"Achaemenid royal art has long been regarded as a unified and seemingly immutable tradition, yet the earliest works already stood apart in their originality, above all in the architecture and visual arts inaugurated by Cyrus at Pasargadae, before being perfected and canonized under Darius. In this masterful study, J. A.-M. radically renews our vision of these foundations, pursuing their every nuance with prodigious erudition and a command of the older artistic traditions of Elam, Mesopotamia, Egypt, Anatolia, and the Levant. By reconstructing the genealogy of motifs from the dawn of the first millennium BC to the birth of Persian art, he not only illuminates the intricate processes of inheritance, transformation, and innovation that culminated in the Achaemenid idiom but also restores to Elamite arta domain in which he is an undisputed authority the central and innovative role it played in this story."
~ Rémy Boucharlat
"Drawing on his previous research on the history and civilization of ancient Elam, Javier Álvarez-Mon reopens the much-debated issue of the genesis of the art that developed during the time of the Great Kings, particularly at Pasargadae under the reigns of Cyrus (around 550-530) and his son Cambyses (530-522), but also in the high places built and decorated under Darius I (522-486), namely Susa, Persepolis, Bisutun and Naq-i Rustam. Following in the footsteps of a lineage of archaeologists and art historians, he profoundly renews a question that has always confronted historians: how to explain both the seemingly sudden birth of what was the first world empire of Antiquity (the Persian-Achaemenid Empire), and that of aulic art, which expresses the conceptions and ambitions of the new rulers? The author offers essential keys that shed light on what was still imperfectly understood and he opens up avenues for the future."
~ Pierre Briant, Emeritus College de France, Paris.
