Muutke küpsiste eelistusi

Analytical Studies in World Music: Analytical Studies in World Music [Pehme köide]

Edited by (Professor of Music, University of British Columbia)
  • Formaat: Paperback / softback, 456 pages, kõrgus x laius x paksus: 234x155x31 mm, kaal: 658 g, numerous musical examples, halftones, tables and line drawings
  • Sari: Analytical Studies in World Music
  • Ilmumisaeg: 15-Jun-2006
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0195177894
  • ISBN-13: 9780195177893
Teised raamatud teemal:
  • Formaat: Paperback / softback, 456 pages, kõrgus x laius x paksus: 234x155x31 mm, kaal: 658 g, numerous musical examples, halftones, tables and line drawings
  • Sari: Analytical Studies in World Music
  • Ilmumisaeg: 15-Jun-2006
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0195177894
  • ISBN-13: 9780195177893
Teised raamatud teemal:
Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses.

Selections on the companion website are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.

Arvustused

Tenzer's arguement is clear and well informed * Kevin Dawe, B.J Music Ed., Volume 2/13, 2008 * I am confident that ASWM will become a recognised teaching tool * Kevin Dawe,B.J Music Ed., Volume 2/13, 2008 *

List of Figures
ix
Contributors xvii
Introduction Analysis, Categorization, and Theory of Musics of the World 3(36)
Michael Tenzer
PART I Sectional Periodicities: Poetry, Song, Ritual
39(122)
Nava'i, A Musical Genre of Northeastern Iran
41(17)
Stephen Blum
How to Spin a Good Horo: Melody, Mode, and Musicianship in the Composition of Bulgarian Dance Tunes
58(34)
Donna A. Buchanan
Stuart Folse
Flamenco in Focus: An Analysis of a Performance of Soleares
92(28)
Peter Manuel
An Afro-Cuban Bata Piece for Obatala, King of the White Cloth
120(41)
Robin Moore
Elizabeth Sayre
PART II Isoperiodicity: From Strict to Discursive, with Variations
161(112)
Aka Polyphony: Music, Theory, Back and Forth
163(42)
Susanne Furniss
Oleg Tumulilingan: Layers of Time and Melody in Balinese Music
205(32)
Michael Tenzer
Flexing the Frame in Javanese Gamelan Music: Playfulness in a Performance of Ladrang Pangkur
237(36)
R. Anderson Sutton
Roger R. Vetter
PART III Linear Composition in Periodic Contexts
273(142)
``Yang's Eight Pieces'': Composing a Musical Set-Piece in a Chinese Local Opera Tradition
275(28)
Jonathan P. J. Stock
Architectonic Composition in South Indian Classical Music: The ``Navaragamalika Varnam''
303(29)
Robert Morris
Mozart: Piano Concerto No. 17 in G Major, K. 453, Movement I
332(45)
William Benjamin
Autonomy and Dialogue in Elliott Carter's Enchanted Preludes
377(38)
John Roeder
Contents of the Compact Disk 415(2)
Index 417


Michael Tenzer is a professor of music at the University of British Columbia. He is the author of Balinese Music (1991, 2nd edition 1998) and Gamelan Gong Kebyar: The Art of Twentieth Century Balinese Music (2000), which received the 34th ASCAP Deems Taylor Award and the Society for Ethnomusicology's Merriam Prize. He is also an internationally acclaimed composer in a diversity of genres.