In The Art of Queenship in the Hellenistic World, Patricia Eunji Kim examines the visual and material cultures of Hellenistic queens, the royal and dynastic women who served as subjects and patrons of art. Exploring evidence in the interconnected eastern Mediterranean and western Asia from the fourth to second centuries BCE, Kim argues that the arts of queenship were central to expressions of dynastic (and sometimes even imperial) consolidation, continuity, and legitimacy. From gems, coins, and vessels to monuments and sculpture, the visual and material cultures of queenship appeared in a range of sacred settings, public spaces, royal courts, and domestic domains. Encompassing several dynasties, including the Hecatomnids, Argeads, Ptolemies, Seleucids, and Attalids, Kim inaugurates new methods for comparing and interpreting visual articulations of queenship and ideal femininity from distinct yet culturally entangled contexts, thus illuminating the ways that women had an impact art and politics in the ancient world.
This book explores how ancient queens were important subjects and patrons of dynastic art. It examines an eclectic array of artworks and artifacts from across the Mediterranean and the Middle East. This study invites readers to consider the roles and responsibilities of women in artistic expressions of political power.
