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Ancient Art Revisited: Global Perspectives from Archaeology and Art History [Pehme köide]

Edited by (University of Waterloo, Canada), Edited by (University of Toronto, Canada)
  • Formaat: Paperback / softback, 282 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 2 Tables, black and white; 92 Halftones, black and white; 92 Illustrations, black and white
  • Ilmumisaeg: 21-Sep-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367643715
  • ISBN-13: 9780367643713
Teised raamatud teemal:
  • Formaat: Paperback / softback, 282 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 2 Tables, black and white; 92 Halftones, black and white; 92 Illustrations, black and white
  • Ilmumisaeg: 21-Sep-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367643715
  • ISBN-13: 9780367643713
Teised raamatud teemal:
Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory.

In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study.

This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.
List of Figures
vii
List of Tables
xii
Acknowledgments xiii
List of Contributors
xiv
1 Ancient Art Revisited: Global Perspectives from Archaeology and Art History
1(17)
Christopher Watts
Carl Knappett
2 Archaeology and Art History in Ancient South America: Toward Disciplinary Detente
18(29)
Lisa Trever
3 On the Ontological Significance of Naturalistic Art
47(20)
Darryl Wilkinson
4 Image and Zeitgeist: The Neolithicization of Rock Art in the American Southwest
67(25)
Severin Fowles
5 Animals, Ambiguity, and Affect in Iroquoian Effigy Pipes
92(20)
Christopher Watts
6 The Syracuse Amphora Project: On Violence Against Artifacts
112(14)
Doug Bailey
7 Metapictures, Materiality, and Texts: Ancient West Asian Art and the Scholarship of the Iconic Turn
126(23)
Zainab Bahrani
8 Networks of Artistic Production in Upper Egypt during the Third Millennium BCE
149(21)
Deborah Vischak
9 Beyond Representation: Cypriot Rural Sanctuaries as Vibrant Assemblages
170(29)
Erin Walcek Averett
10 Frame and Ornament in Minoan and Cycladic Art
199(22)
Irene Nikolakopoulou
Carl Knappett
11 Art in the Community: The Role of Antefix Production in Archaic Central and Southern Italy
221(22)
Anna Soifer
12 Toward an Archaeology of Care
243(34)
Jennifer Stager
Index 277
Christopher Watts is an Associate Professor in the Department of Anthropology at the University of Waterloo, Canada.

Carl Knappett holds the Walter Graham/ Homer Thompson Chair in Aegean Prehistory in the Department of Art History at the University of Toronto, Canada.