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Architecture is a Verb [Pehme köide]

(Aalborg University, Denmark)
  • Formaat: Paperback / softback, 274 pages, kõrgus x laius: 229x152 mm, kaal: 460 g, 1 Tables, black and white; 1 Line drawings, black and white; 59 Halftones, black and white; 61 Illustrations, black and white
  • Ilmumisaeg: 02-Mar-2021
  • Kirjastus: Routledge
  • ISBN-10: 0367610361
  • ISBN-13: 9780367610364
Teised raamatud teemal:
  • Formaat: Paperback / softback, 274 pages, kõrgus x laius: 229x152 mm, kaal: 460 g, 1 Tables, black and white; 1 Line drawings, black and white; 59 Halftones, black and white; 61 Illustrations, black and white
  • Ilmumisaeg: 02-Mar-2021
  • Kirjastus: Routledge
  • ISBN-10: 0367610361
  • ISBN-13: 9780367610364
Teised raamatud teemal:

Architecture is a Verb outlines an approach that shifts the fundamental premises of architectural design and practice in several important ways. First, it acknowledges the centrality of the human organism as an active participant interdependent in its environment. Second, it understands human action in terms of radical embodiment—grounding the range of human activities traditionally attributed to mind and cognition: imagining, thinking, remembering—in the body. Third, it asks what a building does—that is, extends the performative functional interpretation of design to interrogate how buildings move and in turn move us, how they shape thought and action. Finally, it is committed to articulating concrete situations by developing a taxonomy of human/building interactions.

Written in engaging prose for students of architecture, interiors and urban design, as well as practicing professionals, Sarah Robinson offers richly illustrated practical examples for a new generation of designers.

Arvustused

A veritable encyclopedia of ideas, all pressing toward one sage insight: good designfar from being an act of technocratic rationalityresides in the poetic, festive, and cultural interplay between self and other, or better, the art of exploring the depth of our visceral engagement with the world. All else is inhumanity.

Harry Francis Mallgrave, Emeritus Director of Architectural and Theory program at Illinois Institute of Technology and the author of The Architects Brain, Architecture and Embodiment and From Object to Experience, among other books.

Robinsons clear prose brings hopestitching together insights from philosophy, existential phenomenology, the cognitive sciences, ethology, psychology, anthropology, architectural and literary history, to shed light on possibilities that are open to designers and architects in our complex world. . . in an intellectual poetics meant to evoke, resonate and make you think.

Alberto Pérez Gómez, Director of the History and Architecture Program at McGill University and author of Architecture and the Crisis of Modern Science, Built Upon Love and Attunement, among other books.

Architecture has been incessantly theorized, taught and practiced merely as an art of aestheticised material structures and space. Sarah Robinson presents architecture convincingly and inspiringly as a network of relationships, actions and interactions; buildings reveal, structure and articulate our encounters and relations with the world. Through deftly weaving knowledge from diverse disciplines ranging from philosophy to psychology, anthropology to neuroscience and history to poeticsthis book opens up comprehensive and balanced but truly radical views of the complex phenomenon of architecture. The reader will surely encounter and experience buildings differently after having read this significant book.

Juhani Pallasmaa, Architect, Professor emeritus (Aalto University), Writer, Member of the Pritzker Architecture Prize Jury, 2008-2014

Foreword x
Alberto Perez-Gomez
Preface xii
Acknowledgements xiv
1 Situated Poetics
1(13)
Architecture's Resistance
3(2)
The Possibility of an Integrated Approach
5(2)
Architecture Is a Verb
7(1)
Radical Embodiment
8(1)
Situated Poetics
9(5)
2 From Vitruvius to the Resonant Body
14(17)
From Source to Subject
15(3)
Qualitative Measure
18(1)
Le Modulor
19(1)
No Such Thing as Average
20(1)
Situated Bodies
20(3)
Space as Medium
23(4)
Resonant Bodies
27(1)
Sphere Activitatis
28(3)
3 Extended Organisms---Surrogate Bodies
31(16)
Philosophy of the Organism
31(2)
The Biological and the Physical: Where Do We Draw the Line?
33(2)
Extended Organisms
35(3)
The Primacy of Movement
38(4)
Primordial Techne
42(1)
Inhabiting---The Matrix of Habitual Action
43(4)
4 Questioning Perception
47(17)
Umwelt and Affordances
48(2)
Niche Construction
50(3)
Neural Plasticity and Epigenetic Change
53(2)
Knowledge Is External
55(2)
Reprogramming Sensory Life
57(2)
Architectural Affordances
59(5)
5 Constructing Consciousness
64(14)
Consciousness Is Rhythmic
65(2)
The Natural History of Consciousness
67(3)
Art Structures Consciousness
70(2)
The Future Enters Through the Work of Art
72(2)
Laminated Consciousness
74(4)
6 Taxonomy of Interactions
78(18)
Structures of Consciousness
80(3)
Archaic Consciousness
83(3)
Magic Consciousness
86(1)
Mythical Consciousness
87(2)
Mental-Rational Consciousness
89(2)
Integral Consciousness
91(5)
7 The Primacy of Breathing
96(31)
Affirming the Breath
97(3)
Empathy and Entrainment
100(2)
The Epistemology of the Skin
102(2)
Cultures of Breathing
104(1)
A Brief Study of Desert Thermal-Cultural Devices
105(6)
Resisting
111(4)
Touching
115(4)
Haptic Perception
119(8)
8 Homo Faber
127(28)
Resonating
130(1)
Music: A Technology of Bonding
130(2)
Buildings as Musical Instruments
132(4)
Sound as a Building Material
136(5)
Dancing
141(3)
Kinesthetic Awareness
144(2)
Mechanisms of Mutuality
146(3)
Making
149(6)
9 Collective Dreaming
155(29)
Imagining
156(3)
Complementarity
159(1)
Suspension
160(4)
Metaphor: Patterning Fields
164(7)
Remembering
171(4)
Storytelling
175(4)
Narrative and Self
179(1)
Empathy and Story
180(4)
10 This Lesser, Rebellious Field
184(23)
Abstracting
186(1)
From Panoptics to Peripheral Vision
187(3)
Learning From the Japanese Garden
190(4)
Framing
194(4)
Thinking
198(2)
Improvisation
200(2)
Nature of the Medium
202(1)
The Bottom-Up/Top-Down Dialectic
203(4)
11 The Soil of the Sensible
207(32)
Integration
208(1)
Inhabiting
209(1)
Eating
210(3)
Sleeping
213(1)
Being Bored
214(2)
Walking
216(1)
An Architecture of Moments
217(6)
Playing
223(1)
Counterforms
224(3)
Visceral Urbanism
227(4)
Healing
231(8)
12 Fields of Care: Concluding Thoughts
239(5)
Taxonomy of Interactions Appendix 244(8)
Index 252
Sarah Robinson is an architect practising in San Francisco and Pavia, Italy. She holds degrees in philosophy and architecture, and was the founding chair of the Frank Lloyd Wright School of Architecture Board of Trustees. Her previous booksMind in Architecture: Embodiment, Neuroscience and the Future of Design with Juhani Pallasmaa (2015) and Nesting: Body, Dwelling, Mind (2011)have been among the first to explore the connections between the cognitive sciences and architecture. She co-founded and edits the journal Intertwining, is an adjunct professor at Aalborg University, Denmark and teaches at NAAD / IUAV University of Venice.