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Allah's Automata: Artifacts of the Arab-Islamic Renaissance (800-1200) [Pehme köide]

  • Formaat: Paperback / softback, 150 pages, kõrgus x laius x paksus: 274x226x15 mm, kaal: 816 g
  • Ilmumisaeg: 10-Feb-2016
  • Kirjastus: Hatje Cantz
  • ISBN-10: 3775741062
  • ISBN-13: 9783775741064
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  • Formaat: Paperback / softback, 150 pages, kõrgus x laius x paksus: 274x226x15 mm, kaal: 816 g
  • Ilmumisaeg: 10-Feb-2016
  • Kirjastus: Hatje Cantz
  • ISBN-10: 3775741062
  • ISBN-13: 9783775741064
Teised raamatud teemal:
The first Renaissance did not take place in Europe, but in Mesopotamia: Arabic-Islamic culture functioned as a mediator between classical antiquity and the early modern age in Europe. This volume, edited by renowned theorist Siegfried Zielinski, explores the rich and fascinating world of the automata that were developed and built during the golden age of the Arabic-Islamic cultures, the period from the early 9th to the 13th century. These machines, built to glorify God, draw mainly on the traditions of Greek Alexandria and Byzantium. They introduced spectacular innovations, which did not emerge in Europe until the modern era: permanent energy supply, universalism and programmability. Additionally, four of the master manuscripts of automata construction from Baghdad, Kurdistan and Andalusia are presented here: the Kitab ait Hiyal (Book of Ingenious Devices, circa 850 AD) by Banu Musa Ibn-akir; the Kitab al-urghanun (Book of the Organ, from the same period), a precedent for all modern programmable music automata; the Kitab fi ma'rifat al-hiyal al-handasiyya (Compendium on the Theory and Practice of the Mechanical Arts, 1206 AD) by the Kurdish engineer Al-Jazari; and the Kitab al-Asrar fi Nataij al Afkar (Book of Secrets) by the Andalusian engineer Ali Ibn Khalaf al-Muradi.
How Did the Knowledge of the Ancient Greeks Reach Medieval Europe?
6(6)
Peter Weibel
Allah's Automata. Where Ancient Oriental Learning Intersects with Early Modern Europe. A Media-Archaeological Miniature by Way of Introduction
12(28)
Siegfried Zielinski
Banu Musa ibn Shakir, Kitab al-hiyal [ The Book of Ingenious Devices], ca. 830
28(12)
Wavering Between the True and the False: A Short Excursion through Greek and Arab Automata
40(9)
Nadia Ambrosetti
Eilhard Wiedemann, "Uber Musikautomaten," 1915, first page
48(1)
On Musical Automata (1915)
49(9)
Eilhard Wiedemann
Baruch Gottlieb
The Flute Player: Automata from Ancient Sources
56(2)
The Mysterious Provenance of Banu Musa's Treatise on Music
58(10)
George Saliba
Banu Musa ibn Shakir, al-Ala allati tuzammir bi-nafsiha [ The Instrument Which Plays by Itself], ca. 850
65(1)
George Farmer, The Organ of the Ancients, 1931, front page
66(2)
Banu Musa ibn Shakir: A Programmable Universal Musical Automaton. Two Translations
The Instrument Which Plays by Itself (1931)
George Farmer
Das Instrument, das selbststandig blasen kann (2015)
68(19)
Imad Samir
The Automatic Mechanical Hydraulic Organ of the Banu Musa ibn Shakir
87(5)
Mona Sanjakdar Chaarani
Berlin University of the Arts: Reconstruction of the Banu Musa's Music Automaton According to Their Description
92(2)
Audible Splendor -- The Organ: Development and Effects in Classical Antiquity and the Middle Ages
94(6)
Susanne Ruhling
Divine Water Clock: Reading al-Jazari in the Light of al-Ghazali's Mechanistic Universe Argument
100(6)
Ayhan Aytes
Ibn al-Razzaz al-Jazari, al-Jami' bayn al-'ilm wa-'l-'amal an-nafi'fi sina'at al-hiyal [ A Compendium on the Theory and Praxis of the Mechanical Arts], 1206
106(10)
The Horologium of Harun al-Rashid Presented to Charlemagne: An Attempt to Identify and Reconstruct the Clock Using the Instructions Provided by al-Jazari
116(7)
Ulrich Alertz
The Manuscript by al-Muradi from Andalusia
123(7)
Massimiliano Lisa
Edoardo Zanon
Mario Taddei
The Mechanical Corpus of al-Isfizari in the Sciences of Weights and Ingenious Devices: New Arabic Texts in Theoretical and Practical Mechanics
130(6)
Mohammed Abattouy
Salim T S al-Hassani
A Women's Ensemble in Syrian Late Antiquity
136(6)
Claus-Peter Haase
Sources and Translations 142(1)
Bibliography 143(4)
Credits 147(1)
Authors and Editors 148