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Antiquity in Gotham: The Ancient Architecture of New York City New edition [Pehme köide]

  • Formaat: Paperback / softback, 277 pages, kõrgus x laius: 254x178 mm, 72 color and 43 black and white illustrations.
  • Ilmumisaeg: 20-Sep-2022
  • Kirjastus: Fordham University Press
  • ISBN-10: 1531502423
  • ISBN-13: 9781531502423
  • Formaat: Paperback / softback, 277 pages, kõrgus x laius: 254x178 mm, 72 color and 43 black and white illustrations.
  • Ilmumisaeg: 20-Sep-2022
  • Kirjastus: Fordham University Press
  • ISBN-10: 1531502423
  • ISBN-13: 9781531502423

The first detailed study of “Neo-Antique” architecture applies an archaeological lens to the study of New York City’s structures

Since the city’s inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers’ and Sailors’ Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century.

Contextualizing New York’s Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city’s new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences—intellectually, conceptually, and chronologically—among the reception of these different architectural traditions.

This fundamentally interdisciplinary project draws upon all available evidence and archival materials—such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines—to provide a lively multi-dimensional analysis that examines not only the city’s ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances—whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City’s skyline throughout its history.

List of Figures
vii
Introduction: From the Appian Way to Broadway 1(12)
Why Antiquity?
2(1)
Methodologies, Evidence, and Themes: Archaeology, Reception Studies, and the Neo-Antique
3(5)
Organization of the
Chapters
8(5)
1 Herculean Efforts: New York City's Infrastructure
13(22)
The Grid
14(1)
Rivaling Rome and the Sphinx: The Croton Aqueduct and Murray Hill Distributing Reservoir
15(3)
Bridging the East River in Style: The Manhattan Bridge
18(6)
Train Stations: Appropriating the Colonnades and Baths of Imperial Rome
24(10)
Conclusions
34(1)
2 The Genius of Architecture: Ancient Muses and Modern Forms
35(22)
The Parthenon on Wall Street: The US Custom House
37(6)
Brooklyn Borough Hall, the Manhattan Municipal Building, and Foley Square
43(8)
The Tombs
51(4)
Conclusions
55(2)
3 Treasuries of Old and Treasuries of New
57(28)
Banks
58(5)
Warehouses and Commercial Lofts
63(5)
The First and Second Merchants' Exchanges
68(3)
The New York Stock Exchange
71(3)
Skyscrapers
74(8)
Modernism and Its Debt to Classical Architecture: The Seagram Building
82(1)
Conclusions
82(3)
4 Modern Museions
85(26)
The Metropolitan Museum of Art
87(3)
The Brooklyn Institute of Arts and Sciences
90(4)
Temples to Monkeys, Birds, and Lions: The Architecture of the New York Zoological Society
94(2)
The New York State Memorial to Theodore Roosevelt at the American Museum of Natural History
96(4)
Pantheons and a Stadium: The Architecture of New York's Universities
100(8)
Public Libraries
108(1)
Conclusions
109(2)
5 Togas at Home
111(22)
Domestic Architecture and the Greek Revival Style in New York City
112(2)
The Tredwell Home
114(1)
Residences in New York City after the Civil War
115(1)
Pompeian Rooms in New York City
116(3)
The Mansion and Greco-Pompeian Music Room of Henry G. Marquand
119(9)
Aspirational Antiquity: Decor and Design for the Middle Classes
128(1)
Apartment Buildings: Classical Forms in the Sky
129(2)
Conclusions
131(2)
6 Dining Like Nero
133(22)
The Development of the Lobster Palaces
133(3)
Murray's Roman Gardens
136(14)
The Cafe de l'Opera
150(4)
Conclusions
154(1)
7 To Be Buried Like a Pharaoh
155(19)
New York's Cemeteries before 1838
156(3)
Green-Wood and Woodlawn
159(2)
Classical Temples to New York's Emperors and Gods
161(4)
Obelisks, Pyramids, Temples, and a Barque Kiosk
165(7)
Conclusions
172(2)
8 Heroic New Yorkers
174(26)
Arches to Washington
177(6)
The Soldiers' and Sailors' Memorial Arch, Grand Army Plaza
183(9)
The Column to Columbus
192(4)
Monuments in Early Twentieth-Century New York
196(2)
Conclusions
198(2)
9 Eclectic Antiquity
200(19)
Snug Harbor and Grecian Temple Churches
200(4)
Bathing Culture in New York City
204(5)
Fraternal Organizations: The Grand Masonic Lodge and the Pythian Temple
209(2)
Theaters
211(1)
Conclusions
212(1)
Reflections: Useable Pasts and Neo-Antique Futures
213(6)
Glossary 219(4)
Acknowledgments 223(4)
Notes 227(26)
References 253(20)
Index 273
Elizabeth Macaulay-Lewis is Associate Professor of Liberal Studies and Middle Eastern Studies. She is also the Executive Officer of the MA Program in Liberal Studies at The Graduate Center, The City University of New York.