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City, Chant, and the Topography of Early Music [Kõva köide]

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  • Formaat: Hardback, 368 pages, kõrgus x laius: 229x152 mm, 82 line illustrations, 24 halftones, 28 tables
  • Sari: Isham Library Papers
  • Ilmumisaeg: 11-Nov-2013
  • Kirjastus: Harvard University, Department of Music,U.S.
  • ISBN-10: 0964031744
  • ISBN-13: 9780964031746
Teised raamatud teemal:
City, Chant, and the Topography of Early MusicSuurem pilt
  • Formaat: Hardback, 368 pages, kõrgus x laius: 229x152 mm, 82 line illustrations, 24 halftones, 28 tables
  • Sari: Isham Library Papers
  • Ilmumisaeg: 11-Nov-2013
  • Kirjastus: Harvard University, Department of Music,U.S.
  • ISBN-10: 0964031744
  • ISBN-13: 9780964031746
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780964031746.html
Märksõnad:
City, Chant, and the Topography of Early Music explores how space, urban life, landscape, and time transformed plainchant and other musical forms. Thirteen essays address a wide range of topics and regions--from Beneventan chant in Italy and Dalmatia, to music theory in medieval France, to later transformations of chant in Iceland and Spain.

Cultural landscape and geography have affected the history of Western music from its earliest manifestations to the present day. City, Chant, and the Topography of Early Music brings together essays by thirteen leading scholars that explore ways that space, urban life, landscape, and time transformed plainchant and other musical forms. In addressing a broad array of topics and regions--ranging from Beneventan chant in Italy and Dalmatia, to music theory in medieval France, to later transformations of chant in Iceland and Spain--these essays honor and build upon Thomas Forrest Kelly's work in keeping cultural, geographic, and political factors close to the heart of the musicology of chant, early music, and beyond. Two essays complement Kelly's scholarly and pedagogical interests by investigating the role of the city in premieres of works composed long after the end of the Middle Ages.

Muu info

Nominated for Ruth A. Solie Award 2014.
Preface ix
Part I First Nights: Early Music in Paris and Rome
Craig Wright, Yale University
Quantification in Medieval Paris and How It Changed Western Music
3(24)
Iain Fenlon, King's College, Cambridge First Nights in Baroque Rome: Stefano Landi's Sant' Alessio
27(26)
Peter Bloom, Smith College Berlioz's First Nights
53(20)
Part II The Musical Traditions and Influence of Benevento
David Hiley, Universitat Regensburg
Surge, Petre! Sets of Chants for St. Peter in Benevento, Peterborough, and Some Places in Between
73(28)
Katarina Livljanic, Sorbonne University, Paris
The Genealogy According to St. Luke in Beneventan Dalmatia: Does the Scribe Help the Singer?
101(22)
Matthew G. Peattie, University of Cincinnati, College-Conservatory of Music
Beneventan Music and Gregorian Modality: Evidence of Modal Change in the Melodic Fund of the Old Beneventan Chant
123(22)
Andreas Pfisterer, Universitat Regensburg Easter Vigil Canticles from Italy
145(20)
Part III The Persistence of Chant and of "Medieval" Music
Arni Heimir Ingolfsson, Iceland Academy of the Arts Echoes from the Periphery: Rask 98, Modal Change, and Oral Transmission in Seventeenth-Century Iceland
165(24)
Susan Boynton, Columbia University Reproducing the Middle Ages in Eighteenth-Century Toledo
189(18)
Part IV Origins of Forms and of Ideas
Andreas Haug, Institut fur Musikforschung, Universitat Wurzburg Ways of Singing Hexameter in Tenth-Century Europe
207(22)
Susan Rankin, University of Cambridge
Beyond the Boundaries of Roman-Frankish Chant: Alcuin's de laude Dei and Other Early Medieval Sources of Office Chants
229(36)
Part V French Music in the Middle Ages
Marie-Noel Colette, Ecole Pratique des Hautes Etudes, Paris Un fragment de tropaire aquitain peu connu (Paris BN, nouv. acq. lat. 2444, ff. 5--6)
265(10)
Michel Huglo, Centre National de la Recherche Scientifique, Paris
Barbara Haggh, University of Maryland, College Park with Leofranc Holford-Strevens, formerly Consultant Scholar-Editor, Oxford University Press The Topography of Music Theory in Paris, 900--1450
275(60)
Notes on Contributors 335(6)
Index of Manuscripts 341(4)
General Index 345
Michael Scott Cuthbert is Homer A. Burnell Associate Professor of Music at the Massachusetts Institute of Technology. Sean Gallagher is Visiting Associate Professor of Music at Boston University. Christoph Wolff is Adams University Research Professor at Harvard University.