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Alexander Girard, Architect: Creating Midcentury Modern Masterpieces [Kõva köide]

  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 218x276x17 mm, kaal: 865 g, 144 Colour Images
  • Sari: Painted Turtle
  • Ilmumisaeg: 30-Jun-2018
  • Kirjastus: Wayne State University Press
  • ISBN-10: 0814343651
  • ISBN-13: 9780814343654
Teised raamatud teemal:
  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 218x276x17 mm, kaal: 865 g, 144 Colour Images
  • Sari: Painted Turtle
  • Ilmumisaeg: 30-Jun-2018
  • Kirjastus: Wayne State University Press
  • ISBN-10: 0814343651
  • ISBN-13: 9780814343654
Teised raamatud teemal:
Showcases the bold, innovative, and colorful architectural designs of Alexander Girard.

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937­–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard’s exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.

One exciting element of the book is the rediscovery of another Girard masterpiece—the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard’s Detroit design work at midcentury. Stunning color photographs capture the unique design elements—including the boldly colored glazed brick walls of the atrium—reminiscent of Girard’s role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book.

Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

Preface xii
Foreword xiiii
Ruth Adler Schnee
Introduction 1(8)
1 Connections: Modern Design In Postwar Michigan
9(14)
Cranbrook Academy Of Art
10(3)
Herman Miller
13(3)
Ecro saarinen
16(3)
Minoru Yamasaki
19(4)
2 Promotion: Girard's Studios and Exhibitions
23(20)
Girard's Grosse Pointe Studios
23(5)
For Modern Living at the Detroit Institute of Arts
28(15)
3 Tradition and Innovation: Girard and Grosse Pointe Architecture
43(20)
Tradition: Style and Status in Grosse Pointe
45(4)
Innovation: The Alexander and Susan Girard House
49(14)
4 Collaboration and Experimentation: Girard, Yamasaki, and Lothrop Road (1949--50)
63(7)
Expansion: The Pine Woods "Enclave"
65(1)
Collaboration: The Daniel and Margaret Goodenough House
65(8)
Experimentation: The Richard and Margaret Jackson House
73(6)
5 Culmination: The John and Kathleen McLucas House
79(1)
Patrons
79(5)
Architecture: "A New Concept of Beauty"
84(31)
6 Radical Iteration: The George and Betty Rieveschl House
115(14)
Conclusion: Girard from Detroit to Santa Fe 129(7)
Appendix: Alexander Girard Design Sites in Grave Pointe, circa 1950 136(1)
Acknowledgments 137(4)
Notes 141(18)
Bibliography 159(8)
Index 167
Deborah Lubera Kawsky completed her undergraduate studies at Smith College and her PhD in art history at Princeton University. She is an adjunct associate professor at Madonna University, where she teaches art history courses and leads European study-abroad trips. Her current projects relate to Detroit history, art, and architecture.