Muutke küpsiste eelistusi

On Beauty: A History of a Western Idea [Pehme köide]

3.84/5 (63978 hinnangut Goodreads-ist)
  • Formaat: Paperback / softback, 440 pages, kõrgus x laius x paksus: 205x162x29 mm, kaal: 836 g
  • Ilmumisaeg: 30-Sep-2010
  • Kirjastus: MacLehose Press
  • ISBN-10: 0857050206
  • ISBN-13: 9780857050205
Teised raamatud teemal:
  • Pehme köide
  • Hind: 50,50 €*
  • * saadame teile pakkumise kasutatud raamatule, mille hind võib erineda kodulehel olevast hinnast
  • See raamat on trükist otsas, kuid me saadame teile pakkumise kasutatud raamatule.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Lisa soovinimekirja
  • Formaat: Paperback / softback, 440 pages, kõrgus x laius x paksus: 205x162x29 mm, kaal: 836 g
  • Ilmumisaeg: 30-Sep-2010
  • Kirjastus: MacLehose Press
  • ISBN-10: 0857050206
  • ISBN-13: 9780857050205
Teised raamatud teemal:
Sumptuously illustrated and fascinatingly written - a vast store of wisdom about the nature of beauty itself.

On Beauty is neither a history of art, nor a history of aesthetics, but Umberto Eco draws on both these disciplines to define the ideas of beauty that have informed us from the classical world to modern times. In terms of form and style, On Beauty has been conceived for a vast and diverse readership. Packed with examples from painting, sculpture, architecture, film, photography, the decorative arts and literature, it offers a rich and intelligent panorama of this huge subject.

"Eco is one of the most influential thinkers of our time" Los Angeles Times

In On Beauty Eco is at his most captivating and eclectic: we read not only of Botticelli and Michelangelo but of how much the fashion of the 1960s owes to ancient Egyptian dress, and how ancient Roman and eighteenth-century hairstyles have much in common. It makes the familiar new, and sheds a brilliant light on the unfamiliar. On Beauty is illustrated in full colour throughout and produced to the highest standards.

Translated from Italian by Alastair McEwen

Arvustused

Passionately argued and deeply engaged . . . Eco's writing has a unique ability to dance on the page and to resonate in the mind. * Daily Telegraph * For the sheer depth and clarity of his learning and wisdom, Eco has no living rival * Harpers & Queen * Eco is one of the most influential thinkers of our time * Los Angeles Times * 'Over more than 400 pages Eco displays his polymathic qualities, ranging over diverse subjects to produce a comprehensive definition of beauty. Utilising examples of literature, sculpture, painting, photography and film among other areas, Eco asks what beauty is and why it matters so much. The volume is lavishly produced... with exquisite images' Fatchna Kelly and Julian Fleming, Sunday Business Post. * Sunday Business Post *

