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Big Book of the Human Figure [Pehme köide]

  • Formaat: Paperback / softback, 160 pages, kõrgus x laius x paksus: 272x208x13 mm, kaal: 590 g
  • Ilmumisaeg: 01-Oct-2013
  • Kirjastus: B.E.S. Publishing
  • ISBN-10: 1438003439
  • ISBN-13: 9781438003436
Teised raamatud teemal:
  • Pehme köide
  • Hind: 35,06 €*
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  • Formaat: Paperback / softback, 160 pages, kõrgus x laius x paksus: 272x208x13 mm, kaal: 590 g
  • Ilmumisaeg: 01-Oct-2013
  • Kirjastus: B.E.S. Publishing
  • ISBN-10: 1438003439
  • ISBN-13: 9781438003436
Teised raamatud teemal:
Presents step-by-step instructions for drawing the human form, including the basics of anatomy, proportion, and light; relating the figure to its environment; and variations in color and style.

The artistic representation of the human body has fascinated and inspired millions throughout the centuries; it is also one of the most difficult forms for artist to recreate. Movement, proportion, expression, as well as the details of anatomy, leave many artists frustrated. In The Big Book of the Human Figure, the challenges of the human structure are explored in four comprehensive sections covering:

  • Basic anatomy and proportion, effects of light on the figure, and the nude
  • Understanding the dressed figure and creating atmosphere
  • Interpreting the figure through variations of color and style
  • An approach to the portrait and elements of the face

    Fully illustrated throughout and filled with clear, step-by-step instructions, notes on technique, and more, this book is an excellent tool for helping artists of all levels master the graceful beauty of the human form.
  • UNDERSTANDING THE HUMAN FIGURE
    8(56)
    Structure and Representation
    10(22)
    Basic Human Proportions
    12(2)
    Basic Anatomy of the Human Body
    14(2)
    Constructing the Head
    16(2)
    Drawing the Trunk and the Back
    18(2)
    Drawing the Extremities
    20(2)
    Drawing the Hands and Feet
    22(2)
    Blocking-In Simple Shapes
    24(2)
    Understanding the Pose
    26(2)
    The Nude: Preliminary Sketch and Line Work
    28(2)
    Standing Figure in Contraposto
    30(2)
    Incidence of Light on the Figure
    32(18)
    Shading the Nude Figure
    34(2)
    Values and Modeling
    36(2)
    Quality of Light
    38(2)
    Outlines and Quick Sketches
    40(2)
    Male Nude with Erasing
    42(2)
    Adding the Flesh Tones
    44(2)
    A Study of the Flesh Tones
    46(4)
    The Beauty of the Nude
    50(14)
    The Toilette, an Expressive Treatment
    52(2)
    Realistic Interpretation of the Flesh Tones
    54(2)
    A Figure with Markers
    56(2)
    Figure with Watercolor Chiaroscuro
    58(4)
    Incidence of Light on the Male Anatomy
    62(2)
    THE CLOTHED FIGURE AND ITS CONTEXT
    64(40)
    Understanding the Clothed Figure
    66(20)
    Painting Clothing
    68(2)
    Folds and Drapery
    70(2)
    Approaching the Clothed Figure
    72(2)
    From the Sketch to the Clothed Figure
    74(2)
    A Figure in the Street with Watercolors
    76(2)
    Oil Sketch: An Interest in Clothing
    78(2)
    A Pair of Figures with Chiaroscuro
    80(4)
    Incidence of Light on a Leather Jacket
    84(2)
    The Figure in Its Environment
    86(18)
    Relating the Figure to the Background
    88(2)
    Figure in an Interior: Environment and Atmosphere
    90(2)
    The Figure in Urban Spaces
    92(2)
    A Street Market
    94(2)
    Interior with Figure
    96(2)
    Two Figures in an Interior with Watercolors
    98(4)
    Backlit Figure
    102(2)
    INTERPRETING THE FIGURE
    104(32)
    A More Creative Vision
    106(30)
    The Importance of Color
    108(2)
    Distortion and Stylizing as an Approach
    110(2)
    Stylizing the Figure
    112(2)
    Nervous and Expressive Lines
    114(2)
    Reclining Figure with Different Interpretations
    116(4)
    An Intuitive Figure
    120(2)
    Colorist Flesh Tones
    122(4)
    Interpretation of a Nude in an Exterior
    126(2)
    Figure with Neutral Colors and Sgraffito
    128(4)
    Figure with a Colored Grid
    132(4)
    ANALYZING THE PORTRAIT
    136
    A Study of the Face
    138
    The Facial Elements
    140(4)
    Achieving a Likeness
    144(2)
    Representing Infants and the Elderly
    146(2)
    A Male Head in Oils
    148(2)
    Constructing the Head with Brushstrokes
    150(4)
    Watercolor of a Young Girl
    154(2)
    Watercolor Portrait with a Linear Style
    156(2)
    Portrait of a Senior Citizen
    158