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Animating Facial Features & Expressions 2nd Revised edition [Multiple-component retail product]

David J. Kalwick

Formaat: Multiple-component retail product, 390 pages, kõrgus x laius x paksus: 233x185x27 mm, kaal: 976 g, Contains 1 Paperback / softback and 1 CD-ROM
Ilmumisaeg: 03-May-2006
Kirjastus: Charles River Media
ISBN-10: 1584504749
ISBN-13: 9781584504740

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Formaat: Multiple-component retail product, 390 pages, kõrgus x laius x paksus: 233x185x27 mm, kaal: 976 g, Contains 1 Paperback / softback and 1 CD-ROM
Ilmumisaeg: 03-May-2006
Kirjastus: Charles River Media
ISBN-10: 1584504749
ISBN-13: 9781584504740

Teised raamatud teemal:

Püsilink: https://www.kriso.ee/db/9781584504740.html

Märksõnad:

This guide teaches beginning to intermediate 3D artists, designers, and animators how to create realistic facial expressions. It opens with an overview of the anatomy of the human head and facial muscles. Other topics include (for example) the lip-synch process and weighted morphing. The second edition features two new chapters on using 3ds Max and Maya for animating facial expressions. Contained on the CD-ROM are color versions of all of the figures from the book, as well as sample animations, and expression and phoneme templates in JPEG format. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)

This completely updated edition is written to teach 3D artists, designers, and animators how to add realism to their character's expressions. It begins by covering the anatomy of the human head, facial features, and facial muscles and progresses to cover recreating the human face and muscle structure in 3D and making it move in a realistic, believable fashion. It is filled with detailed instruction for lip synching and creating visual expressions for speech and sound under a variety of conditions (sad, happy, stuttering, etc.). It provides visual reference charts of morph targets for weighted human expressions, typical human phonemes, cartoon expressions, facial expressions, and just-for-fun cartoon expressions. This edition includes two new chapters covering 3ds Max and Maya. All of these techniques can also be applied to your own aliens, animals, creatures, and other animated creations. If you want your characters to have truly realistic facial expressions, you'll learn everything you need to know in this indispensable resource.

up to date with today s tools and techniques. Written to teach 3D artists, designers, and animators how to add realism to their character s expressions, this is a one-of-a-kind reference you ll want to add to your collection. The book begins by teaching you about the anatomy of the human head, facial features, and facial muscles. From there it teaches you how to recreate the human face and muscle structure in 3D and then how to make it move in realistic, believable fashion. The book is filled with detailed instruction for lyp synching and creating visual expressions for speech and sound under a variety of conditions (sad, happy, stuttering, etc.). It provides visual reference charts of morph targets for weighted human expressions, typical human phonemes, cartoon expressions, facial expressions, and just-for-fun cartoon expressions. In this edition there are also two new chapters that teach you how to use 3ds Max and Maya for animating facial expressions. All of these techniques can also be applied to your own aliens, animals, creatures, and other animated creations. If you want your characters to have truly realistic facial expressions, you ll learn everything you need to know in this indispensable resource.

Arvustused

PART 1 THE HUMAN HEAD Chapter 1 Anatomy of the Head Chapter 2 Proportions of the Head Chapter 3 Facial Muscles PART 2 EXPRESSIONS Chapter 4 Facial Features and Expressions PART 3 ANIMATION Chapter 5 Speech/Lip Synch Chapter 6 Weighted Morphing Animation Chapter 7 Animating Facial Expressions Using 3ds Max Chapter 8 Facial Animation with Maya Appendix A Typical Human Expression Weighted Morph Targets Appendix B Typical Visual Phonemes Appendix C Typical Cartoon Expression Weighted Morph Targets Appendix D Typical Cartoon Visual Phonemes Appendix E Facial Expression Examples Appendix F Just for Fun-Cartoon Expressions Appendix G About the CD-ROM Index

Introduction

Part 1 The Human Head

(64)

Anatomy of the Head

(18)

Cranial Substructures

(11)

Frontal Bone

(1)

Temporal Ridge

(1)

Parietal Bone

(1)

Nasion

(1)

Supraorbital Margin

(2)

Nasal Bone

(1)

Orbital Cavity

(1)

Infraorbital Margin

(2)

Zygomatic Bone

(1)

Maxilla

(1)

Mandible

(3)

Mental Protuberance

(1)

Skull Proportions

(1)

Skull Shape

(2)

Conclusion

(1)

Proportions of the Head

(30)

Cranial Components

(1)

Cranial Mass

(1)

Supraorbital Margin

(1)

Zygomatic Muscle Attachments

(1)

Mandible

(1)

Cranial Mass Depth

(1)

Superciliary Arch

(1)

Canines

(1)

Head Construction

(4)

External Facial Features

(22)

Proportional Units

(1)

The Brow Ridge

(1)

The Eyes

(5)

The Nose

(1)

The Cheekbone

(2)

The Mouth

(6)

The Chin

(1)

The Lower Jaw

(1)

The Ears

(4)

Conclusion

(1)

Facial Muscles

(14)

The Facial Muscles

(11)

Jaw Muscles

(1)

Mouth Muscles

(5)

Eye Muscles

(4)

Sample Expression---Crying

(1)

Conclusion

(1)

Part 2 Expressions

(20)

Facial Features and Expressions

(18)

Question Expressions

(2)

Common Question Expressions

(1)

Statement Expressions

(2)

