Preface and acknowledgements |
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vii | |
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The Royal Mount: 250 years of mounting practice in the British Royal Collection |
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3 | (10) |
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The photographic mount: a brief historical outline |
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13 | (8) |
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Treatment of framed paper in the historic houses of the National Trust |
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21 | (8) |
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Materials and Microenvironments |
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What happens to enclosed paper? |
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29 | (9) |
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The quest for acceptable standards: mount boards and hinging papers, tapes and adhesives for mounting and framing |
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38 | (4) |
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Open-minded storage: a box-maker's perspective on housing art on paper |
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42 | (6) |
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Print frame microclimates |
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48 | (7) |
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Out of the box: measuring microclimates in Australian-made Solander boxes |
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55 | (4) |
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Investigation of historical and modern conservation daguerreotype housings |
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59 | (8) |
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Anoxic framing investigations at Tate to date |
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67 | (8) |
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The Declaration of Independence, the United States Constitution and Bill of Rights: scientific basis and practice of encasement |
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75 | (6) |
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Argon-filled containers for the display of paper |
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81 | (8) |
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Contemporary Practice in Mounting and Housing |
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Mounting as part of preservation planning |
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Mounting and housing in a modern collection: Moderna Museet |
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89 | (7) |
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Storage solutions for large format works on paper |
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96 | (8) |
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Developing a preservation programme for modern unframed and unglazed photographic and digital artworks |
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104 | (8) |
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112 | (5) |
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2-D or not 2-D? -- that is the question: the storage and display of rolled wallpapers |
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117 | (6) |
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Mounting in a tropical climate: preservation, display and storage of the graphic art collection at the Victoria Memorial Hall, Kolkata, India |
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123 | (8) |
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Overviews and case studies |
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Conservation mounting at the V&A: an overview of techniques |
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131 | (7) |
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The display of single-sheet material: two recent exhibitions at the Bodleian Library, Oxford |
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138 | (6) |
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Reproducing decorative mounts |
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144 | (5) |
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A 1960s classic: researching an approach to the treatment of an unstable framed linocut by Edward Bawden |
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149 | (5) |
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Housing and storage solutions for four book of hours bi-folios |
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154 | (5) |
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Mounting and framing of gouaches by the CoBrA Movement |
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159 | (8) |
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Oriental and African works |
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Advantages and disadvantages of the hanging scroll format from a conservation viewpoint |
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167 | (4) |
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171 | (4) |
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Wrap and roll or flatten and hinge: approaches to mounting and storage of Chinese art on paper |
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175 | (8) |
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Mounting fragile Tibetan and Asian material at the British Library: exhibition and storage |
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183 | (4) |
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East meets West: solutions for housing papyri and thangkas |
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187 | (6) |
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Mounting papyri at the British Museum |
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193 | (6) |
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Mounting of African paintings and scrolls: two case studies on textile and parchment |
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199 | (6) |
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Contributors |
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205 | |