setting |
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27 | (2) |
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29 | (1) |
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Adjusting user preferences |
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30 | (2) |
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32 | (2) |
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Taking a closer look at images |
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34 | (3) |
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37 | (1) |
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37 | (3) |
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Exploring additional bin features |
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40 | (1) |
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Having multiple bins open at once |
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40 | (1) |
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41 | (1) |
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Finding assets with the Media Browser |
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42 | (2) |
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3 Importing And Managing Tapeless Media |
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44 | (14) |
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Topics covered in this lesson |
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44 | (2) |
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46 | (1) |
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Using a tapeless workflow |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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48 | (1) |
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Digital still cameras that shoot high-definition video |
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49 | (1) |
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49 | (1) |
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50 | (3) |
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53 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (3) |
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4 Shooting And Capturing Great Video Assets |
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58 | (18) |
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Topics covered in this lesson |
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58 | (2) |
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60 | (1) |
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Tips for shooting great video |
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60 | (1) |
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61 | (1) |
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61 | (1) |
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61 | (1) |
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Adhere to the rule of thirds |
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61 | (1) |
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62 | (1) |
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62 | (1) |
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62 | (1) |
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63 | (1) |
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63 | (1) |
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63 | (1) |
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63 | (1) |
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63 | (1) |
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Avoid fast pans and snap zooms |
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64 | (1) |
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64 | (1) |
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65 | (1) |
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65 | (1) |
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Get plenty of natural sound |
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65 | (1) |
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66 | (1) |
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66 | (1) |
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Three DV/HDV-capturing scenarios |
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67 | (1) |
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67 | (3) |
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Using batch capture and scene detection |
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70 | (1) |
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Use a clip-naming convention |
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71 | (2) |
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73 | (1) |
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Tackling manual analog movie capture |
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74 | (1) |
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Capturing HDV and HD video |
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74 | (2) |
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5 Creating Cuts-Only Videos |
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76 | (20) |
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Topics covered in this lesson |
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76 | (2) |
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78 | (1) |
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Using a storyboard to build a rough cut |
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78 | (2) |
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Arranging your storyboard |
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80 | (1) |
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Automating your storyboard to a sequence |
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80 | (2) |
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Editing clips on the Timeline |
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82 | (1) |
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82 | (3) |
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Using the Ripple Edit tool |
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85 | (1) |
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Moving clips to, from, and within the Timeline |
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86 | (1) |
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Using the current-time indicator to establish the edit point |
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87 | (1) |
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Adding clips to the Timeline with the Source Monitor |
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88 | (2) |
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Working with Source Monitor editing tools |
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90 | (1) |
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91 | (1) |
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Adjusting clips in the Trim panel |
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92 | (1) |
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Using other editing tools |
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93 | (3) |
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6 Adding Video Transitions |
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96 | (18) |
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Topics covered in this lesson |
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96 | (2) |
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98 | (1) |
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Using transitions with restraint |
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98 | (1) |
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99 | (1) |
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99 | (1) |
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99 | (4) |
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103 | (1) |
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Changing parameters in the Effect Controls panel |
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104 | (2) |
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Using A/B mode to fine-tune a transition |
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106 | (1) |
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Working with the Effect Controls panel's A/B feature |
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106 | (3) |
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Dealing with inadequate (or no) head or tail handles |
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109 | (1) |
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Applying transitions to multiple clips at once |
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110 | (1) |
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111 | (3) |
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7 Creating Dynamic Titles |
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114 | (26) |
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Topics covered in this lesson |
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114 | (2) |
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116 | (1) |
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Strengthening your project with titles |
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116 | (1) |
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117 | (4) |
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Building text from scratch |
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121 | (4) |
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125 | (2) |
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127 | (3) |
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130 | (2) |
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Making text roll and crawl |
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132 | (2) |
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Adding text effects: sheens, strokes, shadows, and fills |
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134 | (3) |
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137 | (3) |
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8 Applying Specialized Editing Tools |
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140 | (22) |
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Topics covered in this lesson |
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140 | (2) |
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142 | (1) |
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Exploring timesaving editing tools |
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142 | (2) |
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Making rolling, slide, and slip edits |
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144 | (2) |
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Using the Program Monitor's Lift and Extract buttons |
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146 | (2) |
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Replacing a clip and replacing footage |
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148 | (1) |
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Using the Replace Clip feature |
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148 | (1) |
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Using the Replace Footage feature |
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149 | (1) |
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Using Sync Lock and Track Lock |
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150 | (1) |
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150 | (1) |
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150 | (1) |
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Finding gaps in the timeline |
