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Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France [Kõva köide]

  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 242x165x27 mm, kaal: 871 g, Illustrations
  • Sari: Interplay: Theory, Arts, History
  • Ilmumisaeg: 31-Dec-2019
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 0500018421
  • ISBN-13: 9780500018422
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  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 242x165x27 mm, kaal: 871 g, Illustrations
  • Sari: Interplay: Theory, Arts, History
  • Ilmumisaeg: 31-Dec-2019
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 0500018421
  • ISBN-13: 9780500018422
Teised raamatud teemal:
INTERPLAY: A series that addresses controversial themes and issues in the arts. Bodies of Modernity explores the ways in which men's and women's bodies are represented in late nineteenth-century France. Thought to be unequivocally different from one another, modern men and women were expected to express their sexuality and social positions in the clothes they wore, the poses they struck, and the behavior they exhibited. In a series of case studies, Bodies of Modernity looks at works by Cezanne, Renoir, Seurat, Tissot, and Caillebotte as well as photographs of male body builders to establish an image of the modern body. Well-known works such as Renoir's Nude in the Sunlight, Seurat's Young Woman Powdering Herself, and Cezanne's Large Bathers are given new interpretations, while lesser known paintings like Tissot's series on The Women of Paris or Caillebotte's iconoclastic Man at the Bath are looked at seriously for the first time. Bodies of Modernity is an original account of one of the best-loved periods in Western art history. By taking "figure and flesh" as its focus, it bypasses traditional art historical categories and style labels to provide a reading of the work of the Impressionists and their contemporaries that gets to the heart of French society of the period.
Preface and Acknowledgments 7(3)
Introduction 10(14)
Chapter One Gustave Caillebotte's Male Figures: Masculinity, Muscularity and Modernity
24(30)
Chapter Two Modelling the Male Body: Physical Culture, Photography and the Classical Ideal
54(26)
Chapter Three James Tissot's 'Parisienne' and the Making of the Modern Woman
80(34)
Chapter Four Powder and Paint: Framing the Feminine in Georges Seurat's Young Woman Powdering Herself
114(30)
Chapter Five Painterly Plenitude: Pierre-Auguste Renoir's Fantasy of the Feminine
144(34)
Chapter Six Paul Cezanne's The Eternal Feminine and the Erotics of Vision
178(18)
Chapter Seven Cezanne's Late Bathers: Modernism and Sexual Difference
196(25)
Notes and Sources 221(11)
List of Illustrations
232(6)
Index
238