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Arcana: A Stephen Jonas Reader [Pehme köide]

, Afterword by , Edited by , Edited by , Introduction by
  • Formaat: Paperback / softback, 264 pages, kõrgus x laius: 233x155 mm, 12 B&W illustrations from the author's notebooks, accompanied by transcriptions.
  • Ilmumisaeg: 06-Jun-2019
  • Kirjastus: City Lights Books
  • ISBN-10: 0872867919
  • ISBN-13: 9780872867918
Teised raamatud teemal:
  • Formaat: Paperback / softback, 264 pages, kõrgus x laius: 233x155 mm, 12 B&W illustrations from the author's notebooks, accompanied by transcriptions.
  • Ilmumisaeg: 06-Jun-2019
  • Kirjastus: City Lights Books
  • ISBN-10: 0872867919
  • ISBN-13: 9780872867918
Teised raamatud teemal:

A black, gay Poundian in Boston, Stephen Jonas is a crucial missing piece of the postwar American poetry puzzle.



“A true poet of modern classic culture in mid-twentieth century U.S.A.”—Allen Ginsberg

“At their best the poems have an intensely oral, I would like to call it glossolalic, freedom, as if they captured the essence of what one might like to express in the moment of rapture.”—David Rattray

Beginning in the 1950s until his untimely death at age 49, Stephen Jonas (1921-1970) was an influential if underground figure of the New American Poetry. A gay African-American poet of self-obscured origins, heavily influenced by Ezra Pound and Charles Olson, the Boston-based Jonas was a pioneer of the serial poem and an erudite mentor to such acknowledged masters as Jack Spicer and John Wieners, even as he lived a shadowy existence among drug addicts, thieves, and hustlers. Arcana: A Stephen Jonas Reader is the first selection of his work to appear in 25 years. With an introduction by longtime Jonas scholar and editor Joseph Torra, an editorial note by Garrett Caples and Derek Fenner, and an afterword by David Rich delving into recent discoveries concerning the poet’s birthplace and background, Arcana is crucial corrective to our understanding of post-war American poetry, restoring Jonas to his rightful place among the period’s vanguard. Featuring previously uncollected and unpublished work, a section of never-before-seen facsimiles from notebooks, and a generous selection from his innovative serial poem Exercises for Ear (1968), Arcana is a much-needed retrieval of an overlooked American poet, as well as a valuable contribution to African American and Queer literature.

Praise for Arcana:

"The work of Steve Jonas, though vital to many of his more illustrious contemporaries, has remained obscured far too long, particularly as we've become unaccustomed to the high stakesonce involved in the life of poetry. Accompanied by a reprint of Joseph Torra’s invaluable introduction, as vital and fresh now as when it came out 25 years ago, along with David Rich’s extraordinary archaeological dig into genealogical records and biographical materials to clarify Jonas’s self-effaced origins, the publication of Arcana is an important event in our increasingly evanescent cultural history, evidence of what is real."––Ammiel Alcalay

Arvustused

"Arcana brings together the first major gathering of work by Stephen Jonas in over two decades. Jonas, a poet of Boston who died in 1970 at the age of 49, is an American original, as brilliant a wordsmith as any in what might best be termed the poetics of the New American vernacular. The intensity of Jonas's poetry surprises and delights as his words burst across the page. He introduces a gay, gender-bending, street hustling voice into the Modernist tradition, deeply immersing his work in Ezra Pounds use of collage in The Cantos while paying due diligence to the intricacies of William Carlos Williams poetics of the variable foot and the American idiom. These poems are for lovers as much as they are for hustlers, let alone poets themselves."Patrick James Dunagan, Rain Taxi

"Despite having significant champions like the late Gerrit Lansing, John Wienters, Robin Blaser, Jack Spicer, and others, Jonas's work has long been out of print and this beautifull edited volume will certainly bring him into the picture."BOMB

"Arcana: A Stephen Jonas Reader should become a fixture on everyone's shelves and as such, I think that the books editorsand City Lightsshould receive some praise not so much for rescuing (I hate that word) but for reinvesting in such a talent as Jonas."André Naffis-Sahely, Poetry Foundation

Stephen Jonas is part of a mythic Boston poetry gang headed by John Wieners, comrades of Charles Olson, fellow New Englander. His gay verse pioneered and prophesied later Fag Rag decades in Puritan Boston. A true poet of modern classic culture in mid-twentieth century U.S.A.Allen Ginsberg

It is a pleasure to have Jonass sassy lyrics back among the living, and to explore with him the possibilities of poetry. He was pushing the envelope when he wrote and a sense of risk and adventure distinguishes his work today.William Corbett

It is the vernacular the swing of daily speech, that is not imitated but shot straight out, in epigram conceived as Jonas makes it The School of Boston, in poetry, is an occult school, unknown. What literary historian has written of Spicer, Blaser, Wieners, Dunn, Marshall, Jonas together?Gerrit Lansing

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Galleys available upon request.





Outreach to national media.





Outreach to media in the Boston area.





Outreach to poetry publications, journals, magazines, blogs, etc.





