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Black & White Photography: The timeless art of monochrome in the post-digital age [Pehme köide]

  • Formaat: Paperback / softback, 192 pages, kõrgus x laius: 255x235 mm
  • Ilmumisaeg: 03-Jul-2017
  • Kirjastus: Ilex
  • ISBN-10: 1781573360
  • ISBN-13: 9781781573365
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  • Hind: 36,99 €*
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  • Formaat: Paperback / softback, 192 pages, kõrgus x laius: 255x235 mm
  • Ilmumisaeg: 03-Jul-2017
  • Kirjastus: Ilex
  • ISBN-10: 1781573360
  • ISBN-13: 9781781573365

Beautifully illustrated and far-reaching in scope, this guide is destined to be a standard reference for years to come. Alongside the work of author Michael Freeman, you'll find the work of iconic black and white photographers such as Ansel Adams, Ian Berry, Bill Brandt, Edward Curtis, Brett Weston and Edward Weston, amongst others.

From its historic roots, black and white photography in the digital age is thoroughly explored. Freeman covers all aspects of black-and-white digital photography: the fine art tradition as well as the techniques. Learn how to see and expose in black and white, digitally convert color to monochrome and develop a black and white digital workflow using the latest software.
Introduction 6(2)
Chapter 1 The Black & White Tradition
8(54)
The new black & white
10(2)
The technical tradition
12(4)
Black & white craftsmanship
16(2)
The appeal of black & white
18(4)
Film qualities
22(6)
Black & white as normality
28(8)
The photographer's choice
36(8)
Wavelength & sensitivity
44(2)
Subtracting color
46(2)
Shape
48(2)
Structure
50(2)
Tonal nuance
52(2)
Form & volume
54(2)
Texture
56(2)
Interpretation
58(4)
Chapter 2 Digital Monochrome
62(70)
The monochrome sensor
64(2)
Linear capture
66(2)
The clipping problem
68(2)
Noise, bit depth, & shading
70(6)
Infrared
76(8)
Your processing workflow
84(2)
Silver Efex Pro
86(4)
Basic processing
90(8)
Colors into tones
98(2)
Learning from film filters
100(2)
Default conversions
102(2)
Hue adjustment
104(2)
Reversal of brightness
106(2)
Using hue to control contrast
108(2)
Using hue for depth & atmosphere
110(4)
Using hue for vegetation
114(2)
Skin tones
116(4)
Specific colors
120(2)
Handling opposites
122(2)
Handling adjacents
124(6)
Handling subtleties
130(2)
Chapter 3 Creative Choice
132(56)
Thinging in black & white
134(2)
The range of light: Ansel Adams & The Westons
136(2)
The long range of gray: Paul Strand
138(2)
Mid-tones
140(2)
Contrast high
142(4)
Contrast low
146(2)
Shadow & darkness: Bill Brandt & Don McCullin
148(2)
Low key
150(2)
High key & graphic: Harry Callahan & Eikoh Hosoe
152(2)
High key
154(2)
High-key comparisons
156(2)
Digital zone system
158(8)
HDR in black & white
166(8)
Tonemapping without HD
174(2)
Adding tints
176(2)
Old process effects
178(2)
Developing black & white film
180(8)
Glossary 188(2)
Index 190(2)
Picture credits 192
Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.

Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.

Freeman's books on photography have been translated into 27 languages.