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Borderline bodies in art and visual culture: Unsettling identity and place since 1800 [Kõva köide]

  • Formaat: Hardback, 344 pages, kõrgus x laius x paksus: 244x170x27 mm, kaal: 937 g, 74 colour illustrations
  • Ilmumisaeg: 16-Jun-2026
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526182726
  • ISBN-13: 9781526182722
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  • Formaat: Hardback, 344 pages, kõrgus x laius x paksus: 244x170x27 mm, kaal: 937 g, 74 colour illustrations
  • Ilmumisaeg: 16-Jun-2026
  • Kirjastus: Manchester University Press
  • ISBN-10: 1526182726
  • ISBN-13: 9781526182722
Borderline Bodies offers original interpretations of visual representations of the human body as both bounded and porous, fortified and vulnerable, mobile and constrainedsubject to borders yet capable of crossing and challenging them. It also examines images and objects that are themselves borderline, positioned at disciplinary intersections or outside conventional definitions of serious art. By mapping how bodies traverse borders and unsettle categories, the volume reconsiders the relationship between corporeality and traditional modes of representation in art and medicine. Transdisciplinary and transnational analyses of objects from diverse geographies illuminate themes such as identity, racialisation, typologies of the body, encounters between bodies, mobility, and bodily transformation. The result is a fresh approach that disrupts assumptions about the normative human form embedded in Western image-making traditions. -- .

Arvustused

'In an era that fears breakdown of bodily boundaries and immunities, the chapters in Borderline Bodies challenge us to embrace deviance and exposure and openness. This book signals a transgressive new corporeal turn - a postcolonial materialism - in the borderspaces of health humanities.' Warwick Anderson, author of Intolerant Bodies and Spectacles of Waste

This groundbreaking volume of interdisciplinary visual studies provides wide-ranging analyses of the complex cultures of Borderline bodies across our globalised world. Disrupting scholarly boundaries in art, medicine and society and customary views on gender, race and ethnicity, the authors offer important new insights into visual representations of borderline and marginal human bodies. Anthea Callen, Professor Emeritus of Visual Culture, University of Nottingham

A very exciting volume that is sure to stimulate multiple fields of inquiry. Andrew Graciano, Director of the School of Visual Art and Design, University of South Carolina

Ambitiously traversing diverse geographies, historical periods, and interdisciplinary methodologies, these essays offer vivid, meticulously fine-grained analyses of a panoply of visual materials. Borderline Bodies reveals the generative potentials of specific contact points between disciplines, media, and identity formations, and develops innovative conceptual tools for studying representations relating to multiply-marginalised bodies. Roger Nelson, Nanyang Technological University in Singapore -- .

Introduction: Borderline bodies Tania Cleaves, Keren Rosa Hammerschlag
and Natasha Ruiz-Gómez

Part I Across borders: bodies in motion
1 Phantoms of race: Shibata Koichis models, midwifery and racial discourse
in late nineteenth-century medical culture Sonia Favi and Rebecca Whiteley
2 Lithographic yoga: posters of the yoga body in early twentieth-century
Bengal Projit Bihari Mukharji
3 Harmonious anatomies: dissecting Liu Xiaoxians marriage of medical
opposites Alex Burchmore
4 Place/placelessness: Moshekwa Langa Gabriella Nugent

Part II At the border: bodies collide
5 Monstrous: Paul Richers La Femme, anthropology and race Natasha
Ruiz-Gómez
6 Draughtsman Jacques Arago and racialised distortion Liz Conor
7 That feeling of love and care and empathy: Angel De Cora, Stacey Fayant,
a Once Known Maker and Christi Belcourt Reclaiming the Indigenous body
Gloria J. Bell
8 Coatlicue, monstrous beauty. Four postcolonial images Frida Gorbach

Part III Without borders: bodily dissolution
9 Seen by the camera: Nudes of All Nations Tania Cleaves
10 Matchless for the hands and complexion: James McNeill Whistlers
Variations in Flesh Colour and Green: The Balcony Keren Rosa Hammerschlag
11 A picture of health: undressing patients, redressing photographs Zeynep
Devrim Gürsel
12 Tala Madani and the abjection of motherhood Holiday Powers
Afterword Seeing is (not) believing Sander L. Gilman -- .
Keren Rosa Hammerschlag is a Senior Lecturer in Art History and Curatorship at the Australian National University Natasha Ruiz-Gómez is a Senior Lecturer in Art History at the University of Essex Tania Cleaves (née Woloshyn) is an alternative-academic and Research Development Manager at the University of Nottingham -- .