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Broadview Anthology of Romantic Drama [Pehme köide]

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  • Formaat: Paperback / softback, 456 pages, kõrgus x laius x paksus: 235x197x16 mm, kaal: 845 g
  • Ilmumisaeg: 28-Feb-2003
  • Kirjastus: Broadview Press Ltd
  • ISBN-10: 1551112981
  • ISBN-13: 9781551112985
Teised raamatud teemal:
  • Formaat: Paperback / softback, 456 pages, kõrgus x laius x paksus: 235x197x16 mm, kaal: 845 g
  • Ilmumisaeg: 28-Feb-2003
  • Kirjastus: Broadview Press Ltd
  • ISBN-10: 1551112981
  • ISBN-13: 9781551112985
Teised raamatud teemal:
The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on "closet dramas" rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge's Remorse, Percy Shelley's The Cenci, and Lord Byron's Sardanapalus) and important plays by women dramatists (Hannah Cowley's A Bold Stroke for a Husband, Elizabeth Inchbald's Every One Has His Fault, and Joanna Baillie's Orra). It also provides a selection of popular theatrical genresfrom melodrama and pantomime to hippodrama and parodymost popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published.

The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated.
Acknowledgments vi
Note on the Text vi
Introduction vii
A Bold Stroke for a Husband
1(38)
Hannah Cowley
Every One Has His Fault
39(36)
Elizabeth Inchbald
Blue-Beard
75(22)
George Colman the Younger
Timour the Tartar
97(20)
Matthew Lewis
The Quadrupeds of Quedlinburgh
117(16)
George Colman the Younger
Orra
133(32)
Joanna Baillie
Remorse
165(40)
Samuel Taylor Coleridge
Harlequin and Humpo
205(16)
Thomas John Dibdin
The Cenci
221(40)
Percy B. Shelley
Sardanapalus
261(50)
Lord Byron
Appendix: Contemporary Reviews and Commentary 311(104)
Glossary of Actors and Actresses 415(14)
Suggested Readings 429
Jeffrey N. Cox is Professor of English and of Comparative Literature and Humanities at the University of Colorado at Boulder, where he also directs the Center for Humanities and the Arts. His other work includes In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France (1987), Seven Gothic Dramas, 1789-1825 (1992), and Poetry and Politics in the Cockney School: Keats, Shelley, Hunt, and Their Circle (1998).

Michael Gamer is Associate Professor of English at the University of Pennsylvania. He is the author of Romanticism and the Gothic: Genre, Reception, and Canon Formation (2000), and the editor of the Penguin edition of The Castle of Otranto (2002).