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Building a new New World: Amerikanizm in Russian Architecture [Pehme köide]

  • Formaat: Paperback / softback, 544 pages, kõrgus x laius: 241x171 mm, 450 color + b-w illus.
  • Ilmumisaeg: 24-Nov-2020
  • Kirjastus: Yale University Press
  • ISBN-10: 0300248156
  • ISBN-13: 9780300248159
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  • Formaat: Paperback / softback, 544 pages, kõrgus x laius: 241x171 mm, 450 color + b-w illus.
  • Ilmumisaeg: 24-Nov-2020
  • Kirjastus: Yale University Press
  • ISBN-10: 0300248156
  • ISBN-13: 9780300248159
An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R.


An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R.

Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.

Arvustused

The book isnt argumentative or polemical so much as illuminating, a collection of extraordinary anecdotes, objects and ephemera. . . . The illustrations, some of which are assembled into photo-essays between chapters, are stories in themselves.Owen Hatherley, London Review of Books

A fascinating history of reflections and distortions that traces the image of Russia and that of modernity itself.Arquitectura Viva

Named One of the Most Beautiful Swiss Books 2020, sponsored by the Swiss Culture Awards Federal Office of Culture

Winner of the SAH Exhibition Catalogue Award, sponsored by the Society of Architectural Historians

Foreword 5(4)
Introduction 9(24)
Modernity and Americanism
12(2)
Russia's Singular Case
14(3)
Enquiries and Interpretations
17(2)
Architecture at Play
19(1)
The Figures of Amerikanizm
20(2)
Cycles and Fluctuations
22(11)
Czarist Russia and its Americas
33(64)
Early Literary and Technological Transfers
36(4)
America in the Eyes of the Revolutionaries
40(3)
The World Fairs: Philadelphia and Chicago
43(15)
Capitalism and Amerikanizm
58(5)
Looking at the American City
63(6)
Russian Buildings Shatter the Ceiling
69(8)
Amerikanizm of the Poets: Balmont, Gorky, and Blok
77(8)
From Pulp Fiction to Political Fiction
85(12)
Taylorism and Fordism for the Soviet Industrial Development
97(88)
Trotsky, Bukharin, and Kollontai in New York City
100(1)
Taylorism Before and After the Revolution
101(8)
Humanitarian Aid and Concessions: Towards the Electrification of the USSR
109(8)
The Scientific Organization of Labour, From Gastev to Meyerhold
117(16)
Two Soviet Heroes: Ford and the Fordson Tractor
133(11)
Amtorg: A Russian Purchasing Office in New York
144(5)
Albert Kahn's Factories, From Detroit to the Urals
149(19)
The Dnieprostroi and the Magnitstroi as American Construction Sites
168(7)
Damnatio Memoriae
175(10)
Avant-Garde Amerikanizms
185(88)
Esenin and Mayakovsky in New York
189(4)
Pickfordism and Pinkertonitis
193(7)
Red Skyscrapers
200(15)
The Eye of the Architect: Erich Mendelsohn and Richard Neutra
215(11)
El Lissitzky's Horizontal Skyscrapers
226(7)
Cambridge---Moscow: Munsterberg and Ladovskii
233(3)
America According to Ginzburg and the Constructivists
236(9)
De-Urbanism: With Ford Against Cities
245(10)
Fantastic Amerikanizms: Three Albums and a Competition
255(18)
Architectural Amerikanizm in the Early Phase of Stalinism
273(96)
America in the Lens of Filmmakers
279(10)
Soviet Swing
289(1)
Towards a Realistic Amerikanizm
290(2)
lofan's Palace of the Soviets and the American Experience
292(22)
The People's Commissariat of Heavy Industry
314(7)
The 1935 Moscow Plan and its American Inspiration
321(5)
Oltarzhevskii, Between New York City, Moscow, and the Gulag
326(10)
IIf and Petrov and the American Heartland
336(9)
Mikoyan and the Americanization of Russian Food Supply
345(5)
Mumford and Wright in Moscow
350(6)
The 1939 World's Fair
356(13)
War and Peace: From Alliance to Competition
369(88)
The Lend-Lease Act and the American Contribution to the Russian War Effort
374(6)
Towards a Single-Storey Russia?
380(4)
American Exhibits for Moscow
384(23)
Rude Awakenings
407(6)
Secretly Borrowing American Technology
413(2)
Anti-Amerikanizm and Anti-Cosmopolitism
415(4)
A Ring of High-Rises
419(38)
Khrushchev and His Successors: Reaching, Surpassing, and Forgetting America
457(72)
Architects and Political Leaders in America: from 1955 to 1959
461(8)
1959: An American Exhibition in Moscow
469(18)
Mutual Impressions of the Exhibition
487(9)
The 1960s: A More Intimate Understanding
496(13)
Victor Gruen: Los Angeles as a Model
509(9)
Raymond Loewy's Industrial Designs
518(8)
Exhaustion and Oblivion
526(3)
Index and credits 529(1)
Index of institutions and organizations 530(3)
Index of names 533(7)
Captions for chapter introduction illustrations 540(2)
Sources of the illustrations 542(1)
Acknowledgments 543
Jean-Louis Cohen is Sheldon H. Solow Professor in the History of Architecture at New York Universitys Institute of Fine Arts, a trained architect, and author of Architecture in Uniform (Yale, 2011).