Muutke küpsiste eelistusi

Artistic Activism of Elombe Brath [Kõva köide]

Edited by
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 254x203x23 mm, kaal: 1015 g, 98 b&w illustrations
  • Ilmumisaeg: 30-Oct-2021
  • Kirjastus: University Press of Mississippi
  • ISBN-10: 1496835360
  • ISBN-13: 9781496835369
Teised raamatud teemal:
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 254x203x23 mm, kaal: 1015 g, 98 b&w illustrations
  • Ilmumisaeg: 30-Oct-2021
  • Kirjastus: University Press of Mississippi
  • ISBN-10: 1496835360
  • ISBN-13: 9781496835369
Teised raamatud teemal:
In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (19362014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leadersfrom political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregorycritiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement.

The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Braths influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. The volume includes Braths early worksillustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoonsas well as the full run of his comic strip "Congressman Carter and Beat Nick Jackson" from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring books entries. The book closes with selections from Braths art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.
Preface vii
Part One ELOMBE BRATH IN CONTEXT
1 The Caribbean Origins of Elombe Brath's Radicalism
3(20)
2 The Life and Work of Elombe Brath
23(12)
3 The Rhetorical Origins of Elombe Brath's Satire
35(14)
Part Two BRATH'S EARLY WORK
4 Down Beat Jazz Record Reviews Illustrations, 1957
49(8)
5 Cartoons from Beat Jokes, Bop Humor, & Cool Cartoons, 1960
57(24)
Part Three COMIC RADICALISM
6 Comic Radicalism
81(8)
7 Congressman Carter and Beatnick Jackson Comic Strips, 1960-1961
89(30)
8 Color Us Culludl The American Negro Leadership Official Coloring Book, 1964
119(38)
9 Annotations to the Coloring Book
157(32)
Part Four MISCELLANEOUS ART AND ESSAYS
10 Miscellaneous Activist Art, 1963-1970
189(16)
11 Essays, 1979-1990S
205(32)
Black Solidarity Day Denounces Rights Record
206(5)
The US at 205
211(5)
From 1900 to 2000: The Pan-African Century: A Vindication and Victory for the Vision of Marcus Garvey
216(9)
Black Political Opportunists: Dis' the Anti-Apartheid Movement
225(12)
Notes 237(22)
Bibliography 259(14)
Index 273
Thomas Aiello is associate professor of history and African American studies at Valdosta State University. He is author of several publications, including The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement.