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Bowed Strings in 20th-Century Jazz in the United States: It Dont Mean a Thing if It Aint Got Those Strings [Kõva köide]

  • Formaat: Hardback, 148 pages, kõrgus x laius: 234x156 mm, kaal: 450 g
  • Ilmumisaeg: 01-Apr-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032804297
  • ISBN-13: 9781032804293
Teised raamatud teemal:
  • Formaat: Hardback, 148 pages, kõrgus x laius: 234x156 mm, kaal: 450 g
  • Ilmumisaeg: 01-Apr-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032804297
  • ISBN-13: 9781032804293
Teised raamatud teemal:

Bowed Strings in 20th-Century Jazz in the United States serves as a historical examination of the roles of bowed strings (violin, viola, and cello) in jazz.



Bowed Strings in 20th-Century Jazz in the United States

serves as a historical examination of the roles of bowed strings (violin, viola, and cello) in jazz. The subject of bowed strings in jazz has garnered considerable interest, evident in the swell of pedagogical materials published in the last decade, the proliferation of college programs incorporating alternative styles for strings, the increasing number of jazz groups featuring improvising string players, and the abundance of articles, both biographical and historical, on bowed strings in jazz.

Sequentially, this book discusses the roles of violin, viola, cello, string quartets, and miscellaneous groupings of strings in various contexts. The discussion progresses from specific instruments and players to chamber groups and then ensembles of a variety of sizes.

This book will appeal to scholars and students alike interested in the musical study of jazz in the United States.

Introduction

Chapter 1 Smith faces South and an Anything-but-Average Joe: Violins in Jazz,
1900-1950

Chapter 2 Saxes and Violins: Violins in Jazz, 1950-2000

Chapter 3 This Aint No Viola Joke

Chapter 4 Jazz Cellobration

Chapter 5 Alone Together: Stand-Alone Jazz String Quartets

Chapter 6 String Theory, or, Creative Chaos: Eclectic Groups Including Bowed
Strings

Bibliography

Selected Discography
Sonya R. Lawson holds a Ph.D. in music history with a supporting area in viola performance from the University of Oregon and an M.M. in viola performance from the University of Minnesota. Her dissertation presented a history of strings in jazz, and her other research interests are cognitive musicology and innovations in music history pedagogy. Dr. Lawson was a principal violist of the Tennessee Philharmonic and an assistant principal of the Cheyenne Symphony and has played in many orchestras. As a member of The Knotty Ensemble avant-garde chamber group, she has released two CDs on the Third Rail label.