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Barlinnie Special Unit: Art, Punishment and Innovation [Pehme köide]

Edited by , Foreword by
  • Formaat: Paperback / softback, 296 pages, kõrgus x laius x paksus: 234x156x21 mm, kaal: 450 g, black and white photographs
  • Ilmumisaeg: 01-Oct-2024
  • Kirjastus: Waterside Press
  • ISBN-10: 191460346X
  • ISBN-13: 9781914603464
  • Formaat: Paperback / softback, 296 pages, kõrgus x laius x paksus: 234x156x21 mm, kaal: 450 g, black and white photographs
  • Ilmumisaeg: 01-Oct-2024
  • Kirjastus: Waterside Press
  • ISBN-10: 191460346X
  • ISBN-13: 9781914603464
Fifty years ago, a small unit in HM Prison Barlinnie, Glasgow, became a radical experiment whose approach polarised opinion. It encouraged shared decision-making between prisoners and staff, allowed greater access to families and enabled prisoners to explore creative activities. Through the support of visiting artists, and the voices of the prisoners themselves, notably the sculptor Jimmy Boyle (author of A Sense of Freedom), its impact challenged prevailing, disciplinarian prison culture.

Arts of various kinds, plus respectful and challenging dialogue, released dormant abilities and strengths in hitherto recalcitrant, formerly violent prisoners. Always controversial, the legacy of the Barlinnie Special Unit challenges overly punitive ideas around crime to this day.

The first edited collection on the Barlinnie Special Unit's almost 22-year history with contributions by those who were there at the time, or helped preserve its legacy. They include artist filmmaker Bill Beech, Scotland's first art therapist Joyce Laing, leading Scottish impresario Richard Demarco, Sara Trevelyan, ex-wife of Jimmy Boyle (who also contributes), Rupert Wolfe Murray, son of Boyle's publisher, Professor Mike Nellis of Strathclyde University, Claire Coia, a curator at Glasgow's Open Museum, Andrew Coyle, founding Director of the International Centre for Prison Studies and journalist, and former Scottish MP Brian Wilson.

Arvustused

'The unpopular truth was that a number of violent prisoners who had themselves been subjected to violent suppression became relaxed and socialised under this unheard of regime.'-- Sunday National

'Unique today in that it is the only British penal initiative from fifty years ago that anyone in Scotland (or England) cares to remember and celebrate as a neglected success, whose less obvious lessons were never properly learned.'-- Bella Caledonia

Art therapists working in secure institutions will find this book particularly relevant. However, hopefully it will be of interest to all art therapists in its inspiring demonstration of the power of art therapy to effect change even in the most challenging circumstances.-- Marian Liebmann, Insights

'A beacon and a challenge to all thinking people about what to do with antisocial individuals... we need books like this one - read it, heed it, and then act.'-- Dr Bob Johnson, Consultant Psychiatrist

'Looking again at the BSU is a reminder that we have to reform the prison system. It means treating people in a humane way, even those who have committed serious crime, and by inventing creative projects which restore a person's self-worth as a better route to redemption than mere punishment' - Baroness Helena Kennedy KC (from the Foreword).

Brings to our attention how the Barlinnie Special Unit challenged many preconceptions about what prisons could and should be.-- Quakers in Criminal Justice

The book will be featured as part of the Edinburgh International Book Festival programme in August 2025.

As featured in the Herald, Sunday Mail and Daily Record; and on BBC Radio's Good Morning Scotland and BBC TV's The Nine.

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The book will be featured as part of the Edinburgh International Book Festival programme in August 2025.
Foreword by Baroness Helena Kennedy KC. PART 1: Origins and Early Days;
The Barlinnie Special Unit as a Therapeutic Community; Joyce Laing: The
Development of Art in the BSU; Joseph Beuys, Richard Demarco and Social
Sculpture; The Publication of A Sense of Freedom; The Barlinnie Special Unit
and Edinburgh Arts: 'An Experiment in Education'; 'It Was a Community'. PART
3: Legacies and Lessons: The Genesis and Legacy of the BSU; The Scottish
Press and the Special Unit; Remembering Jimmy Boyle, Misremembering The
Barlinnie Special Unit; How the Unit is being Archived and Commemorated by
Glasgow Life Museums; How the Unit is Being Archived and Commemorated by the
Coyote Fund Archives; Graft Studio - A Community in HMP Humber's Art
Department; Arts in Prisons: Research, Tensions and Prospects; Conclusion.
Select Bibliography. Index.
Dr Kirstin Anderson has taught for 22 years in schools, universities and prisons and led the first empirical study to look at Music Education and Music Making in Scottish prisons. She is a Lecturer in Criminology at Edinburgh Napier University.

The author of the Foreword Baroness Helena Kennedy KC is a leading lawyer, broadcaster and former Master of Mansfield College, Oxford. Her publications include Eve Was Framed and Just Law. She is President of Justice among other high profile law reform roles.