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Caught in the Crosshairs: Feminist Comedians and the Culture Wars [Kõva köide]

(Bryant University)
  • Formaat: Hardback, 150 pages, kõrgus x laius: 229x152 mm, kaal: 336 g, 8 b&w illus.
  • Sari: Comedy & Culture
  • Ilmumisaeg: 01-Jul-2025
  • Kirjastus: Indiana University Press
  • ISBN-10: 0253073146
  • ISBN-13: 9780253073143
Teised raamatud teemal:
  • Formaat: Hardback, 150 pages, kõrgus x laius: 229x152 mm, kaal: 336 g, 8 b&w illus.
  • Sari: Comedy & Culture
  • Ilmumisaeg: 01-Jul-2025
  • Kirjastus: Indiana University Press
  • ISBN-10: 0253073146
  • ISBN-13: 9780253073143
Teised raamatud teemal:

The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Fueled by industry trends favoring niche projects and edgier content, women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and stand-up stars. At the same time, they have become lightning rods for controversy, facing online attacks and disdain from alt-right groups and conservative media.

Reactions to outspoken female comedians have grown more polarized, yet, amid vitriol and trolling, these performers have sparked impassioned public discussions, prompting cultural self-reflection and challenging entrenched norms. Caught in the Crosshairs delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating the essence of womanhood, power dynamics, and privilege. This type of popular culture serves as a primary arena where societal beliefs and ideologies are disseminated and contested.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.

Arvustused

"In this most necessary book, Amber Day demolishes the myth that women can't be funny. But more importantly, she helps us understand why too many people struggle to make sense of funny women, and why the debate around female comedy matters so much in our complicated cultural times."Geoffrey Baym, author of From Cronkite to Colbert: The Evolution of Broadcast News "Day dives into the heart of contemporary cultural ruptures with clarity and nuance, demonstrating how women's stand-up comedy serves as a lightning rod for broader public debates, influencing collective values, shaping identities, and navigating ethical boundaries in public life. Essential reading for scholars, practitioners, and comedy fans alike, this book deepens our understanding of humor's political and affective complexities and capacities and convincingly argues that comedyespecially when women are the provocateurscan provoke, persuade, and sometimes perilously divide."Beck Krefting, author of All Joking Aside: American Humor and Its Discontents

Acknowledgments
1. Ambivalence: Feminist Comedy Past and Present
2. Ridicule: Leslie Jones and the Growing Visibility of the Alt-Right
3. Loathing: Amy Schumer and White Feminism
4. Revulsion: Samantha Bee, Michelle Wolf, and Twin Comedic Controversies
5. Hope: Hannah Gadsby and the Expansion of Comedy's Borders
6. Conclusion: Female Comedians and the Cultural Imaginary
Notes
Works Cited
Index

Amber Day is Professor of Media and Performance Studies and Chair of the History, Literature, and the Arts Department at Bryant University. She is author of Satire and Dissent: Interventions in Contemporary Political Debate (IUP, 2011) and editor of DIY Utopia: Cultural Imagination and the Remaking of the Possible.