Introduction |
|
x | |
|
|
1 | (26) |
|
Ten Tips to Make Your Shooting More Productive Right Out of the Box |
|
|
|
|
2 | (2) |
|
|
4 | (23) |
|
|
5 | (1) |
|
Turn Off the Shoot Without Card Setting |
|
|
6 | (1) |
|
Set Your JPEG Image Quality |
|
|
7 | (2) |
|
Turn Off the Auto ISO Setting |
|
|
9 | (2) |
|
Set Your Focus Point and Mode |
|
|
11 | (1) |
|
Set the Correct White Balance |
|
|
12 | (3) |
|
|
15 | (1) |
|
Know How to Override Auto Focus |
|
|
16 | (1) |
|
|
17 | (6) |
|
Hold Your Camera for Proper Shooting |
|
|
23 | (1) |
|
|
24 | (3) |
|
|
27 | (28) |
|
A Few Things to Know and Do Before You Begin Taking Pictures |
|
|
|
|
28 | (2) |
|
|
30 | (2) |
|
Choosing the Right Memory Card |
|
|
32 | (1) |
|
Formatting Your Memory Card |
|
|
32 | (2) |
|
Updating the 5OD's Firmware |
|
|
34 | (3) |
|
|
37 | (1) |
|
Using the Right Format: RAW vs. JPEG |
|
|
38 | (3) |
|
|
41 | (6) |
|
|
47 | (3) |
|
Motion and Depth of Field |
|
|
50 | (3) |
|
|
53 | (2) |
|
|
55 | (20) |
|
Get Shooting with the Automatic Camera Modes |
|
|
|
|
56 | (2) |
|
|
58 | (2) |
|
|
60 | (1) |
|
|
61 | (1) |
|
|
62 | (1) |
|
|
62 | (2) |
|
|
64 | (1) |
|
|
65 | (1) |
|
|
66 | (1) |
|
|
67 | (4) |
|
Why You Will Never Want to Use the Basic Zone Again |
|
|
71 | (1) |
|
|
72 | (3) |
|
|
75 | (26) |
|
Taking Your Photography to the Next Level |
|
|
|
|
76 | (2) |
|
|
78 | (2) |
|
|
80 | (3) |
|
Tv: Shutter Priority Mode |
|
|
83 | (4) |
|
Av: Aperture Priority Mode |
|
|
87 | (5) |
|
|
92 | (3) |
|
A-DEP: Auto Depth of Field Mode |
|
|
95 | (2) |
|
How I Shoot: A Closer Look at the Camera Settings I Use |
|
|
97 | (1) |
|
|
98 | (3) |
|
|
101 | (28) |
|
The Tricks to Shooting Sports and More |
|
|
|
|
102 | (2) |
|
|
104 | (2) |
|
|
106 | (3) |
|
Using Shutter Priority (Tv) Mode to Stop Motion |
|
|
109 | (3) |
|
Using Aperture Priority (Av) Mode to Isolate Your Subject |
|
|
112 | (1) |
|
Keep Them in Focus with Al Servo and Auto AF Focus Point Selection |
|
|
113 | (2) |
|
Stop and Go with Al Focus AF |
|
|
115 | (1) |
|
Manual Focus for Anticipated Action |
|
|
116 | (2) |
|
Keeping Up with the Continuous Shooting Modes |
|
|
118 | (2) |
|
|
120 | (3) |
|
|
123 | (3) |
|
|
126 | (3) |
|
|
129 | (32) |
|
Settings and Features to Make Great Portraits |
|
|
|
|
130 | (2) |
|
|
132 | (2) |
|
|
134 | (1) |
|
Using Aperture Priority Mode |
|
|
134 | (4) |
|
Metering Modes for Portraits |
|
|
138 | (1) |
|
Using the AE Lock Feature |
|
|
139 | (1) |
|
Focusing: The Eyes Have It |
|
|
140 | (1) |
|
Classic Black and White Portraits |
|
|
141 | (3) |
|
The Portrait Picture Style for Better Skin Tones |
|
|
144 | (1) |
|
Detect Faces with Live View |
|
|
144 | (4) |
|
Use Fill Flash for Reducing Shadows |
|
|
148 | (1) |
|
|
149 | (2) |
|
Tips for Shooting Better Portraits |
|
|
151 | (8) |
|
|
159 | (2) |
|
|
161 | (42) |
|
Tips, Tools, and Techniques to Get the Most Out of Your Landscape Photography |
|
|
|
|
162 | (2) |
|
|
164 | (2) |
|
Sharp and in Focus: Using Tripods |
|
|
166 | (2) |
|
Using A-DEP to Maximize Depth of Field |
|
|
168 | (1) |
|
|
169 | (2) |
|
|
171 | (1) |
|
Selecting a White Balance |
|
|
172 | (3) |
|
Using the Landscape Picture Style |
|
|
175 | (1) |
|
Taming Bright Skies with Exposure Compensation |
|
|
176 | (2) |
|
Shooting Beautiful Black and White Landscapes |
|
|
178 | (2) |
|
|
180 | (2) |
|
|
182 | (2) |
|
|
184 | (2) |
|
|
186 | (1) |
|
Directing the Viewer: A Word About Composition |
|
|
187 | (5) |
|
Advanced Techniques to Explore |
|
|
192 | (8) |
|
|
200 | (3) |
|
|
203 | (28) |
|
Shooting When the Lights Get Low |
|
|
|
|
204 | (2) |
|
|
206 | (2) |
|
Raising the ISO: The Simple Solution |
|
|
208 | (2) |
|
|
210 | (1) |
|
Stabilizing the Situation |
|
|
211 | (2) |
|
|
213 | (2) |
|
|
215 | (2) |
|
|
217 | (4) |
|
Compensating for the Flash Exposure |
|
|
221 | (1) |
|
|
222 | (2) |
|
|
224 | (3) |
|
|
227 | (1) |
|
A Few Words about External Flash |
|
|
227 | (1) |
|
|
228 | (3) |
|
|
231 | (20) |
|
Improve Your Pictures with Sound Compositional Elements |
|
|
|
|
232 | (2) |
|
|
234 | (2) |
|
|
236 | (2) |
|
|
238 | (1) |
|
|
239 | (2) |
|
|
241 | (1) |
|
|
241 | (2) |
|
|
243 | (1) |
|
|
244 | (2) |
|
|
246 | (1) |
|
|
246 | (2) |
|
|
248 | (3) |
|
|
251 | (21) |
|
Impress Your Family and Friends |
|
|
|
|
252 | (2) |
|
|
254 | (2) |
|
Spot Meter for More Exposure Control |
|
|
256 | (3) |
|
|
259 | (1) |
|
|
259 | (3) |
|
|
262 | (1) |
|
|
263 | (2) |
|
|
265 | (2) |
|
|
267 | (1) |
|
Using the Custom Settings Modes (C1 and C2) |
|
|
268 | (1) |
|
|
269 | (1) |
|
|
270 | (1) |
|
|
271 | (1) |
Index |
|
272 | |