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Art and the Global City: Public Space, Transformative Media, and the Politics of Urban Rhetoric New edition [Kõva köide]

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  • Formaat: Hardback, 342 pages, kõrgus x laius: 225x150 mm, kaal: 582 g, 58 Illustrations
  • Sari: Urban Communication 8
  • Ilmumisaeg: 31-May-2022
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433181673
  • ISBN-13: 9781433181672
Teised raamatud teemal:
  • Formaat: Hardback, 342 pages, kõrgus x laius: 225x150 mm, kaal: 582 g, 58 Illustrations
  • Sari: Urban Communication 8
  • Ilmumisaeg: 31-May-2022
  • Kirjastus: Peter Lang Publishing Inc
  • ISBN-10: 1433181673
  • ISBN-13: 9781433181672
Teised raamatud teemal:

Art and the Global City brings together a host of academics (communication specialists, sociologists, historians and cultural theorists) who seek to expand the notion of a "communicative city" by looking at the role that art and public culture play in the rapidly expanding global landscape. Spanning four continents (North America, Europe/Eurasia, Asia, and Australia) and multiple cities (from Chicago to Singapore, Moscow, Seoul, and Melbourne), these case studies focus the reader’s attention to the evolution of art in public spaces and the rhetorical power of new artistic visions and conglomerations in the urban landscape.



This book brings together a host of academics who seek to expand the notion of a ‘communicative city’ by looking at the role that art and public culture play in the rapidly expanding global landscape.

Arvustused

The contributors to Art and the Global City capture an historic moment when traditional and innovative approaches to public art are reshaping cities around the globe. Storytelling through various formsphysical and digital, permanent and transient, always performative, and interactivesaturate once moribund urban spaces. Collectively and individually, such art in cities encourage connectivity as opposed to hierarchy. As this volumes insightful essays demonstrate, todays global cities constitute an emerging liquid polis redefining urban citizenship. Blair A. Ruble, Distinguished Scholar, Woodrow Wilson International Center for Scholars and Author of The Muse of Urban Delirium Art and the Global City: Public Space, Transformative Media, and the Politics of Urban Rhetoric makes original and significant contributions to how we think about public art as a form of media and communication. The authors extend the idea of communicative cities, showing how public art originates, gets commissioned (through municipal and political processes of recruiting artists, determining sites, negotiating fees, etc.), produced, and responded to by urban audiences, and how it transforms physical and social environments. The authors, scholars from different academic disciplines, explore a wide and fascinating range of urban art projectseverything from light art to ghost signs to neighborhood murals. I highly recommend this new book for anyone interested in how public artists help urban residents mediate and negotiate modern citiscapes. Kenneth Zagacki, Department of Communication, North Carolina State University

List of Figures
xi
List of Tables
xv
Acknowledgments xvii
Introduction: Urban Space, Art and Global Cultural Transformations 1(8)
James T. Andrews
Margaret R. LaWare
Part I Art, Urban Space and the Global City
9(98)
Chapter One Altering Perceptions of Urban Space: The Works of Christo and Jeanne-Claude
11(18)
Suzanne Berman
Chapter Two Narrating the Soviet Metropolis: Urban Technology, Visual Culture, and the Rhetorical and Communicative Value of Underground Architectural Space in Moscow
29(18)
James T. Andrews
Chapter Three Going Out: Rights to the City and the Cosmos
47(18)
Nikos Papastergiadis
Chapter Four Deconstructing the Museum's White Cube: Gregor Schneider's Artistic and Discursive Interventions in Urban Space
65(20)
Mark W. Rectanus
Chapter Five From Plan to Process: The Language of Public Space Evaluation
85(22)
Oliver Armstrong
Part II Transformative Media and the Changing Urban Landscape
107(106)
Chapter Six Seeing the City through Photozines
109(20)
Daniel Makagon
Chapter Seven From Creative to Critical Placemaking: Ambient Participation and the Cultural Impact of Digital Media Art in Public Space
129(20)
Audrey Yue
Chapter Eight Building Rural Memories into Mediated Cities: How Rustic Elements Boost Popularity of City Images on Tiktok
149(20)
Pan Ji
Chapter Nine Urban Artivism and Placemaking: The Case of Federation Square, Melbourne
169(20)
Isabel Fangyi Lu
Chapter Ten Creating Ground: Making Space for Art and Ambient Participation in Australia's Cultural Capital
189(24)
Danielle Wyatt
Bree Trevena
Part III Urban Rhetoric and Evolving Visions of the City
213(100)
Chapter Eleven Light Art and the Aesthetics of Urban Appropriation
215(18)
Scott McQuire
Chapter Twelve Searching for Hidden Memories: Ghost Signs and Other Facades
233(20)
Gary Gumpert
Susan J. Drucker
Chapter Thirteen Imagining the Unoppressive City: Tracing the Re-creation and Circulation of Community Murals in Chicago
253(24)
Margaret R. LaWare
Chapter Fourteen Art, Gentrification, and Communication Infrastructure in Urban Neighborhoods: The Case of Mullae in Seoul
277(22)
Yong-Chan Kim
Miran Pyun
Young Eun Yoo
Chapter Fifteen Artistic Transfigurations of the City: The Rhetorical Potential of Architecture as Public Art
299(14)
Max M. Renner
The Liquid Polis and Ambient Aesthetics of Communicative Cities: An Afterword 313(8)
Nikos Papastergiadis
James T. Andrews
Margaret R. LaWare
Editors 321(2)
Contributors 323(6)
Index 329
James T. Andrews (Ph.D., The University of Chicago, 1994) is Distinguished University Professor of Modern Russian History at Iowa State University. He is the editor or author of five books, including an acclaimed two-volume cultural history of the Soviet space program titled Red Cosmos (2009) and Into the Cosmos (2011) respectively. His fellowships and awards include the Woodrow Wilson Center for International Scholars and the National Endowment for the Humanities.



Margaret R. LaWare (Ph.D., Northwestern University, 1993) is Associate Professor of English and Speech Communication at Iowa State University where she has been Coordinator of the Ph.D. Program in Rhetoric and Professional Communication. The author of numerous articles in major journals such as College English and Womens Studies in Communication, she is currently completing a book titled Speaking to Americas Women: Commencement Speeches, Womens Colleges, and Feminist Movements.