"The metaphor of camera as eye is fundamental to both everyday discussion as well as more academic theories of cinema: it is a pervasive metaphor through which we understand cinema on several levels. Christian Quendlers detailed study of the camera-eye metaphor is therefore a significant and erudite contribution to scholarship. But, more than this, Quendlers study takes a truly interdisciplinary approach to this metaphor. The Camera-Eye Metaphor in Cinema is not dogmatic in limiting itself to one or two theoretical positions; far from it. This book encompasses a broad array of theoretical approaches from the philosophy of mind to art theory, narratology, and gender studies. It therefore has a potentially wide appeal, not only in film studies, but also cultural and media studies more generally." Warren Buckland, Oxford Brookes University, UK
