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Algorithmic Composition: Paradigms of Automated Music Generation 2009 ed. [Kõva köide]

  • Formaat: Hardback, 287 pages, kõrgus x laius: 235x155 mm, kaal: 617 g, X, 287 p. With 20 tables., 1 Hardback
  • Ilmumisaeg: 05-Nov-2008
  • Kirjastus: Springer Verlag GmbH
  • ISBN-10: 321175539X
  • ISBN-13: 9783211755396
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  • Formaat: Hardback, 287 pages, kõrgus x laius: 235x155 mm, kaal: 617 g, X, 287 p. With 20 tables., 1 Hardback
  • Ilmumisaeg: 05-Nov-2008
  • Kirjastus: Springer Verlag GmbH
  • ISBN-10: 321175539X
  • ISBN-13: 9783211755396
Teised raamatud teemal:
Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.

This pragmatic book provides a detailed overview of prominent procedures of algorithmic composition. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context.
Introduction
1(6)
References
6(1)
Historical Development of Algorithmic Procedures
7(60)
Interdependencies
7(2)
Development of Symbol, Writing System and Numeral System
9(4)
Much Ado About Nothing - The Development of the Zero
13(2)
The Formalization of Thinking Processes
15(2)
A Truth Machine from the 13th Century
17(4)
Early Approaches to Algorithmic Composition
21(5)
A Utopia of an All-Embracing Representation of Knowledge
26(2)
Calculating Machines
28(5)
A New Numeral System for Automated Calculations
33(1)
Replacing the Mechanistic Determinism
34(2)
Language and Music Generators - A Book of Books
36(3)
From the Loom to the ``Analytical Engine''
39(5)
The Implementation of Logical Operations
44(1)
On Formally Undecidable Propositions
45(3)
From Census Collector to Chess World Champion
48(10)
Automata and Computability
58(3)
The Model of a Universal Computer
61(1)
Programming
62(1)
The Computer in Algorithmic Composition
63(4)
References
65(2)
Markov Models
67(16)
Theoretical Basis
68(1)
Hidden Markov Models
69(2)
Markov Models in Algorithmic Composition
71(6)
Alternative Formalisms
75(2)
Hidden Markov Models in Algorithmic Composition
77(4)
A Hierarchical Model
78(2)
Stylistic Classification
80(1)
Synopsis
81(2)
References
82(1)
Generative Grammars
83(38)
Generative Grammars as a Model of the Theory of Syntax
84(7)
The Chomsky Hierarchy
87(3)
Grammatical Transformation
90(1)
Generative Grammars in Algorithmic Composition
91(26)
Musical Analysis by Generative Models
93(3)
Folk Music and European Art Music
96(3)
Music Ethnology
99(2)
Bol Processor
101(5)
Jazz
106(6)
Grammatical Inference
112(5)
Synopsis
117(4)
References
118(3)
Transition Networks
121(10)
Experiments in Musical Intelligence
122(5)
Petri Nets
127(2)
Petri Nets in Algorithmic Composition
128(1)
Synopsis
129(2)
References
130(1)
Chaos and Self-Similarity
131(26)
Chaos Theory
131(3)
Strange Attractors
134(1)
Fractals
135(2)
Lindenmayer Systems
137(7)
Forms of Lindenmayer Systems
139(5)
Chaos and Self-Similarity in Algorithmic Composition
144(4)
Fractional Noise
144(2)
Chaotic Systems
146(2)
Lindenmayer Systems in Algorithmic Composition
148(5)
Mapping Strategies of Different Lindenmayer Systems
149(4)
Synopsis
153(4)
References
155(2)
Genetic Algorithms
157(30)
The Biological Model
157(1)
Genetic Algorithms as Stochastic Search Techniques
158(3)
Genetic Programming
161(3)
Genetic Algorithms in Algorithmic Composition
164(18)
Analogies to the Process of Composition
165(2)
Varieties of Genetic Operations and Fitness Ratings
167(3)
Limits of Genetic Algorithms - A Comparison
170(3)
Rhythmic Generators
173(1)
Applications of Genetic Programming
174(2)
Interactive Systems
176(4)
Artificial Life-Forms
180(2)
Synopsis
182(5)
References
184(3)
Cellular Automata
187(18)
Historical Framework and Theoretical Basics
187(2)
Types of Cellular Automata
189(6)
1-Dimensional Cellular Automata
189(2)
2-Dimensional Cellular Automata
191(2)
3-Dimensional Cellular Automata
193(1)
Extended Types of Cellular Automata
194(1)
Cellular Automata in Algorithmic Composition
195(6)
Polyrhythmic Structures
200(1)
Comparison of Cellular Automata
200(1)
Synopsis
201(4)
References
203(2)
Artificial Neural Networks
205(20)
Theoretical Basis
206(1)
Historical Development of Neural Networks
207(1)
The Architecture of Neural Networks
208(5)
The Perceptron
209(2)
The Back-Propagation Net as an Extension of the Perceptron
211(1)
Recurrent Neural Networks
211(1)
Kohonen Feature Maps
212(1)
Hopfield Nets
212(1)
The Adaptive Resonance Theory
212(1)
Artificial Neural Networks in Algorithmic Composition
213(8)
Strategies of Musical Representation
214(5)
Boltzmann Machines and LSTMs
219(2)
Synopsis
221(4)
References
222(3)
Artificial Intelligence
225(34)
Algorithmic Composition in AI
228(26)
State Space
231(2)
Context-Dependent Variants of Knowledge Representation
233(2)
Reasoning
235(1)
Production Systems and Rule-Based Systems
236(8)
Machine Learning
244(8)
Agents
252(2)
Synopsis
254(5)
References
255(4)
Final Synopsis
259(16)
Algorithmic composition as a genuine method of composition
259(3)
The dominance of style imitation in algorithmic composition
262(2)
Origins and characteristics of the treated procedures
264(2)
Strategies of encoding, representation and musical mapping
266(3)
The evaluation of generated material
269(1)
Limits of algorithmic composition
270(2)
Transpersonalization and systems of ``universal'' validity
272(1)
Concluding remark
272(3)
References
273(2)
Index 275