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Anthology for Hearing Form: Musical Analysis With and Without the Score 3rd edition [Pehme köide]

(Texas Tech University, USA)
  • Formaat: Paperback / softback, 466 pages, kõrgus x laius: 280x210 mm, kaal: 1180 g, 460 Line drawings, black and white; 460 Illustrations, black and white
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367703882
  • ISBN-13: 9780367703882
Teised raamatud teemal:
Anthology for Hearing Form: Musical Analysis With and Without the Score 3rd editionSuurem pilt
  • Formaat: Paperback / softback, 466 pages, kõrgus x laius: 280x210 mm, kaal: 1180 g, 460 Line drawings, black and white; 460 Illustrations, black and white
  • Ilmumisaeg: 30-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 0367703882
  • ISBN-13: 9780367703882
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780367703882.html
Märksõnad:
Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructors manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

Key updates in the third edition include:





Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented

With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.

This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.
Acknowledgments vii
Johann Sebastian Bach, Goldberg Variations, Aria
1(1)
Johann Sebastian Bach, Two-Part Inventions, No. 1 in C Major
2(1)
Johann Sebastian Bach, Two-Part Inventions, No. 13 in A Minor
3(1)
Johann Sebastian Bach, The Well-Tempered Clavier, Book I, Prelude in C Major
4(1)
Johann Sebastian Bach, The Well-Tempered Clavier, Book I, Fugue in F Major
5(2)
Johann Sebastian Bach, The Well-Tempered Clavier, Book I, Fugue in B Major
7(2)
Johann Sebastian Bach, The Well-Tempered Clavier, Book II, Fugue in E Minor
9(4)
Johann Sebastian Bach, Partita No. 3 in E for Solo Violin, Gavotte en Rondeau
13(2)
Johann Sebastian Bach, Orchestral Suite No. 2, Badinerie
15(1)
Johann Sebastian Bach, Orchestral Suite No. 3, Air
16(2)
Johann Sebastian Bach, Orchestral Suite No. 3, Gavotte I
18(2)
Johann Sebastian Bach, Orchestral Suite No. 3, Gavotte II
20(2)
Johann Sebastian Bach, Mass in B Minor, "Crucifixus"
22(4)
Ludwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, 1
26(4)
Ludwig van Beethoven, Piano Sonata in C Minor, Op. 13, III
30(6)
Ludwig van Beethoven, Symphony No. 2 in D Major, IV
36(20)
Ludwig van Beethoven, Symphony No. 3 in E-flat Major, I
56(33)
Ludwig van Beethoven, Symphony No. 5 in C Minor, I
89(16)
Ludwig van Beethoven, String Quartet in G-Sharp Minor, Op. 131, 1
105(3)
Johannes Brahms, Variations on a Theme by Haydn, Op. 56a
108(38)
Johannes Brahms, Symphony No. 4 in E Minor, IV
146(31)
Johannes Brahms, Violin Concerto in D Major, Op. 77, 1
177(34)
Frederic Chopin, Prelude in E Minor
211(1)
Samuel Coleridge-Taylor, "When I Am Dead, My Dearest"
212(2)
Claude Debussy, Preludes, Book I, No. 10, "La Cathedrale engloutie"
214(5)
George Frederic Handel, Giulio Cesare, I/5, "Non Disperar"
219(2)
George Frederic Handel, Giulio Cesare, I/6, "L'empio, sleale, indegno"
221(3)
English translations of the Handel arias
224(1)
George Frederic Handel, Messiah, Part I, Overture
225(4)
Franz Joseph Haydn, Piano Sonata in C minor, Hob. XVI: 20, 1
229(6)
Franz Joseph Haydn, Piano Sonata in D Major, Hob. XVI: 37, III
235(3)
Franz Joseph Haydn, Symphony No. 101 in D Major, IV
238(19)
Franz Joseph Haydn, Symphony No. 103 in E-flat Major, I
257(18)
Fanny Mendelssohn Hensel, "Schwanenlied"
275(4)
Fanny Mendelssohn Hensel, "Mayenlied"
279(3)
English translations of the Hensel Lieder
282(1)
Paul Hindemith, Ludus Tonalis, Fugue No. 9 in B-Flat
283(4)
Scott Joplin, "Maple Leaf Rag"
287(3)
Josephine Lang, "Den Abschied schnell genommen"
290(3)
Josephine Lang, "Ob ich manchmal Dein gedenke?"
293(2)
English translations of the Lang Lieder
295(1)
Franz Liszt, "Nuages Gris"
296(2)
Wolfgang Amadeus Mozart, Piano Sonata in A Major, K. 331, 1
298(6)
Wolfgang Amadeus Mozart, Piano Sonata in B-Flat Major, K. 333, III
304(6)
Wolfgang Amadeus Mozart, Fine kleine Nachtmusik (all four movements)
310(12)
Wolfgang Amadeus Mozart, Symphony No. 35 in D Major, IV
322(15)
Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, I
337(18)
Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, III, Menuetto
355(2)
Wolfgang Amadeus Mozart, Piano Concerto in D Major, K. 107, 1
357(9)
Wolfgang Amadeus Mozart, Piano Concerto in E-flat Major, K. 271, 1
366(29)
Johann Pachelbel, Canon in D
395(4)
Henry Purcell, Dido and Anaeas, "When I Am Laid in Earth"
399(3)
George Rochberg, String Quartet No. 6, III. Variations
402(10)
Alessandro Scarlatti, L'honesth negli amori, "Gia il sole dal Gange"
412(2)
Arnold Schoenberg, Suite for Piano, Op. 25, Minuet and Trio
414(3)
Franz Schubert," Heidenroslein"
417(1)
Franz Schubert, Mignon, D. 321, "Kennst du das Land?"
418(4)
English translations of the Schubert Lieder
422(1)
Robert Schumann, Carnival, "Eusebius"
423(1)
Robert Schumann, Novelletten, Op. 21, No. 7
424(3)
Richard Strauss, "Morgen"
427(2)
English translations of the Strauss and Wolf Lieder
429(1)
Giuseppi Verdi, La Traviata, "E strano! Ah, fors'e lui ... Sempre libera"
430(9)
English translation of "E strano! ... Ah, fors'e lui ... Sempre libera"
439(1)
Antonio Vivaldi, The Four Seasons, Concerto No. 2 ("Summer"), I
440(13)
Antonio Vivaldi, The Four Seasons, Concerto No. 4 ("Winter"), I
453(10)
Hugo Wolf, "Verborgenheit"
463
Matthew Santa is a Professor of Music Theory and Chair of the Music Theory Area at the Texas Tech University School of Music.