Introduction 8(8)
Comparative Tables
Venus Nude
16(2)
Adonis Nude
18(2)
Venus Clothed
20(2)
Adonis Clothed
22(2)
Portraits of Venus
24(2)
Portraits of Adonis
26(2)
Madonna
28(2)
Jesus
30(2)
Kings
32(2)
Queens
34(1)
Proportions
34(3)
Chapter I The Aesthetic Ideal in Ancient Greece
1 The Chorus of the Muses
37(5)
2 The Artist's Idea of Beauty
42(6)
3 The Beauty of the Philosophers
48(5)
Chapter II Apollonian and Dionysiac
1 The Gods of Delphi
53(4)
2 From the Greeks to Nietzsche
57(4)
Chapter III Beauty as Proportion and Harmony
1 Number and Music
61(3)
2 Architectonic Proportion
64(8)
3 The Human Body
72(10)
4 The Cosmos and Nature
82(4)
5 The Other Arts
86(2)
6 Conformity with the Purpose
88(2)
7 Proportion in History
90(9)
Chapter IV Light and Colour in the Middle Ages
1 Light and Colour
99(3)
2 God as Light
102(3)
3 Light, Wealth and Poverty
105(6)
4 Ornamentation
111(3)
5 Colours in Poetry and Mysticism
114(4)
6 Colours in Everyday Life
118(3)
7 The Symbolism of Colours
121(4)
8 Theologians and Philosophers
125(6)
Chapter V The Beauty of Monsters
1 A Beautiful Representation of Ugliness
131(7)
2 Legendary and Marvellous Beings
138(5)
3 Ugliness in Universal Symbolism
143(5)
4 Ugliness as a Requirement for Beauty
148(4)
5 Ugliness as a Natural Curiosity
152(2)
Chapter VI From the Pastourelle to the Donna Angelicata
1 Sacred and Profane Love
154(7)
2 Ladies and Troubadours
161(3)
3 Ladies and Knights
164(3)
4 Poets and Impossible Loves
167(10)
Chapter VII Magic Beauty between the Fifteenth and Sixteenth Centuries
1 Beauty between Invention
177(3)
2 The Simulacrum
180(4)
3 Suprasensible Beauty
184(4)
4 TheVenuses
188(5)
Chapter VIII Ladies and Heroes
1 The Ladies
193(7)
2 ...and the Heroes
200(6)
3 Practical Beauty
206(3)
4 ...and Sensual Beauty
209(5)
Chapter IX From Grace to Disquieting Beauty
1 Towards a Subjective
214(4)
2 Mannerism
218(7)
3 The Crisis of Knowledge
225(1)
4 Melancholy
226(3)
5 Agudeza, Wit, Conceits...
229(4)
6 Reaching Out for the Absolute
233(4)
Chapter X Reason and Beauty
1 The Dialectic of Beauty
237(4)
2 Rigour and Liberation
241(1)
3 Palaces and Gardens
242(2)
4 Classicism and Neoclassicism
244(5)
5 Heroes, Bodies and Ruins
249(3)
6 New Ideas, New Subjects
252(7)
7 Women and Passions
259(5)
8 The Free Play of Beauty
264(5)
9 Cruel and Gloomy Beauty
269(6)
Chapter XI The Sublime
1 A New Concept of Beauty
275(3)
2 The Sublime is the Echo of a Great Soul
278(3)
3 The Sublime in Nature
281(4)
4 The Poetics of Ruins
285(3)
5 The `Gothic' Style in Literature
288(2)
6 Edmund Burke
290(4)
7 Kant's Sublime
294(5)
Chapter XII Romantic Beauty
1 Romantic Beauty
299(5)
2 Romantic Beauty and the Beauty of the Old Romances
304(6)
3 The Vague Beauty of the `Je Ne Sais Quoi'
310(3)
4 Romanticism and Rebellion
313(2)
5 Truth, Myth and Irony
315(6)
6 Gloomy, Grotesque and Melancholic
321(4)
7 Lyrical Romanticism
325(4)
Chapter XIII The Religion of Beauty
1 Aesthetic Religion
329(4)
2 Dandyism
333(3)
3 Flesh, Death and the Devil
336(2)
4 Art for Art's sake
338(3)
5 Against the Grain
341(5)
6 Symbolism
346(5)
7 Aesthetic Mysticism
351(2)
8 The Ecstasy within Things
353(3)
9 The Impression
356(5)
Chapter XIV The New Object
1 Solid Victorian Beauty
361(3)
2 Iron and Glass: the New Beauty
364(4)
3 From Art Nouveau to Art Deco
368(6)
4 Organic Beauty
374(2)
5 Articles of Everyday Use: Criticism, Commercialisation, Mass Production
376(5)
Chapter XV The Beauty of Machines
1 The Beautiful Machine?
381(4)
2 From Antiquity to the Middle Ages
385(3)
3 From the Fifteenth Century to the Baroque
388(4)
4 The Eighteenth and Nineteenth Centuries
392(2)
5 The Twentieth Century
394(7)
Chapter XVI From Abstract Forms to the Depths of Material
1 `Seek His Statues among the Stones'
401(1)
2 The Contemporary Re-Assessment of Material
402(4)
3 The Ready Made
406(1)
4 From Reproduced to Industrial Material, to the Depths of Material
407(6)
Chapter XVII The Beauty of the Media
1 The Beauty of Provocation or the Beauty of Consumption
413(2)
2 The Avant-Garde, or the Beauty of Provocation
415(3)
3 The Beauty of Consumption
418(13)
Bibliographical References 431(1)
Of Translations 431(2)
Index of Authors 433(2)
Index of Artists 435
Umberto Eco's first novel, The Name of the Rose (1982), was a huge bestseller which brought him worldwide acclaim. With his subsequent works of fiction, philosophy, literary criticism and semiotics, he has been recognised as one of Europe's finest thinkers. He is currently President of the Scuola Superiore di Studi Humanistici and the University of Bologna. He is also known for his lavishly illustrated anthologies, On Beauty, On Ugliness, The Infinity of Lists and The Book of Legendary Lands.