Answer Expressions

(2)

Expression Features

(7)

The Foundation---The Mouth

(2)

The Eyes as a Modifier

(3)

The Brows as a Modifier

(2)

Animating Facial Expressions

(3)

The Rules of Facial Animation

(2)

Conclusion

(1)

Part 3 Animation

(100)

Speech/Lip Synch

(26)

Phonemes and Lip Synching

(3)

Visual Phonemes

(3)

Phoneme Classification

(1)

Point of Articulation

(1)

Manner of Articulation

(1)

Consonant Constriction

(1)

Voicing

(1)

Phoneme Vowels

(1)

Unitary Sounds

(1)

Diphthong

(1)

Glide

(1)

Liquids

(1)

Record the Dialogue First

(1)

Animate Phonemes Based on Their Articulation

(1)

Vowels---Unitary Vowels

(1)

Consonants

(3)

Nasal Consonants

(1)

Fricative Consonants

100

(1)

Plosives

100

(1)

Affricatives

100

(1)

Never Animate Behind Synch

100

(1)

Don't Exaggerate

101

(1)

Keep a Mirror on Your Desk

101

(1)

Animate Phonetically

101

(1)

The Lip-Synch Process

102

(1)

The Steps to Animating Lip Synch

102

(6)

Step 1: Record the Dialogue

103

(1)

Step 2: Transcribe Dialogue to Phonetic Speech

103

(2)

Step 3: Identify the Visual Phonemes

105

(2)

Step 4: Setting the Keyframes

107

(1)

Step 5: Adding Articulation---Transitional Poses

108

(1)

Phoneme Dropping Guidelines

108

(3)

Never Drop Beginning Phonemes

109

(1)

Drop Nasal Phonemes

109

(2)

Conclusion

111

(2)

Weighted Morphing Animation

113

(18)

Weighted Morphing

114

(1)

Segmented Morphing

115

(1)

Animating the Jaw with Segmented Morphing

116

(1)

Creating a Library of Segmented Morph Targets

117

(1)

Creating an Expression with Segmented Targets

117

(7)

Creating the Brow Targets

118

(1)

Creating the Mouth Targets

119

(1)

Creating the Jaw Targets

120

(3)

Combining the Segmented Targets

123

(1)

Adjusting the Sliders

123

(1)

Creating Visual Phonemes for Segmented Morphing

124

(2)

The Five Basic Tongue Positions

124

(2)

Creating a Facial Animation with Segmented Morphing

126

(3)

The Jaw Movement

127

(1)

Keyframing the Segmented Morph Animation

127

(1)

Adding Animated Expressions

128

(1)

Conclusion

129

(2)

Animating Facial Expressions Using 3ds Max

131

(30)

Using 3ds Max Morph Targets

132

(6)

A Basic Morph

132

(1)

Introducing the Morpher Modifier

133

(1)

Creating Morph Targets

134

(1)

Applying the Morpher Modifier

135

(1)

The Actual Morph

136

(2)

Using Linked XForms for Facial Animation

138

(5)

The Linked XForm Control Object

138

(5)

Using Physique for Facial Animation

143

(8)

The Physique Control Structure

143

(2)

Converting the Spline

145

(2)

Adding the Control Spline to the Physique Modifier

147

(1)

Manipulating Envelopes

147

(3)

Manipulating the Mesh with Physique

150

(1)

Animating the Tongue with Spline IK

151

(5)

Simple Is Best

151

(1)

Create the Spline

151

(1)

Create the Bones

152

(1)

Add the Spline IK Solver to the Bone Chain

152

(3)

Apply the Skin Modifier to the Tongue

155

(1)

Lip Synching to a Voiceover Track in 3ds Max

156

(3)

Importing a Sound

157

(2)

Conclusion

159

(2)

Facial Animation with Maya

161

(24)

Picking the Controls You Wish to Create

162

(1)

Using Blend Shapes for Morphing

162

(11)

Adding More Control with More Blend Shapes

164

(3)

Corrective Blend Shapes

167

(3)

Progressive Blend Shapes

170

(3)

Working with Joints for Facial Animation

173

(2)

Using Clusters for Modifying Shapes

175

(1)

Using Lattices for Facial Deformation

176

(2)

Using Lattices for Secondary Animation

178

(1)

Tongue Control with Spline IK

178

(3)

Working with Audio in Maya

181

(3)

Adjusting the Height of the Timeline

183

(1)

Deleting Audio

184

(1)

Conclusion

184

(1)

Appendix A Typical Human Expression Weighted Morph Targets

185

(26)

Appendix B Typical Visual Phonemes

211

(18)

Appendix C Typical Cartoon Expression Weighted Morph Targets

229

(24)

Appendix D Typical Cartoon Visual Phonemes

253

(6)

Appendix E Facial Expression Examples

259

(82)

Appendix F Just for Fun---Cartoon Expressions

341

(34)

Appendix G About the CD-ROM

375

(2)

Index

377

David Kalwick (Encinitas, CA) is a Discreet Certified Instructor. He has written several books on 3ds max, and has taught thousands of 3D artists through corporate training seminars and personal instruction. He teaches at the Art Institute of California, San Diego and the University of California, San Diego Extension. In addition, he is the founder of Absolute Zero, a presentation graphics company that specializes in forensic animation and interactive trial presentations. His animations have supported numerous trial teams, and have been used in technical and medical applications throughout the world (www.abszero.com).

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