Revealing Merce Cunninghams creative processes as inspiration for todays dancers and choreographers
In this book, former members of the Merce Cunningham Dance Company detail the technique classes, rehearsal procedures, and compositional approaches that defined Cunninghams New York studio for more than sixty years. Through firsthand accounts supported by interviews and secondary sources, the authors reveal Cunninghams creative processhow simple movement phrases introduced in class evolved into the intricate and striking dances that became his signature.
The Artistry of Merce Cunningham also offers creative prompts inspired by themes and motifs from Cunninghams repertory, designed to spark ideas for choreographers and performance artists. It highlights how steady daily practice, curiosity, and experimentation can transform raw movement into complex works of art. By documenting Cunninghams methods, Daniel Roberts and Karen Eliot provide inspiration for todays dancers and choreographers as they navigate the materials, technologies, and artistic challenges of the twenty-first century.
List of Figures
Preface
Introduction
1. Cunninghams Evolving Approach to Technique and the Foundations of a
Choreographic Practice
2. Merce Cunninghams Four Events: Steps in a Choreographic Process
3. Cunninghams Company and Dancers
4. Cunninghams Maverick Musicality
5. Cunninghams Working Methods and Unique Collaborations
6. Interpreting Meaning in Movement
7. Elementary, Intermediate, and Advanced Prompts
8. The Extended Reach of Cunninghams Choreography and Technique
Conclusion
Notes
Further Reading and Viewing
Index
Daniel Roberts, choreographer, dance accompanist, and professor of dance at The Ohio State University, danced with the Merce Cunningham Dance Company from 2000 to 2005. He teaches Cunningham technique and restages Cunninghams repertory worldwide.
Karen Eliot, professor emerita at The Ohio State University, is the author of Albions Dance: The British Ballet during the Second World War. She danced with the Merce Cunningham Dance Company from 1983 to 1988 and taught Cunningham technique for two decades.