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151 | (1) |
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Editing with In and Out points around a clip |
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152 | (2) |
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Creating subclips from the Source Monitor |
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154 | (1) |
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154 | (1) |
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Creating the initial multicamera sequence |
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155 | (3) |
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Switching multiple cameras |
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158 | (2) |
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Finalizing multicamera editing |
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160 | (1) |
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Changing an edit in the Timeline |
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160 | (1) |
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160 | (2) |
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162 | (22) |
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Topics covered in this lesson |
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162 | (2) |
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164 | (1) |
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Sampling some basic video effects |
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165 | (4) |
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Applying effects to multiple clips |
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169 | (1) |
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Adding keyframing effects |
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169 | (4) |
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Extra credit: combining effects |
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173 | (1) |
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Adding keyframe interpolation and velocity |
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173 | (5) |
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One additional velocity/interpolation issue |
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178 | (1) |
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178 | (2) |
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180 | (4) |
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10 Putting Clips In Motion |
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184 | (20) |
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Topics covered in this lesson |
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184 | (2) |
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186 | (1) |
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Applying the Motion effect to clips |
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186 | (1) |
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Examining Motion settings |
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187 | (4) |
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Changing clip size and adding rotation |
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191 | (2) |
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Adding rotation and changing the anchor point |
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193 | (1) |
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Working with keyframe interpolation |
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194 | (2) |
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Creating a picture-in-picture effect |
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196 | (1) |
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Enhancing motion with shadows and beveled edges |
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197 | (2) |
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199 | (1) |
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Using other motion-related effects: Transform, Basic 3D and Camera View |
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200 | (1) |
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200 | (1) |
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201 | (3) |
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204 | (12) |
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Topics covered in this lesson |
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204 | (2) |
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206 | (1) |
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Using slow-motion and reverse-motion techniques |
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206 | (1) |
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207 | (1) |
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Changing speed with the Rate Stretch tool |
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208 | (1) |
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Enabling variable time changes with time remapping |
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209 | (2) |
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Applying time remapping with speed transitions |
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211 | (1) |
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Using time remapping with reverse motion |
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211 | (1) |
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Recognizing the downstream effects of changing time |
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212 | (1) |
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Changing the speed of multiple clips simultaneously |
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213 | (1) |
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Changing the length of multiple stills simultaneously |
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214 | (2) |
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12 Acquiring And Editing Audio |
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216 | (22) |
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Topics covered in this lesson |
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216 | (2) |
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218 | (1) |
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218 | (1) |
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Setting up a basic voice-recording area |
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219 | (1) |
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Voicing professional narrations |
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219 | (1) |
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Creating a high-quality aural experience |
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220 | (1) |
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Examining audio characteristics |
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221 | (6) |
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227 | (2) |
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Adjusting audio in the Effect Controls panel |
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229 | (2) |
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231 | (2) |
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233 | (2) |
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235 | (3) |
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13 Sweetening Your Sound And Mixing Audio |
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238 | (24) |
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Topics covered in this lesson |
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238 | (2) |
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240 | (1) |
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Sweetening sound with audio effects |
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240 | (4) |
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Trying stereo and 5.1 surround sound effects |
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244 | (2) |
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Looking at one more VST plug-in |
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246 | (1) |
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Editing keyframes by using the clip effect menu |
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246 | (1) |
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Working with the Audio Mixer |
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247 | (4) |
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Automating changes in audio tracks |
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251 | (1) |
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Outputting tracks to submixes |
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251 | (2) |
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253 | (1) |
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Creating a 5.1 surround sound mix |
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254 | (2) |
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Fixing, sweetening, and creating soundtracks in Adobe Soundbooth |
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256 | (1) |
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256 | (4) |
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Adding audio effects in Adobe Soundbooth |
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260 | (2) |
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262 | (10) |
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Topics covered in this lesson |
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262 | (2) |
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264 | (1) |
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Transcribing speech to text |
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264 | (3) |
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Enhancing the accuracy of speech analysis |
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267 | (1) |
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Searching transcription for keywords |
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268 | (1) |
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Setting in and Out points using speech analysis text |
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268 | (1) |
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269 | (1) |
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Detecting faces in a sequence |
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270 | (2) |
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15 Exploring Compositing Techniques |
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272 | (18) |
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Topics covered in this lesson |
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272 | (2) |
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274 | (1) |
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Making compositing part of your projects |
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274 | (1) |
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Shooting videos with compositing in mind |
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275 | (1) |
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Working with the Opacity effect |
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275 | (2) |
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Combine layers based on a blend mode |
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277 | (1) |
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Working with alpha-channel transparencies |
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278 | (1) |
