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Art of Interpretation in the Age of Computation [Kõva köide]

(, Yale University)
  • Formaat: Hardback, 246 pages, kõrgus x laius x paksus: 236x157x25 mm, kaal: 476 g
  • Ilmumisaeg: 24-Aug-2017
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 019063653X
  • ISBN-13: 9780190636531
Teised raamatud teemal:
  • Formaat: Hardback, 246 pages, kõrgus x laius x paksus: 236x157x25 mm, kaal: 476 g
  • Ilmumisaeg: 24-Aug-2017
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 019063653X
  • ISBN-13: 9780190636531
Teised raamatud teemal:
This book is about media, mediation, and meaning. The Art of Interpretation focuses on a set of interrelated processes whereby ostensibly human-specific modes of meaning become automated by machines, formatted by protocols, and networked by infrastructures. That is, as computation replaces interpretation, information effaces meaning, and infrastructure displaces interaction. Or so it seems.

Paul Kockelman asks: What does it take to automate, format, and network meaningful practices? What difference does this make for those who engage in such practices? And what is at stake? Reciprocally: How can we better understand computational processes from the standpoint of meaningful practices? How can we leverage such processes to better understand such practices? And what lies in wait? In answering these questions, Kockelman stays very close to fundamental concerns of computer science that emerged in the first half of the twentieth-century. Rather than foreground the latest application, technology or interface, he accounts for processes that underlie each and every digital technology deployed today.

In a novel method, The Art of Interpretation leverages key ideas of American pragmatism-a philosophical stance that understands the world, and our relation to it, in a way that avoids many of the conundrums and criticisms of conventional twentieth-century social theory. It puts this stance in dialogue with certain currents, and key texts, in anthropology and linguistics, science and technology studies, critical theory, computer science, and media studies.

Arvustused

"Paul Kockelman has produced a work of stunning imagination. Here he showcases his breathtaking capacity to see things you didn't know could be seen. Kockelman's dazzling tour of the elements of meaning, and the infrastructure that makes meaning possible, cuts effortlessly through the disciplinary and theoretical barriers that so often thwart conceptual progress in social science. The challenging and sometimes unsettling nature of this work points to its greatest strength: the constant reminder that framing is everything. Is it a moat or a river? Is it a hindrance or a help? The answers draw simultaneously on technical structures of channels and codes and on political and ethnographic elements of human social life. This book is a landmark installment in Kockelman's masterly account of meaning, from information to value to agency."-N.J. Enfield, Professor and Chair, Department of Linguistics, The University of Sydney "With semiotics its point of departure and the world of computationally enabled semiotic agents its surround, this remarkable book about paths, lines and circles is itself a bridge connecting disparate points and opening up new pathways. It demonstrates the value in circling back to received greats, whose relations Kockelman uncovers or draws afresh-Bayes, Peirce, Turing, Jakobson, Freud, Mark Twain and more-as well as unexpected progenitors, like the founder of graph theory. It does so with acute precision, putting relations themselves into novel analytical configurations so that we might make sense of the digital, social and communicative networks in which we are all enmeshed. With Kockelman as our pathfinder the work is challenging, and always rewarding.''-Bill Maurer, Professor of Anthropology and Law, University of California, Irvine, and author of How Would You Like To Pay: How Technology is Changing the Future of Money (Duke University Press) "This is an extraordinary book... the author guides us on an exhilarating intellectual adventure by mapping out and rendering visible the (often unexpected) criss-crossings of models, theories, concepts, and methods in diverse disciplines. The result is to inaugurate a robust theoretical foundation for genuinely transdisciplinary scholarship. This will, I believe, be a book that many of us will continue to return to in generations to come."-Miyako Inoue, Associate Professor of Anthropology, Stanford University "The Art of Interpretation in the Age of Computation explores models, theories, concepts, and methods relating to the current age of computation from a number of diverse disciplines. Kockelman (anthropology, Yale) is an expert on semiotic practices that try to explain meaning making as a social practice ... Due to its specialized nature, this book is best suited to specialists in the area of semiotic practices." --Choice

