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Anatomy of the Medical Image: Knowledge Production and Transfiguration from the Renaissance to Today [Kõva köide]

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  • Formaat: Hardback, 312 pages, kõrgus x laius: 235x155 mm, kaal: 732 g
  • Sari: Clio Medica 104
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Brill
  • ISBN-10: 9004406751
  • ISBN-13: 9789004406759
Teised raamatud teemal:
  • Formaat: Hardback, 312 pages, kõrgus x laius: 235x155 mm, kaal: 732 g
  • Sari: Clio Medica 104
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Brill
  • ISBN-10: 9004406751
  • ISBN-13: 9789004406759
Teised raamatud teemal:
"This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. It explores the relationships between the imagination, the body, and concrete forms of visual representations: Ranging from the Renaissance paradigm of anatomy, to Foucault's "birth of the clinic" and the institutionalised construction of a "medical gaze"; from "visual" archives of madness, psychiatric art collections, the politicisation and economisation of the body, to the post-human in mass media representations. Contributions to this volume investigate medical bodies as historical, technological, and political constructs, constituted where knowledge formation and visual cultures intersect. Contributors are: AxelFliethmann, Michael Hau, Birgit Lang, Carolyn Lau, Heikki Lempa, Stefanie Lenk, Joanna Madloch, Barry Murnane, Jill Redner, Claudia Stein, Elizabeth Stephens, Corinna Wagner, and Christiane Weller"--

This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. The contributions investigate medical bodies as historical, technological and political constructs, constituted where knowledge formation and visual cultures intersect.
Acknowledgements vii
List of Illustrations
viii
Notes on Contributors xii
Introduction 1(20)
Axel Fliethmann
Christiane Welter
Part 1 The Epistemology of Anatomy and Aesthetics
1 Rembrandt and the Dutch Cartesians: The Medical Body and the Body of Christ in the Anatomy Lessons
21(36)
Jill Redner
2 Pathologies of Imagination and Medical Visual Culture in Early Modem Europe
57(17)
Axel Fliethmann
3 Re-Imagining the "Birthing Machine:" Art and Anatomy in Obstetric and Anatomical Models Made by Women
74(21)
Elizabeth Stephens
4 The Body in Motion: The Image of Man in Physical Education in Late Eighteenth-Century Schnepfenthal
95(20)
Heikki Lempa
Part 2 Identity and Visual (De)Formation
5 Photography, Arrested Development, and the Facial Expression of Emotion
115(25)
Corinna Wagner
6 The Living and the Dead in Nineteenth- and Early Twentieth-Century Medical Portraiture
140(17)
Joanna Madloch
7 Picturing Pathology: An Affirmative Reading of Lam Qua's Medical Portraiture
157(14)
Carolyn Lau
8 "The Quickening:" Embryonic Stages in Visualising and Understanding Depression and Anxiety
171(26)
Stef Lenk
Part 3 Power, Consumption and the Pathological Body
9 Capitalism without Desire: Economic Thinking and the Visualisation of the Biomedical Body ca. 1900
197(21)
Claudia Stein
10 The Pitfalls of Utilitarianism: Capillary Images and Biopolitical Interventionism during the Weimar Republic
218(15)
Michael Hau
11 Sex Murder, Photographic Evidence, and the Weimar Cultural Imagination
233(15)
Birglt Lang
12 Imagining Madness: The Conceptualisation of Mental Illness in Psychiatric Art Collections
248(14)
Christiane Weller
13 Biomedia in the Flesh: Imagining Biomedical Interventions as Horror
262(17)
Barry Murnane
Bibliography 279(28)
Index of Names 307(2)
Index of Subjects 309
Axel Fliethmann is Associate Professor in European Studies in the School of Languages, Literatures, Cultures and Linguistics at Monash University, Melbourne. He is a fellow of the Australian Academy of the Humanities and has published widely on media philology and visual cultures. His publications include Stellenlektüre.Stifter.Foucault (2001), Texte über Bilder. Zur Gegenwart der Renaissance (2014). He is co-editor of Limbus: Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft / Australian Yearbook of German Literary and Cultural Studies.





Christiane Weller is Associate Professor in European Studies in the School of Languages, Literatures, Cultures and Linguistics at Monash University, Melbourne. She has published widely on German travel writing and expeditions reports, contemporary German fiction, psychoanalytic theory and psychiatric art, as well as on psychosis and writing. She is the author of Das fremde Ich. Begegnungen im pazifisch-australischen Raum (2015) and the co-editor of Limbus: Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft / Australian Yearbook of German Literary and Cultural Studies.