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Apollo, Dionysus, and the bermensch at Sinai: An Attempt at a Nietzschean Analysis [Kõva köide]

  • Formaat: Hardback, 286 pages, kõrgus x laius: 233x155 mm, Illustrations
  • Ilmumisaeg: 19-Mar-2026
  • Kirjastus: Academic Studies Press
  • ISBN-13: 9798897831029
  • Formaat: Hardback, 286 pages, kõrgus x laius: 233x155 mm, Illustrations
  • Ilmumisaeg: 19-Mar-2026
  • Kirjastus: Academic Studies Press
  • ISBN-13: 9798897831029
The biblical account of the events at Sinai and the figure of Moses is a foundational narrative of both Jewish and Western civilization, yet it has traditionally been analyzed only within a religious framework.

In Apollo, Dionysus, and the Übermensch at Sinai: An Attempt at a Nietzschean Analysis, Dr. Rinat Harash offers a groundbreaking interpretation, applying Nietzsches concepts of the Apollonian, the Dionysian, and the Übermensch to the revelation at Mount Sinai, the Golden Calf episode, the construction of the Tabernacle, and the elevated figure of Moses.

Her study illuminates both the formative Jewish myth and Nietzsches philosophy, forging a novel synthesis that bridges religion and art, bringing together the two opposing forces at the heart of Western cultureJerusalem versus Athens.

Arvustused

This groundbreaking book demonstrates, for the first time, that core Nietzschean concepts can be applied to the formative moment of classical Jewish consciousnessthe revelation at Sinai. It argues that Mosesmoving along the ApollonianDionysian axis at Sinaican be understood as an embodiment of the Übermensch. It further shows how the Tabernacle (and later, the Temple) can be interpreted in Apollonian and Dionysian terms, rooted in the events of Sinai and the episode of the Golden Calfparalleling what Nietzsche identifies as the highest artistic stage: the tragic. Taken together, these insights shed new light both on Nietzsches understanding of God and religion, and on Judaism, viewed through a Nietzschean lens, as a foundational expression of art and existence. This book marks a bold new contribution, opening fresh avenues for interpretation and research.

Prof. (emeritus) Avi Sagi, Department of Philosophy, Bar Ilan University, Israel` Faculty member, Shalom Hartman Institute, Israel

List of Diagrams and Tables

Acknowledgements

Preface




Part 1: The Birth of the Tragic at Sinai

Chapter 1: The Characteristics of the Apollonian and the Dionysian in The
Birth of Tragedy

Art Impulses of Nature

The Apollonian and the Dionysian among the Greeks

2.1. The Satyr Chorus

2.2. The Tragic Phase

3. The Relation to Being

3.1. Art and Nature

3.2. What Is the Dionysian?

3.3. Artist-God

4. Diagram and TableCharacteristics of the Apollonian and the Dionysian in
The Birth of Tragedy




Chapter 2: The Characteristics of the Apollonian and the Dionysian at Sinai

The Outline of the Biblical Story

Apollonian Characteristics in the Sinai Revelation

Dionysian Characteristics in the Golden Calf Incident

The Creation of the Tabernacle as an Artistic Act

TableApplication of the Apollonian and the Dionysian Characteristics to the
Sinai Revelation and the Golden Calf Incident




Part 2: The Übermensch at Sinai

Chapter 3: The Characteristics of the Nietzschean Übermensch

Premisesthe Hollow Core of Being and the Will to Power

Overcoming

The Basis of Overcomingthe Animalistic Foundation

The Process of Overcomingthe Formal Framework

 Characteristics of the LionSolitude and the Destruction of the Human

 Characteristics of the ChildCreation and Self-Law

The Child as Self-Creation

The Child as a Creator

 Overcoming the Abyss of Becomingthe Child as an Approach to Life 

Return to the Will to Powerthe Struggle and the Chosen People

Discussionthe Apollonian and the Dionysian in the Übermensch

Diagram and TableCharacteristics of the Nietzschean Übermensch




Chapter 4: Moses at Sinai as an Übermensch

Mosesthe Outline of the Transformation from the Camel to the Child

The Application of Übermensch Characteristics to the Figure of Moses at
Sinai

 Moses as the Camelthe Preparation for the Revelation

 Moses as the Camel with an Instinct for Freedomfrom the Revelation to the
Golden Calf Incident

 Towards the Transformation into the Lionthe Golden Calf Incident and
Mosess Response to God

 Moses as the LionDestruction of Values in Response to the Golden Calf
Incident

 Between the Lion and the ChildTwo Intermediate Stages

Intermediate Stage 1Uncertainty and the Establishment of the Tent of
Meeting

Intermediate Stage 2Preparation for the Revelation in the Cleft of the Rock

 Moses as the Childfrom the Revelation in the Cleft of the Rock to the
Creation of the Tabernacle

Love of Fatethe Revelation in the Cleft of the Rock

Evidence of Metamorphosisthe Radiant Descent from the Mountain

Moses as an Artist of the Grand Stylethe Construction of the Tabernacle

 Moses the Übermensch as a Research Model

Table: Application of the Characteristics of the Übermensch to Moses at
Sinai




Conclusions 

Bibliography
Dr. Rinat Harash is a journalist and scholar who explores the intersection of philosophy, religion, and contemporary Jewish experience. Her journalism focuses on the ways international media portrays Israel and the Jewish people, while her current academic work extends Nietzsches thought as a framework for understanding the roots and mechanisms of antisemitism.