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Bonaparte and the British: prints and propaganda in the age of Napoleon [Pehme köide]

  • Formaat: Paperback / softback, 256 pages, kõrgus x laius: 270x230 mm, kaal: 1320 g, Illustrated in colour throughout; 200 Illustrations, color
  • Ilmumisaeg: 15-Feb-2015
  • Kirjastus: British Museum Press
  • ISBN-10: 0714126934
  • ISBN-13: 9780714126937
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  • Formaat: Paperback / softback, 256 pages, kõrgus x laius: 270x230 mm, kaal: 1320 g, Illustrated in colour throughout; 200 Illustrations, color
  • Ilmumisaeg: 15-Feb-2015
  • Kirjastus: British Museum Press
  • ISBN-10: 0714126934
  • ISBN-13: 9780714126937
Not only was Waterloo one of the most decisive battles ever fought, it was also a crucial event in European political and social history, ending over 20 years of conflict and bringing to his knees one of Europes most extraordinary and challenging figures Napoleon Bonaparte. This intriguing book shows through contemporary prints how Bonaparte was seen from across the English Channel where hostile propaganda was tempered by admiration for his military and administrative talents. Featuring works from the British Museums world-renowned collection of political satires, including examples by the greatest masters of the genre, James Gillray, Thomas Rowlandson and George Cruikshank, the authors examine in detail these fascinating and humorous prints. French satires showing the British in relation to Bonaparte are also included alongside portraits of Bonaparte and his family made for the British market. Attitudes to Bonaparte were coloured by political tensions in Britain as highlighted in satires of Charles James Fox, Richard Brinsley Sheridan, Lord Holland and other radicals. French, German, Russian and Spanish copies of British prints demonstrate the wide dissemination of prints and the admiration of continental artists for British satirists. From portraits of the handsome young general to the resplendent Emperor to the cast of his death mask, this book explores crucial events of Bonapartes career and the period including: Nelsons triumph in the battle of the Nile in 1798; the 14 months of peace after the Treaty of Amiens in March 1802 when British tourists flocked to Paris; the invasion scare of 1803 that generated much bravado in propagandist prints; the death of Nelson at the moment of victory at Trafalgar in 1805; the Russian campaign of 1812 followed by other military defeats during 1813, culminating in Napoleons exile to Elba in 1814; his 100 days in power in 1815, followed by Waterloo and exile to St Helena. Bonaparte and the British reveals the stories behind the prints, explaining how satire was used as propaganda and how the artists worked. With stunning illustrations showing the intricately detailed prints in full colour this book brings to life a key period in European history.

Muu info

A richly illustrated catalogue published to accompany a major British Museum exhibition to mark the 200th anniversary of the Battle of Waterloo.
Director's foreword 7(2)
Map
8(1)
Authors' note 9(1)
Chronology 10(2)
Introduction 12(6)
The London print trade: commerce, patriotism and propaganda 18(20)
Napoleon and the print as propaganda 38(13)
Catalogue of works
1 The young general
51(20)
2 Egypt
71(14)
3 Consul and peacemaker
85(24)
4 Little Boney and the invasion threat
109(28)
5 Emperor
137(12)
6 Trafalgar and Austerlitz: triumph and disaster
149(18)
7 Spain and Russia
167(14)
8 Leipzig and the collapse of empire
181(10)
9 Peace of Paris, Elba and Waterloo
191(32)
10 After Waterloo
223(21)
Biographical notes 244(3)
Glossary of printmaking terms 247(1)
Bibliography and abbreviations 248(2)
Authors' acknowledgements 250(1)
Illustration credits 251(2)
Index 253