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Aesthetic Legacy of Eduard Hanslick: Close Readings and Critical Perspectives [Kõva köide]

Edited by (UC Santa Barbara, USA), Edited by (Independent Scholar), Edited by (Austrian Centre for Digital Humanities and Cultural Heritage, Vienna)
  • Formaat: Hardback, 320 pages, kõrgus x laius: 229x152 mm, kaal: 640 g, 1 Tables, black and white; 3 Line drawings, black and white; 3 Illustrations, black and white
  • Sari: Routledge Research in Aesthetics
  • Ilmumisaeg: 20-Nov-2024
  • Kirjastus: Routledge
  • ISBN-10: 0367856131
  • ISBN-13: 9780367856137
  • Formaat: Hardback, 320 pages, kõrgus x laius: 229x152 mm, kaal: 640 g, 1 Tables, black and white; 3 Line drawings, black and white; 3 Illustrations, black and white
  • Sari: Routledge Research in Aesthetics
  • Ilmumisaeg: 20-Nov-2024
  • Kirjastus: Routledge
  • ISBN-10: 0367856131
  • ISBN-13: 9780367856137
"This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick's influential aesthetic treatise, On the Musically Beautiful. In bringing together the various approaches and accounts of the different textual,historical, conceptual, and philosophical challenges posed by Hanslick's aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues"--

This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise,?On the Musically Beautiful?(1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach.



This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise,?On the Musically Beautiful?(1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach.

The collection?features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which has recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments.

In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics,?The Aesthetic Legacy of Eduard Hanslick?will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.

Preface Lee Rothfarb, Alexander Wilfing, and Christoph Landerer Part 1:
History of and in On the Musically Beautiful
1. Dynamizing On the Musically
Beautiful: The Development of Hanslicks Aesthetic Ideas across
Chapters and
Editions Christoph Landerer and Alexander Wilfing
2. Hanslicks Concept(s) of
Beauty in Relation to History Alexander Wilfing Part 2: Form
3. Hanslick on
the Purposiveness of Musical Form Hanne Appelqvist
4. Taking Hanslick at His
Music-Theoretical Word Lee Rothfarb Part 3: Emotion
5. Music, Feeling, and
Musical Listening: Themes from
Chapters 4 and 5 of On the Musically Beautiful
Nick Zangwill and Alexander Wilfing
6. Hanslicks Emotional Legacy Lawrence
M. Zbikowski Part 4: Imagination and Performance
7. Hanslicks Theory of
Musical Imagination Theodore Gracyk
8. A Problematic Legacy: Hanslicks On
the Musically Beautiful and the Status of Performance as Supplementary to
Beauty Anthony Pryer Part 5: Contemporary Reception
9. Robert Zimmermanns
1854 Review of On the Musically Beautiful: A Translation and Commentary Mark
Evan Bonds
10. Challenges to the Musically Beautiful: Music Drama and the
Psychological Turn in Later Nineteenth-Century Aesthetics Thomas S. Grey
List of Abbreviations Collective Bibliography
Lee Rothfarb taught at the University of Michigan, Tulane, Harvard, and UC Santa Barbara. He originated Music Theory Online and was voted a Lifetime Member of the SMT. Publications include two monographs (Ernst Kurth, August Halm), translations from Kurths works, and a co-translation of Eduard Hanslicks Vom Musikalisch-Schönen.

Alexander Wilfing is principal investigator of the project Eduard Hanslicks Criticism between Aesthetics, Journalism, and Scholarship at the Austrian Centre for Digital Humanities and Cultural Heritage in Vienna. Publications on Hanslick include his monograph Re-Reading Hanslicks Aesthetics (2019) and the edited volume Hanslick im Kontext / Hanslick in Context (2020).

Christoph Landerer is a research associate at the Paris Lodron University Salzburg. He was principal investigator of several projects exploring On the Musically Beautiful. Publications include his monograph Eduard Hanslick und Bernard Bolzano (2004), and the edited volumes Eduard Hanslick zum Gedenken (2010) and Hanslick im Kontext / Hanslick in Context (2020).