Perloff assembles 32 book reviews that have been appearing in a great variety of journals now for more than five decades as a window into the thinking and development of a literary critic. Among them are Yeats as Gnostic, Mona Van Duyn's Disguises, Pound's Vorticist Textbook, The Poetry of Edward Dorn, Robert Lowell in Search of Himself, Charles Olson in Connecticut, The Challenge of German Lyric: Goethe and Heine in Translation, "Dirty" Language and Scrambled Systems, Of Canons and Contemporaries, and Sylvia Plath as Cultural Icon. Annotation ©2020 Ringgold, Inc., Portland, OR (protoview.com)
Circling the Canon, Volume I covers roughly the first half of Perloff's career, beginning with her first ever review, on Anthony Hecht's
The Hard Hours.
One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume I covers roughly the first half of Perloff's career, beginning with her first ever review, on Anthony Hecht's The Hard Hours. The reviews in this volume, culled from a wide range of scholarly journals, literary reviews, and national magazines, trace the evolution of poetry in the mid- to late twentieth century as well as the evolution of Perloff as a critic. Many of the authors whose works are reviewed in this volume are major figures, such as W. B. Yeats, Ezra Pound, Sylvia Plath, and Frank O'Hara. Others, including Mona Van Duyn and Richard Hugo, were widely praised in their day but are now all but forgotten. Still others--David Antin, Edward Dorn, or the Language poets--exemplify an avant-garde that was to come into its own.
