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Behind the Scenes at the Ballets Russes: Stories from a Silver Age [Pehme köide]

(University of Strasbourg, France), Translated by (translator, UK), Foreword by , Afterword by
  • Formaat: Paperback / softback, 360 pages, kõrgus x laius x paksus: 226x146x24 mm, kaal: 600 g, 150 bw in 3x16pp plates
  • Ilmumisaeg: 11-Feb-2021
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350210943
  • ISBN-13: 9781350210943
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  • Formaat: Paperback / softback, 360 pages, kõrgus x laius x paksus: 226x146x24 mm, kaal: 600 g, 150 bw in 3x16pp plates
  • Ilmumisaeg: 11-Feb-2021
  • Kirjastus: Methuen Drama
  • ISBN-10: 1350210943
  • ISBN-13: 9781350210943
Teised raamatud teemal:

The Ballets Russes was perhaps the most iconic, yet at the same time mysterious, ballet company of the twentieth century. Inspired by the unique vision of their founder Sergei Diaghilev, the company gained a large international following. In the mid-twentieth century - during the tumultuous years of World War II and the Cold War - the Ballets Russes companies kept the spirit and traditions of Russian ballet alive in the West, touring extensively in America, Europe and Australia.

This important new book uncovers previously-unseen interviews and provides insights into the lives of the great figures of the age - from the dancers Anna Pavlova and Alicia Markova to the choreographers Leonide Massine, George Balanchine and Anton Dolin. The dancers' own words reveal what life was really like for the stars of the Ballets Russes and provide fascinating new insights into one of the most vibrant and creative groups of artists of the modern age.

Arvustused

Meylac's love of ballet has gifted balletomanes with genuinely evocative reading, providing dancers' tidbits from this unforgettable ballet era. * Dance International Magazine *

Muu info

The Ballets Russes was perhaps the most iconic, yet at the same time mysterious, ballet company of the twentieth century.
Acknowledgements xi
Foreword xiii
Ismene Brown
Author's Preface to the English Edition: The West in Russia and Russia in the West - a Permeable Membrane xvii
Lineage of the Ballets Russes Companies xxiii
PART I THE BALLETS RUSSES
An Introduction
3(10)
In The Shadow Of Diaghilev
13(28)
Her whole being shone with a marvellous inner beauty
13(6)
Rachel Cameron on Tamara Karsavina
Balanchine spotted me at a class and asked me to work with him
19(6)
Tamara Geva
I told Diaghilev, `If I'm good enough for the Mariinsky Theatre, I should be good enough for you'
25(16)
Alexandra (Choura) Danilova
Remembering Colonel De Basil's Ballets Russes: The `Baby Ballerinas'
41(30)
That nickname stuck to us fast!
42(15)
Irina Baronova
Anna Pavlova said to me, `Oh you are a darling, clever girl!'
57(10)
Tamara Toumanova
We rehearsed on the steamship
67(4)
Tatiana Riabouchinska
Remembering Colonel De Basil's Ballets Russes: Dancers
71(83)
We left Yalta on the last English steamer
71(12)
Marika Besobrasova
One way or another, everything goes back to Diaghilev
83(9)
Tatiana Leskova
I was able to step into a role at the last minute
92(8)
George Zoritch
I was roped into opera and ballet translations
100(11)
Tamara Tchinarova (Finch)
To encourage the Queen of England, the whole company sang, `Bottoms up, bottoms up!'
111(9)
Anna Volkova
It's every man for himself in ballet
120(9)
Miguel Terekhov
Every country produces its own type of artist
129(3)
Marjorie Tallchief
We lived all of our life in dance
132(10)
Anatoly Joukowsky
Tatiana Stepanova and her mother
142(1)
Oh, you just want to pinch more money from me!
143(4)
Alexandra Stepanova
Three Russians make a fair, five make a bazaar
147(7)
Tatiana Stepanova
The Ballets Russes In Australia
154(57)
We Australians
155(7)
Rachel Cameron
Here I am, and still a dancer!
162(4)
Tamara Tchinarova (Finch)
The Ballet Russe De Monte Carlo In America
166(1)
An argument started between Nijinska and Dolin - `pachimu? [ why?]'
166(19)
Frederic Franklin
I want a childish-looking Venus!
185(7)
Nini Theilade
Prince, would you bring me a glass of water?
192(10)
Helene Trailine
For me, to work on stage is the same as living and breathing
202(9)
Nina Novak
PART II THE MARQUIS DE CUEVAS AND OTHERS
Madame de Fredericks always retains her charm and courage
211(12)
Maria Kirillova (de Fredericks)
I expect champagne from you, and you give me Coca-Cola
223(8)
Ethery Pagava
A new style of classical dance alongside a fiery Serbian temperament
231(7)
Milorad Miskovitch
Tres ettgant at Egorova's; tres authentique at Preobrajenska's
238(8)
Helene Sadowska
I fell in love with dance even before I started dancing
246(5)
Vladimir Oukhtomsky
In France, male dance has always been in the shadows
251(4)
Vladimir Skouratoff
Boy, come over here, explain it to these blockheads!
255(10)
Boris Trailine
Don't worry, dearie, let's just dance the waltz
265(7)
Nicholas Polajenko
There was something so amazingly Lyrical About The Russian Ballet Training!
272(12)
Jean Babilee
Rudi said, `You come 5 O'clock and bring boy'
284(13)
Maina Gielgud
AFTERWORD
John Neumeier, Nijinsky and the Diaghilev Tradition
297(4)
Like a tree, the art of ballet has many roots
301(10)
John Neumeier
Dramatis Personae 311(2)
Illustrations 313(8)
Index of Names 321(10)
Index of Ballets 331
Michael Meylac is Professor of Russian Literature at the University of Strasbourg. He is the author of editions and studies of the Oberiou poets and of studies on the Provencal troubadours. Rosanna Kelly is an author and translator, based in London.