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Using video effects that work with graphic-file alpha channels |
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279 | (1) |
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Color keying a green-screen shot with Ultra Key |
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280 | (1) |
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Using the Ultra Key effect |
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281 | (2) |
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283 | (3) |
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Using mattes that use graphics or other clips |
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286 | (1) |
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287 | (1) |
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287 | (3) |
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16 Working With Color, Nested Sequences, And Shortcuts |
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290 | (20) |
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Topics covered in this lesson |
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290 | (2) |
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292 | (1) |
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An overview of color-oriented effects |
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292 | (1) |
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293 | (1) |
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Color removal or replacement |
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293 | (1) |
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293 | (1) |
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294 | (1) |
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Adjusting and enhancing color |
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294 | (1) |
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294 | (1) |
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The Change to Color effect |
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295 | (1) |
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296 | (1) |
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The Color Balance (RGB) effect |
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296 | (1) |
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297 | (1) |
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The Fast Color Corrector effect |
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298 | (2) |
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300 | (2) |
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302 | (1) |
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Getting to know the recommended keyboard shortcuts |
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303 | (1) |
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304 | (2) |
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Most frequently used shortcuts |
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306 | (4) |
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17 Managing Your Projects |
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310 | (10) |
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Topics covered in this lesson |
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310 | (2) |
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312 | (1) |
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312 | (3) |
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315 | (1) |
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Using the Project Manager |
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316 | (1) |
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Working with a trimmed project |
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317 | (1) |
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Collecting files and copying them to a new location |
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317 | (1) |
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Final project management steps |
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317 | (1) |
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Importing projects or sequences |
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318 | (2) |
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18 Exploring Adobe Onlocation CS5 |
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320 | (16) |
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Topics covered in this lesson |
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320 | (2) |
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322 | (1) |
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Setting up Adobe OnLocation |
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322 | (2) |
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Calibrating your camera with Camera Setup Assistant |
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324 | (1) |
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324 | (1) |
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325 | (1) |
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Setting your iris/exposure |
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325 | (1) |
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Setting your white balance |
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326 | (1) |
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326 | (1) |
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Recording video to a shot list |
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327 | (1) |
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Analyzing video with Adobe OnLocation |
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328 | (1) |
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Working with the Waveform Monitor |
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328 | (2) |
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Analyzing color with the Vectorscope |
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330 | (1) |
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Analyzing audio with Adobe OnLocation |
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331 | (1) |
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Importing clips not captured with Adobe OnLocation |
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331 | (3) |
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Importing OnLocation clips with the Adobe Premiere Pro Media Browser |
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334 | (2) |
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19 Using Photoshop And After Effects To Enhance Your Video Projects |
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336 | (16) |
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Topics covered in this lesson |
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336 | (2) |
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338 | (1) |
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Exploring Adobe Creative Suite 5 Production Premium |
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338 | (1) |
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Importing Adobe Photoshop files as sequences |
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339 | (2) |
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Re-creating the lower-third animation |
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341 | (2) |
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Using Dynamic Link with After Effects |
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343 | (1) |
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Surveying After Effects features |
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343 | (1) |
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Looking at the Adobe After Effects workspace |
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343 | (2) |
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Animating the lower third |
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345 | (2) |
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Importing a project from Adobe After Effects to Adobe Premiere Pro using Adobe Dynamic Link |
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347 | (1) |
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Editing an existing dynamically linked animation |
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348 | (1) |
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Replacing a clip with an After Effects composition |
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349 | (3) |
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20 Exporting Frames, Clips, And Sequences |
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352 | (22) |
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Topics covered in this lesson |
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352 | (2) |
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354 | (1) |
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Overview of export options |
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354 | (1) |
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Checking out export options |
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355 | (1) |
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356 | (1) |
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Recording to an analog recorder without device control |
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357 | (1) |
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358 | (1) |
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Exporting a single frame via the Export Frame function |
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358 | (1) |
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Using the Export Settings dialog |
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359 | (3) |
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Working with Adobe Media Encoder |
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362 | (2) |
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364 | (2) |
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366 | (1) |
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Exporting to mobile devices |
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367 | (2) |
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Exporting to Final Cut Pro |
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369 | (1) |
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Working with edit decision lists |
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370 | (4) |
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21 Authoring DVDS With Adobe Encore CS5 |
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374 | (14) |
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Topics covered in this lesson |
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374 | (2) |
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376 | (1) |
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Overview of DVD authoring in Adobe Premiere Pro |
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376 | (2) |
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Adding Adobe Encore chapter markers to the Timeline |
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378 | (1) |
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379 | (3) |
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382 | (2) |
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384 | (1) |
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385 | (1) |
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Exporting DVD projects to Flash |
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385 | (3) |
Index |
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388 | |