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Anamorphic Distortion in Literature, Visual Art and Film [Kõva köide]

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Anamorphic Distortion in Literature, Visual Art and Film explores four key types of anamorphic distortion in media across several centuries.



Anamorphic Distortion in Literature, Visual Art and Film explores four key types of anamorphic distortion in media across several centuries.

Every work of art that involves anamorphosis invites the viewer or reader to decrypt its distortional elements, resolve confusion and seek understanding, creating a balance between disruption and wholeness. To do this with the works examined — ranging from Hans Holbein’s The Ambassadors to Hamlet to Mulholland Drive — this book favours close, almost archaeological readings of works instead of analyses relying primarily on hegemonic critical theory, which often imposes external meanings and focuses on uncovering flaws or hidden ideologies. The author resists theoretical critique invasive tendency towards negativity and disconfirmation bias — interpreting texts based on preconceived assumptions, often ignoring what genuinely draws people to art and literature. While the search for "the secret perspective" might seem similar to theoretical critique, this book is set apart by its method of emphasizing the discovery of anamorphic elements from within the work itself and by its selective use of theory. The goal is an open, nuanced, stereoscopic analysis of anamorphosis across time.

Anamorphic Distortion in Literature, Visual Art and Film is intended for scholars, students and general readers of art and the history of ideas in the humanities.  

Arvustused

"In Anamorphic Distortion in Literature, Visual Art and Film, TONY FABIJANI discusses the hidden view of anamorphosis forms of distortion or a reforming in a range of literature, art and film, ranging between theory and practice and bringing a comparative perspective that should help the reader see anew and find different angles of insight and interpretation."

--Jonathan Locke Hart, Harvard University/University of Toronto, Canada

Anamorphic Distortion in Literature, Visual Art and Film is a welcome alternative engagement for thinking about theories of reading, interpretation, and meaning making. The books conceptual foundation animates reading as perceptual encounter and discovery beyond conventional conditioning. Tony Fabijani defines and then applies anamorphic modes of perception (writ large) across a range of aesthetic objects in order to unsettle and reposition established valuations. When familiar works are studied from this new perspective, they render up secrets which the viewer then unlocks through the exploratory practice of close attention and receptivity to new interpretations.

-- Anett K. Jessop, The University of Texas at Tyler, USA

Introduction
Chapter
1. A Forming Anew
Chapter
2. Distorted Registers
Chapter
3. The Tangential Clairvoyant
Chapter
4. Anagrammatic Encryption
Conclusion
Tony Fabijani is a Professor of English at the School of Arts and Social Science, Grenfell Campus at Memorial University, Canada. His other books are Drink in the Summer: A Memoir of Croatia, Bosnia: in the Footsteps of Gavrilo Princip, and Croatia: Travels in Undiscovered Country.