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Bedouin Weaving: The Traditional Art and Legacy of AlSadu in Saudi Arabia and Neighbouring Regions 2nd New edition [Kõva köide]

  • Formaat: Hardback, 288 pages, kõrgus x laius: 245x330 mm
  • Ilmumisaeg: 01-Sep-2025
  • Kirjastus: Arabian Publishing Ltd
  • ISBN-10: 1916866107
  • ISBN-13: 9781916866102
  • Formaat: Hardback, 288 pages, kõrgus x laius: 245x330 mm
  • Ilmumisaeg: 01-Sep-2025
  • Kirjastus: Arabian Publishing Ltd
  • ISBN-10: 1916866107
  • ISBN-13: 9781916866102
Discover the vibrant world of Bedouin textiles in this newly updated edition of Joy Hilden's definitive work.

Bedouins have long been master creators of tents, rugs, and other essentials of nomadic life. Their textiles balance durability with striking beauty, reflecting both their skill and the demands of desert living. In this comprehensive study, Joy Hilden explores the techniques of the Bedouin within the context of their transition from nomadic existence to settled communities.

Based on over a decade of immersive fieldwork in Saudi Arabia and neighbouring countries, Hilden's account offers: - Detailed insights into dyeing, spinning and weaving techniques. - Rich cultural and historical context - Vivid portrayals of Bedouin family life, markets, and gathering places - A poignant snapshot of a culture in transition

Profusely illustrated and meticulously researched, Bedouin Weaving is an indispensable resource for collectors, craftspeople, ethnographers, and anyone fascinated by Middle Eastern culture and traditions.
Joy Totah Hilden is an acknowledged authority on Bedouin textiles. Born in Jerusalem in 1935, she spent her childhood in Palestine, where she observed many crafts in action, including Bedouin weaving. Subsequently, she received a Bachelor of Fine Arts degree from the San Francisco Art Institute, and later earned teaching credentials in Art and English. She took her interest in textiles with her to Saudi Arabia, and her experience with Arabic enabled her to communicate with Bedouin women about their dyeing, spinning and weaving, while her academic background proved useful with the writing, drawing and photography involved in her detailed and exhaustive field research. From her home in Berkeley, California she has continued to present on the subject and correspond with textile artists and members of the thriving weaving community from around the world.