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Badhai: Hijra-Khwaja Sira-Trans Performance across Borders in South Asia [Pehme köide]

(California State Polytechnic University, USA), (William & Mary, USA), (Utrecht University, the Netherlands), Series edited by (Royal Central School of Speech & Drama, University of London, UK)
  • Formaat: Paperback / softback, 210 pages, kõrgus x laius x paksus: 198x129x25 mm, kaal: 454 g, 10 bw illus
  • Sari: Forms of Drama
  • Ilmumisaeg: 30-May-2024
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350346020
  • ISBN-13: 9781350346024
  • Pehme köide
  • Hind: 35,65 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
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  • Formaat: Paperback / softback, 210 pages, kõrgus x laius x paksus: 198x129x25 mm, kaal: 454 g, 10 bw illus
  • Sari: Forms of Drama
  • Ilmumisaeg: 30-May-2024
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350346020
  • ISBN-13: 9781350346024

This is the first full-length book to provide an introduction to badhai performances throughout South Asia, examining their characteristics and relationships to differing contexts in Bangladesh, India, and Pakistan. Badhai's repertoires of songs, dances, prayers, and comic repartee are performed by socially marginalised hijra, khwaja sira, and trans communities. They commemorate weddings, births and other celebratory heteronormative events. The form is improvisational and responds to particular contexts, but also moves across borders, including those of nation, religion, genre, and identity.

This collaboratively authored book draws from anthropology, theatre and performance studies, music and sound studies, ethnomusicology, queer and transgender studies, and sustained ethnographic fieldwork to examine badhai's place-based dynamics, transcultural features, and communications across the hijrascape. This vital study explores the form's changing status and analyses these performances' layered, scalar, and sensorial practices, to extend ways of understanding hijra-khwaja sira-trans performance.

Muu info

This is the first book to provide an introduction to badhai that charts its performance throughout South Asia and examines its characteristics and relationship to the differing contexts of Bangladesh, India, and Pakistan.

Series Preface

List of Figures

Foreword, Gayatri Reddy (University of Illinois, USA)

Acknowledgments

Introduction, Adnan Hossain (Utrecht University, the Netherlands), Claire Pamment (William & Mary, USA), and Jeff Roy (California State Polytechnic University, USA)

1. Badhai as Dis/ability: Meaning, Context and Community in Bangladesh, Adnan Hossain (Utrecht University, the Netherlands)
2. Shifting Orientations: Vadhai in Pakistan, Claire Pamment (William & Mary, USA)
3. Movements Through Badhai Sonic Arrangements in India, Jeff Roy (California State Polytechnic University, USA)

Further Notes on an Inconclusive Practice..., Adnan Hossain (Utrecht University, the Netherlands), Claire Pamment (William & Mary, USA), and Jeff Roy (California State Polytechnic University, USA)

Postscript, Kareem Khubchandani (Tufts University, USA)

Glossary
Notes
References
Index

Adnan Hossain is Assistant Professor of Gender Studies and Critical Theory at Utrecht University, the Netherlands. Claire Pamment is Associate Professor of World Theatre and Gender, Sexuality and Women's Studies, William & Mary, USA. Jeff Roy is Assistant Professor in the Department of Liberal Studies, California State Polytechnic University, Pomona, USA.