| Introduction |
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8 | (8) |
| Comparative Tables |
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16 | (2) |
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18 | (2) |
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20 | (2) |
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22 | (2) |
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24 | (2) |
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26 | (2) |
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28 | (2) |
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30 | (2) |
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32 | (2) |
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34 | (1) |
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34 | (3) |
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Chapter I The Aesthetic Ideal in Ancient Greece |
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1 The Chorus of the Muses |
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37 | (5) |
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2 The Artist's Idea of Beauty |
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42 | (6) |
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3 The Beauty of the Philosophers |
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48 | (5) |
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Chapter II Apollonian and Dionysiac |
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53 | (4) |
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2 From the Greeks to Nietzsche |
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57 | (4) |
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Chapter III Beauty as Proportion and Harmony |
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61 | (3) |
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2 Architectonic Proportion |
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64 | (8) |
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72 | (10) |
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82 | (4) |
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86 | (2) |
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6 Conformity with the Purpose |
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88 | (2) |
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90 | (9) |
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Chapter IV Light and Colour in the Middle Ages |
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99 | (3) |
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102 | (3) |
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3 Light, Wealth and Poverty |
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105 | (6) |
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111 | (3) |
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5 Colours in Poetry and Mysticism |
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114 | (4) |
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6 Colours in Everyday Life |
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118 | (3) |
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7 The Symbolism of Colours |
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121 | (4) |
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8 Theologians and Philosophers |
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125 | (6) |
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Chapter V The Beauty of Monsters |
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1 A Beautiful Representation of Ugliness |
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131 | (7) |
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2 Legendary and Marvellous Beings |
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138 | (5) |
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3 Ugliness in Universal Symbolism |
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143 | (5) |
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4 Ugliness as a Requirement for Beauty |
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148 | (4) |
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5 Ugliness as a Natural Curiosity |
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152 | (2) |
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Chapter VI From the Pastourelle to the Donna Angelicata |
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1 Sacred and Profane Love |
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154 | (7) |
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161 | (3) |
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164 | (3) |
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4 Poets and Impossible Loves |
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167 | (10) |
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Chapter VII Magic Beauty between the Fifteenth and Sixteenth Centuries |
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1 Beauty between Invention |
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177 | (3) |
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180 | (4) |
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184 | (4) |
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188 | (5) |
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Chapter VIII Ladies and Heroes |
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193 | (7) |
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200 | (6) |
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206 | (3) |
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209 | (5) |
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Chapter IX From Grace to Disquieting Beauty |
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214 | (4) |
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218 | (7) |
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3 The Crisis of Knowledge |
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225 | (1) |
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226 | (3) |
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5 Agudeza, Wit, Conceits... |
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229 | (4) |
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6 Reaching Out for the Absolute |
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233 | (4) |
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Chapter X Reason and Beauty |
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1 The Dialectic of Beauty |
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237 | (4) |
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241 | (1) |
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242 | (2) |
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4 Classicism and Neoclassicism |
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244 | (5) |
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5 Heroes, Bodies and Ruins |
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249 | (3) |
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6 New Ideas, New Subjects |
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252 | (7) |
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259 | (5) |
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8 The Free Play of Beauty |
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264 | (5) |
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9 Cruel and Gloomy Beauty |
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269 | (6) |
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1 A New Concept of Beauty |
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275 | (3) |
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2 The Sublime is the Echo of a Great Soul |
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278 | (3) |
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281 | (4) |
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285 | (3) |
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5 The `Gothic' Style in Literature |
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288 | (2) |
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290 | (4) |
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294 | (5) |
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Chapter XII Romantic Beauty |
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299 | (5) |
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2 Romantic Beauty and the Beauty of the Old Romances |
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304 | (6) |
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3 The Vague Beauty of the `Je Ne Sais Quoi' |
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310 | (3) |
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4 Romanticism and Rebellion |
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313 | (2) |
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315 | (6) |
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6 Gloomy, Grotesque and Melancholic |
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321 | (4) |
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325 | (4) |
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Chapter XIII The Religion of Beauty |
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329 | (4) |
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333 | (3) |
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3 Flesh, Death and the Devil |
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336 | (2) |
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338 | (3) |
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341 | (5) |
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346 | (5) |
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351 | (2) |
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8 The Ecstasy within Things |
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353 | (3) |
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356 | (5) |
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Chapter XIV The New Object |
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361 | (3) |
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2 Iron and Glass: the New Beauty |
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364 | (4) |
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3 From Art Nouveau to Art Deco |
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368 | (6) |
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374 | (2) |
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5 Articles of Everyday Use: Criticism, Commercialisation, Mass Production |
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376 | (5) |
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Chapter XV The Beauty of Machines |
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381 | (4) |
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2 From Antiquity to the Middle Ages |
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385 | (3) |
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3 From the Fifteenth Century to the Baroque |
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388 | (4) |
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4 The Eighteenth and Nineteenth Centuries |
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392 | (2) |
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394 | (7) |
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Chapter XVI From Abstract Forms to the Depths of Material |
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1 `Seek His Statues among the Stones' |
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401 | (1) |
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2 The Contemporary Re-Assessment of Material |
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402 | (4) |
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406 | (1) |
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4 From Reproduced to Industrial Material, to the Depths of Material |
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407 | (6) |
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Chapter XVII The Beauty of the Media |
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1 The Beauty of Provocation or the Beauty of Consumption |
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413 | (2) |
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2 The Avant-Garde, or the Beauty of Provocation |
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415 | (3) |
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3 The Beauty of Consumption |
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418 | (13) |
| Bibliographical References |
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431 | (1) |
| Of Translations |
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431 | (2) |
| Index of Authors |
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433 | (2) |
| Index of Artists |
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435 | |