In an overview of developments spanning the past seventy years, Siegfried Zielinski discusses how the means of technology-based communication assumed a systemic character and how theory, art, and criticism were operative in this process. [ . . . After the Media] advocates for a distinction to be made between online existence and offline being.
The media are now redundant. In an overview of developments spanning the past seventy years, Siegfried Zielinski’s [ . . . After the Media] discusses how the means of technology-based communication assumed a systemic character and how theory, art, and criticism were operative in this process. Media-explicit thinking is contrasted with media-implicit thought. Points of contact with an arts perspective include a reinterpretation of the artist Nam June Paik and an introduction to the work of Jake and Dinos Chapman. The essay ends with two appeals. In an outline of a precise philology of exact things, Zielinski suggests possibilities of how things could proceed after the media. With a vade mecum against psychopathia medialis in the form of a manifesto, the book advocates for a distinction to be made between online existence and offline being.
Preface |
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1 | (8) |
Introduction [ The Argument] The Media Have Become Superfluous |
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9 | (14) |
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1 Critique of the Strategic Generalization the Media, Their Provenance and Aims: An Unabashed tour d'horizon |
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23 | (102) |
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2 In Praise of What Is Not Systemic about the Arts: For a cultura experimentalis |
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125 | (48) |
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3 Thinking Media Explicitly and Implicitly --- and the Intimation of a Perspective: For an Exact Philology of Precise Things |
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173 | (68) |
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4 Be Offline and Exist Online |
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241 | (14) |
Vademecum for the Prevention of psychopathia medialis [ Manifesto] |
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255 | (10) |
Select Bibliography of Literature Used and Literature Cited |
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265 | |
Siegfried Zielinski is professor of media theory at the University of Arts (UdK) Berlin as well as Michel Foucault Professor of Media Archaeology and Techno-Culture at the European Graduate School in Saas-Fee, Switzerland. He is also director of the VilÉm Flusser Archive at the UniversitÄt der KÜnste in Berlin.