Pursuing blurbs from Ammiel Alcalay, Stacy Szymaszek, Kevin Young, Denez Smith, Jericho Brown, Tongo Eisen-Martin, Jewelle Gomez, Saeed Jones.
Editorial Note 13(4)
Introduction 17(12)
Published Poems
29(68)
Invocation
31(1)
... An Ear Injured by Hearing Things (after a statement of Jack Spicer's) -
32(2)
The Outraged Genius
34(1)
Blackstone Park (Dans le vieux pare solitaire et glace)
35(1)
Subway Haiku
36(4)
The Celibate
40(1)
Brisk Walk to Pavilion of Good Crops & Peace (Three Versions from the Chinese)
41(2)
Green
43(1)
Tensone with Relent
44(1)
Three Dance Moods for Ear
45(2)
The Return
47(1)
From Orgasms/Dominations
48(22)
I
48(3)
II
51(4)
III
55(4)
IV
59(3)
V
62(5)
XXXIII
67(3)
Canto Jondo for Soul Brother Jack Spicer, His Beloved California & Andalusia of Lorca
70(5)
Gloucester (Impressions for J.W, III)
75(2)
Complainte de L'Oubli des Morts
77(1)
The Street
78(1)
Brotherhood & All That Bad Air
79(1)
Morphogenesis (being a conventionalization "Morphemes" of Jack Spicer)
80(4)
Back 'OTown Blues
84(1)
Dilemma II
85(2)
For John Wieners 1/6/60
87(2)
Word on Measure
89(3)
The Music Master (after a Mozart divertimento)
92(2)
A Theme ---
94(1)
Fragmentum, 1957
95(1)
Following the Same Route but at a Different Pace
96(1)
4 Poems of Myself & Others
97(74)
A Revel (for John Fusco)
100(3)
A Widow's Lament (after the Chinese)
103(1)
What Made Maude Hum
104(5)
To a Strayed Cat
109(1)
Song After Waller, Herrick & Others
110(1)
To Strum Ole Homer's Lute
111(1)
Song of Myself
112(1)
Love, the Poem, the Sea & Other Pieces Examined by Me
113(4)
One of Three Musicians
117(1)
For Leroi Jones
118(1)
A Proposition (for Ed Marshall)
119(2)
An Ode for Garcia Lorca
121(1)
Ornithic Scene
122(1)
From Exercises for Ear
123(43)
I, III
125(1)
IV, V, IX
126(1)
X.XII
127(1)
XIV, XVI, XVIII
128(1)
XIX, XX
129(1)
XXII, XXIII
130(1)
XXIV, XXVI
131(1)
XXVIII, XXIX, XXX
132(1)
XXXIII, XXXIV
133(1)
XXXV, XXXVI, XXXVII
134(1)
XXXVIII, XXXIX
135(1)
XLI, XLII
136(1)
XLIII, XLV
137(1)
XLVII, XLVIII
138(1)
L
139(1)
LI, LV
140(1)
LX, LXI
141(1)
LXII, LXIII, LXIV
142(1)
LXV
143(1)
LXVII, LXVIII, LXIX
144(1)
LXXIV, LXXVII
145(1)
LXXIX, LXXX
146(1)
LXXXII, LXXXIV
147(1)
LXXXV, LXXXVI, LXXXIX
148(1)
XCII, XCIV, XCV
149(1)
XCVIII, XCIX
150(1)
C, CII
151(1)
CIV, CV
152(1)
CVI, CVII
153(1)
CVIII, CIX
154(1)
CXII, CXV, CXVII
155(1)
CXVIII, CXX
156(1)
CXXI, CXXIV
157(1)
CXXV CXXVI
158(1)
CXXVIII, CXXXI, CXXXV
159(1)
CXXXVI
160(1)
CXXXVII, CXXXVIII
161(1)
CXLI, CLIV, CLV
162(1)
CLVII, CLXI
163(1)
CLXV, CLXVIII, CLXXII
164(2)
Chorale and Hymn
166(5)
Unpublished Work
171(2)
The Enigma
173(1)
Manifesto
174(1)
The Moon Is Number 18
175(1)
Sphinx
176(1)
A Fantasy
177(1)
Post Mortum P.S.
178(1)
A Catalogue
179(1)
These Things
180(1)
In Particular
181(2)
Aphrodite
183(1)
On the Common
184(1)
O a Number I Kno
185(1)
Idyl
186(1)
Poem
187(1)
[ Untitled]
188(1)
What Can I Tell You
189(2)
II Saggio
191(1)
Sprout but Not Flower
192(1)
Ars Magna
193(8)
Tarot Diary
201(48)
Postscript 249
Beginning in the 1950s until his death at age 49, Stephen Jonas (1921-1970) was an influential if underground figure of the New American Poetry. A gay African American poet of self-obscured origins, heavily influenced by Ezra Pound and Charles Olson, the Boston-based Jonas was a pioneer of the serial poem and mentor to such acknowledged masters as Jack Spicer and John Wieners. Major publications include Love, the Poem, the Sea & Other Pieces Examined by Me (1957), Transmutations (1966), Exercises for Ear (1968), and Selected Poems (1994).

Garrett Caples is a poet and an editor for City Lights, where he curates the Spotlight Poetry Series. He has edited or co-edited books by Philip Lamantia, Frank Lima, Richard O. Moore, and Stephen Jonas.

Derek Fenner is an artist, educator, poet, and researcher. He earned his MFA in writing and poetics from the Jack Kerouac School of Disembodied Poetics at Naropa University. In 2000, with Ryan Gallagher, he co-founded Bootstrap Press, where they have published over 40 books by poets across the country.

David Rich is the editor of Charles Olson: Letters Home, 1949-1969 (Cape Ann Museum, 2010).

Joseph Torra is a poet, novelist, and editor. He edited Selected Poems by Stephen Jonas (Talisman, 1994).