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Apple Pro Training Series: Color [Multiple-component retail product, part(s) enclosed]

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  • Formaat: Multiple-component retail product, part(s) enclosed, 408 pages, kõrgus x laius x paksus: 236x186x20 mm, kaal: 790 g, Contains 1 DVD-ROM and 1 Paperback / softback
  • Sari: Apple Pro Training
  • Ilmumisaeg: 03-Jan-2008
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321509110
  • ISBN-13: 9780321509116
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  • Multiple-component retail product, part(s) enclosed
  • Hind: 56,37 €
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Apple Pro Training Series: ColorSuurem pilt
  • Formaat: Multiple-component retail product, part(s) enclosed, 408 pages, kõrgus x laius x paksus: 236x186x20 mm, kaal: 790 g, Contains 1 DVD-ROM and 1 Paperback / softback
  • Sari: Apple Pro Training
  • Ilmumisaeg: 03-Jan-2008
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321509110
  • ISBN-13: 9780321509116
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780321509116.html
Märksõnad:
This book/DVD tutorial provides lessons in Apple's new color grading software, for Final Cut experts and newcomers alike. The book is designed to improve readers' skills as colorists and as operators of the software. Each self-contained lesson builds on the last to guide readers through the program's functions and capabilities, and includes a review and color screen shots. The book is organized to follow the software's workflow model through Final Cut's eight different "rooms," with details on how to use the many controls in each room and which tools and techniques to apply given the specific shots and circumstances of a particular project. The companion DVD contains project files and video content for each exercise. Readers should have a working knowledge of the Mac OS X operating system. Wohl has been an independent filmmaker for 15 years. Co-author David Gross is a film colorist and editor at Fox Studios in Australia. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)

Muu info

In this guide to Apple's masterful new color grading and finishing application, award-winning colorist David Gross starts with the basics of color balancing and correction and move on to the fine points of secondary grading. Topics include scene matching, using vignettes to isolate and track regions, creating advanced color effects and "looks," skin tone adjustments, and adjusting the composition and framing of a shot. As with the other titles in the Apple Pro Training Series, each chapter in this Apple-authorized guide represents a complete lesson--with a project to complete and a review section to reinforce the lessons. Superb footage, including several BBC productions and broadcast commercials, provide real-world examples for you to work through as you master this revolutionary software.
Getting Started xiii
Working with the Color Interface
1(50)
Setting Up Your Computer
2(1)
Setting Up a Project
2(4)
Understanding the Eight Rooms: Color's Task-Based Workflow
6(2)
Navigating Your Sequence
8(6)
Exploring the Setup Room
14(5)
Applying Basic Grades
19(3)
Viewing Your Images
22(4)
Performing Secondary Grades
26(3)
Employing Color FX
29(3)
Applying Final Touches
32(1)
Panning and Scanning
32(2)
Utilizing Still Stores
34(2)
Correcting the Sequence
36(10)
Introducing the Render Queue Room
46(3)
Lesson Review
49(2)
Basic Grading
51(36)
Exploring the Primary Room
52(5)
Using the Auto Balance Control
57(4)
Grading with the Color Balance Controls
61(15)
Grading with Curves
76(5)
Understanding Additional Controls
81(4)
Lesson Review
85(2)
Basic Secondary Grading
87(28)
Three Types of Secondaries
88(2)
Performing Key-Based Secondaries
90(6)
Keying with HSL Qualifiers
96(2)
Performing Vignette-Based Secondaries
98(5)
Creating a Look
103(3)
Secondary Curves
106(6)
Lesson Review
112(3)
Advanced Secondary Grading
115(26)
Using Multiple Secondaries
116(1)
Combining a Key and a Vignette
116(7)
Using Multiple Keys
123(3)
Creating Custom Mask Shapes
126(7)
Combining Vignettes
133(3)
Incorporating Curve Effects
136(2)
Lesson Review
138(3)
Grade Management
141(44)
Managing Grades on a Single Shot
142(4)
Switching Between Grades
146(2)
Adding and Deleting Grades
148(1)
Duplicating a Grade
149(1)
Setting the Beauty Grade
150(1)
Saving Corrections and Grades
151(4)
Deleting Saved Corrections
155(1)
Organizing Corrections
156(3)
Saving Secondary Corrections
159(2)
Saving Grades
161(3)
Moving Grades from Clip to Clip
164(4)
Dragging Individual Corrections
168(2)
Grouping Shots
170(8)
Applying Grades to Groups
178(2)
Working with Multiple Grades
180(2)
Lesson Review
182(3)
Color Effects
185(26)
Using the Color Effects Room
186(1)
Applying Nodes
187(2)
Building Color Effects
189(3)
Controlling Node Order
192(3)
Monitoring Inactive Nodes
195(2)
Adding Nodes to Existing Trees
197(1)
Saving and Reapplying Effects as Presets
198(2)
Modifying an Applied Preset
200(1)
Working with Preset Color Effects
201(8)
Lesson Review
209(2)
Common Recipes
211(42)
Black Hawk Down/Mogadishu Look
212(6)
CSI Miami Look
218(8)
Schindler's List Look
226(7)
Flashback Look
233(3)
Saturated Sunrise Look
236(7)
Skin Diffusion and Beauty Tricks
243(7)
Lesson Review
250(3)
Keyframing Effects
253(20)
Animating Effects in Color
254(3)
Manipulating Keyframes
257(1)
Navigating to Keyframes
258(1)
Deleting Keyframes
259(1)
Keyframing Other Rooms
260(3)
Changing Interpolation Settings
263(1)
Animating User Shapes
264(3)
Adding Intermediary Keyframes
267(2)
Keyframing Color Effects
269(1)
Lesson Review
270(3)
Recomposing and Tracking
273(26)
Using the Geometry Room
274(1)
Recomposing Shots
274(5)
Animating Pan and Scan Effects
279(5)
Tracking Objects
284(6)
Applying Tracking Data to Corrections
290(1)
Offsetting the Vignette
290(1)
Manual Tracking
291(6)
Lesson Review
297(2)
Primary Out and Rendering
299(34)
Global Changes and Final Tweaks
300(3)
Modifying and Replacing Primary Out Room Settings
303(2)
Creating a Stylized Look for a Finished Project
305(1)
Applying Stylized Primary Out Corrections to Grouped Clips
306(3)
Manually Controlling Broadcast-Safe Output
309(2)
Adjusting Black Levels
311(3)
Limiting the Range of Black Level Adjustments
314(1)
Manually Adjusting White and Black Levels
315(3)
Manually Adjusting Chroma Levels
318(4)
Rendering Color Projects
322(3)
Adding Clips to the Render Queue
325(2)
Rendering Shots and Sending to Final Cut Pro
327(2)
Using Color's Archive Feature
329(1)
Lesson Review
330(3)
Appendix A Alternate and Advanced Workflows
333(12)
Importing Clips to the Timeline
334(1)
Importing EDLs
335(4)
Slicing in the Timeline and Using the Timeline Edit Tools
339(1)
Relinking Clips
340(5)
Appendix B Setting Up a Color Correction Environment
345(14)
Setting Up Your Room
346(4)
Choosing Video Hardware
350(6)
Choosing Computer Hardware
356(3)
Glossary 359(8)
Index 367


David Gross is an editor and colorist at Definition Films, based in Sydney, Australia. Located in the heart of the Australian film industry in Fox Studios Australia, he specializes in providing HD solutions to international clients including 20th Century Fox, Discovery Channel International, Sony BMG, Universal Music, Becker Entertainment, and MTV.