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AngloSaxon England and the Visual Imagination [Kõva köide]

  • Formaat: Hardback, 336 pages, kõrgus x laius x paksus: 9x6x1 mm
  • Ilmumisaeg: 13-Jan-2017
  • Kirjastus: Arizona Center for Medieval & Renaissance Studies,US
  • ISBN-10: 0866985123
  • ISBN-13: 9780866985123
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  • Formaat: Hardback, 336 pages, kõrgus x laius x paksus: 9x6x1 mm
  • Ilmumisaeg: 13-Jan-2017
  • Kirjastus: Arizona Center for Medieval & Renaissance Studies,US
  • ISBN-10: 0866985123
  • ISBN-13: 9780866985123
"How did the Anglo-Saxons visualize the world that they inhabited? How did their artwork and iconography help to confirm their identity as a people? What influences shaped their visual imagination? This volume brings together a wide range of scholarly perspectives on the role of visuality in the production of culture. Jewels, weapons, crosses, coins, and other artifacts; descriptive passages in literature; types of script; deluxe illuminated manuscripts; and runes and other written inscriptions, whether real or imagined ? All receive scrutiny in this collection of new essays. Noteworthy for its interdisciplinary scope, the volume features arresting work by experts in archaeology, art history, literary studies, linguistics, numismatics, and manuscript studies. The volume as a whole demonstrates the power of current scholarship to cast light on the visual imagination of the past."--

How did the Anglo-Saxons visualize the world that they inhabited? How did their artwork and iconography help to confirm their identity as a people? What influences shaped their visual imagination?

This volume brings together a wide range of scholarly perspectives on the role of visuality in the production of culture. Jewels, weapons, crosses, coins, and other artifacts; descriptive passages in literature; types of script; deluxe illuminated manuscripts; and runes and other written inscriptions, whether real or imagined?—?all receive scrutiny in this collection of new essays. Noteworthy for its interdisciplinary scope, the volume features arresting work by experts in archaeology, art history, literary studies, linguistics, numismatics, and manuscript studies. The volume as a whole demonstrates the power of current scholarship to cast light on the visual imagination of the past. 

Preface and Acknowledgments vii
Abbreviations xi
List of Figures and Plates
xiii
Introduction: Negotiating the Anglo-Saxons' Visual World 1(24)
John D. Niles
Imagining Identities: The Case of the Staffordshire Hoard
25(24)
Leslie Webster
Imagining, Imaging, and Experiencing the East in Insular and Anglo-Saxon Cultures: New Evidence for Contact
49(36)
Michelle P. Brown
Kings, Moneyers, and Royal Imagery in the Late Eighth Century: Offa's Coinage in Context
85(14)
Rory Naismith
Early Anglo-Saxon Coins: Iconography and the Visual Imagination
99(16)
Anna Gannon
O Domine libera animam meam! Visualizing Purgatory in Anglo-Saxon England
115(26)
Helen Foxhall Forbes
Visualizing Moses in the Illustrated Old English Hexateuch
141(26)
Herbert R. Broderick
Toward a Monastic Poetics: Envisioning King Edgar's Privilege for New Minster, Winchester, and "Advent Lyric 11"
167(32)
Brian O'Camb
Earthworms, Fire Serpents, and the Visual Imagination in the Old English Soul and Body
199(12)
Karin Olsen
Factual and Fictional Inscriptions: Literacy and the Visual Imagination in Anglo-Saxon England
211(26)
Annina Seiler
Scarlet Letters: The Old English Daniel and the Materiality of Writing
237(28)
Matthew T. Hussey
Index of Manuscripts Cited 265(4)
General Index 269