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Cambridge Companion to the Eroica Symphony [Kõva köide]

Edited by (University of Auckland)
  • Formaat: Hardback, 290 pages, kõrgus x laius x paksus: 252x180x18 mm, kaal: 720 g, Worked examples or Exercises; 27 Printed music items; 4 Halftones, black and white
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 25-Jun-2020
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108422586
  • ISBN-13: 9781108422581
  • Formaat: Hardback, 290 pages, kõrgus x laius x paksus: 252x180x18 mm, kaal: 720 g, Worked examples or Exercises; 27 Printed music items; 4 Halftones, black and white
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 25-Jun-2020
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108422586
  • ISBN-13: 9781108422581
This Companion provides orientation for those embarking on the study of Beethoven's much-discussed Eroica Symphony, as well as providing fresh insights that will appeal to scholars, performers and listeners more generally. The book addresses the symphony in three thematic sections, on genesis, analysis and reception history, and covers key topics including political context, dedication, sources of the Symphony's inspiration, 'heroism' and the idea of a 'watershed' work. Critical studies of writings and analyses from Beethoven's day to ours are included, as well as a range of other relevant responses to the work, including compositions, recordings, images and film. The Companion draws on previous literature but also illuminates the work from new angles, based on new evidence and a range of approaches by twelve leading scholars in Beethoven research.

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A stimulating, up-to-date overview of the genesis, analysis, and reception of this landmark symphony.
List of Illustrations
xi
List of Musical Examples
xii
Notes on Contributors xiv
Eroica Chronology, 1770--2020 xvii
Acknowledgements xxii
Introduction 1(4)
Nancy November
Part I Context and Genesis
5(74)
1 Beethoven And Heroism In The Age Of Revolutions
7(17)
Scoff Burnham
2 Beethoven's `Watershed'? Eroica's Contexts And Periodisation
24(19)
Mark Ferraguto
3 The Symphony In Vienna And Abroad Around 1800
43(18)
Erica Buurman
4 Genesis And Publication Of The Eroica
61(18)
Federica Rovelli
Part II Analytical Approaches
79(102)
5 Twentieth-Century Analytical Approaches To The First Movement
81(24)
William Drabkin
6 The Hero Who Practices Resignation: Beethoven's Eroica As `Late' Work
105(34)
Vasili Byros
7 Registering The Eroica
139(18)
Nicholas Marston
8 After Invention: Traces And Materials In The Eroica Finale
157(24)
Elaine Sisman
Part III Reception
181(75)
9 Who Is The Hero? The Early Reception Of The Eroica
183(15)
Beate Angelika Kraus
10 The Eroica In The Nineteenth And Twentieth Centuries
198(23)
Leon Botstein
11 Performing, Arranging And Rearranging The Eroica: Then And Now
221(18)
Nancy November
12 The Eroica Endures: Beethoven's Third Symphony In The Twenty-First Century
239(17)
Melanie Lowe
Further Reading 256(8)
General Index 264
Nancy November is Associate Professor in musicology at the University of Auckland. Recent publications include Beethoven's Theatrical Quartets: Opp. 59, 74, and 95 (2013); a three-volume edition of fifteen string quartets by Beethoven's contemporary Emmanuel Aloys Förster (2016); and Cultivating String Quartets in Beethoven's Vienna (2017). She is the recipient of a Humboldt Fellowship (20102012); and two Marsden Grants from the New Zealand Royal Society.