List of Figures
ix
List of Tables
xi
Acknowledgments xiii
1 Lines Crossed and Circles Breached
1(26)
1.1 Semiotic Practices and Computational Processes
1(1)
1.2 Lines (and How To Cross Them)
2(7)
1.3 Circles (and How To Breach Them)
9(6)
1.4 The Semiotic Stance
15(7)
1.5 Overview of
Chapters
22(5)
2 Enemies, Parasites, and Noise
27(28)
2.1 The Burning of Bridges
27(2)
2.2 Channel, Infrastructure, and Institution
29(4)
2.3 Shannon and Jakobson
33(3)
2.4 Serres and Peirce
36(4)
2.5 Jakobson and Serres
40(8)
2.6 The Proliferation of Parasites
48(4)
2.7 Enclosure, Disclosure, and Value
52(3)
3 Secrecy, Poetry, and Being-Free
55(26)
3.1 The Structure (and Event) of Networks
55(4)
3.2 Degrees of Freedom
59(2)
3.3 Frames of Relevance, Scales of Resolution
61(4)
3.4 Sense and Sensibility
65(5)
3.5 Enemies and Insecurities
70(3)
3.6 The Poetics of Channels, The Secrets of Infrastructure
73(4)
3.7 Residence without Representation
77(4)
4 Meaning, Information, and Enclosure
81(28)
4.1 From Tracing to Effacing
81(4)
4.2 MacKay's Account of Information and Meaning
85(4)
4.3 The `Value' of Information
89(5)
4.4 Peirce's Theory of Meaning
94(3)
4.5 Peirce's Theory of Information
97(5)
4.6 The Matrix
102(4)
4.7 From the Beautiful to the Sublime
106(3)
5 Materiality, Virtuality, and Temporality
109(30)
5.1 How to Buy Yourself a Night in Minecraft
109(2)
5.2 Why Archeology Is So Hard
111(6)
5.3 Figure and Ground, Grice and Freud
117(5)
5.4 Singularities and Replicas, Qualia and Aura
122(3)
5.5 Deleuze's Understanding of the Virtual
125(6)
5.6 Peirce's Understanding of the Virtual
131(4)
5.7 Ontology and Virtuality
135(4)
6 Computation, Interpretation, and Mediation
139(32)
6.1 Sifters and Shifters
139(3)
6.2 Sieving Symbols and Symbolizing Sieves
142(4)
6.3 Linguistic Anthropology in the Age of Language Automata
146(6)
6.4 Kinds of Languages, Kinds of Computers
152(3)
6.5 Universal Grammar and Linguistic Relativity
155(3)
6.6 Virtuality, Happiness, and Secret Roads to Recognition
158(2)
6.7 Intermediation as Topic and Technique
160(11)
7 Algorithms, Agents, and Ontologies
171(26)
7.1 The Sabotaging of Sieves
171(3)
7.2 The Ontology of Spam, Meteorites, and Huckleberry Finn
174(4)
7.3 Ontologies in Transformation, Ontologies of Transformation
178(5)
7.4 Testing Turing
183(3)
7.5 Bayesian Anthropology
186(5)
7.6 Virtuality and Actuality Revisited
191(2)
7.7 Meaning, Mathematics, and Meat
193(4)
Notes 197(18)
References 215(12)
Index 227
Paul Kockelman is Professor of Anthropology at Yale University. He is the author of The Chicken and the Quetzal: Portable Values and Incommensurate Ontologies in Guatemala's Cloud Forest (Duke University Press, 2016), Language, Culture, and Mind: Natural Constructions and Social Kinds (Cambridge University Press, 2010), and Agent, Person, Subject, Self: a Theory of Ontology, Interaction, and Infrastructure (Oxford University Press, 2013). He is the editor of the Journal of Linguistic Anthropology.