Cambridge History of Australian Poetry [Kõva köide]

Introduction Ann Vickery and Philip Mead;
1. Language, text and colony:
rethinking aboriginal poetry of the eighteenth and nineteenth centuries
Eugenia Flynn;
2. British speculations of Terra Australis and romantic-period
poetry Robert W. Rix;
3. Poetry in the penal colony Thomas H. Ford and Kyle
Kohinga;
4. Becoming distinct: nineteenth-century Australian poetry Paul
Giles;
5. The many-voiced Charles Harpur Paul Eggert;
6. Anonymity and the
popular: the Colonial ballad and other folk forms Michael Farrell;
7. Settler
labour poetics and the national imaginary at the turn of the twentieth
century Jonathan Dunk;
8. Children's poetry from 1840 to 1950 Kristine Moruzi
and Beth Rodgers;
9. Australian poetries of war and conflict Ann Vickery;
10.
'Poetry is its own advertisement': little magazines, clubs, and coteries
(18901945) Peter Kirkpatrick;
11. The new woman and poetry (18851935) Jess
Cotton;
12. Women poets, mobility, and being 'in-between' Nancy Berke;
13.
Fin de Sičcle symbolism and after Toby Fitch;
14. Kenneth Slessor's visualism
Philip Mead;
15. Surrealism and Australian poetry Gavin Yates;
16. Gum tears
which are also real: manifesto and hoax in the Jindyworobak and Ern Malley
Nicholas Birns;
17. The mid-century canon: post-sham Australia Georgina
Arnott;
18. Judith wright Sarah Kennedy;
19. Oodgeroo Noonuccal Peter Minter;
20. Aboriginal song as Australian poetry: the unimaginable archive Nicholas
Jose;
21. Re-imagining place (19401990) Bonny Cassidy;
22. Australian poetry
and the rise of a Suburban Quotidian, 19502000 Paul Hetherington and
Cassandra Atherton;
23. The three ontologies of regional poetry Tony
Hughes-D'aeth;
24. The poetry of Antarctica Elizabeth Leane;
25. Poetry and
the State (1945 to the Present) Ali Alizadeh;
26. Australian expatriate poets
Andrew Taylor;
27. Les Murray Michael Hofmann;
28. Religion and poetry in
Australia Lyn Mccredden;
29. Francis Webb Bill Ashcroft;
30. Australian
poetry and post-war immigration from Europe Konstandina Dounis;
31. The long
1970s and print culture Fiona Scotney;
32. Australian poets of the 1980s John
Hawke;
33. Activism and the Eruption of aboriginal writing Philip Morrissey;
34. Reading the archive of Australian feminist poetry since 1970 Kate Lilley;
35. Queer poetry in Australia: 1970s to today Jill Jones and Bonnie Reid;
36.
Between identity and form: Asian Australian poetry Prithvi Varatharajan and
Lucy Van;
37. Poetry of the South West Asian and North African diasporas
Paula Abood;
38. Trancultural relations with Latin America Stuart Cooke;
39.
Performance poetries Andy Jackson;
40. Long form poetry from the 1980s to the
present Simon Eales;
41. From conceptual to concrete (19602020):
parahistoriographies A.J. Carruthers;
42. The digital era Hazel Smith;
43.
The Earth has been done: recent environmental poetry Tom Bristow;
44.
Contemporary anthologies and the question of canonicity Jaya Savige;
45. New
dynamics in twenty-first century anthologies Jaya Savige.

Ann Vickery is the author of Leaving Lines of Gender: A Feminist Genealogy of Language Writing (2000), Stressing the Modern: Cultural Politics of Australian Women's Poetry (2007) and three poetry collections. She is co-author of The Intimate Archive: Journeys into Private Papers (2009), editor of The Cambridge Companion to Australian Poetry (2024), and co-editor of Poetry and the Trace (2013). Philip Mead is the author of Network Language: Culture and History in Australian Poetry (2009; repr. 2010, 2011, 2018) and winner of the 2010 New South Wales Premier's Literary Award for Literary Scholarship. He is co-author of Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 19162016 (2018) and a fellow of the Australian Academy of Humanities.