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Classical Recording: A Practical Guide in the Decca Tradition 2nd edition [Kõva köide]

  • Formaat: Hardback, 422 pages, kõrgus x laius: 246x174 mm, kaal: 453 g, 1 Tables, black and white; 214 Line drawings, black and white; 48 Halftones, black and white; 262 Illustrations, black and white
  • Sari: Audio Engineering Society Presents
  • Ilmumisaeg: 10-Oct-2025
  • Kirjastus: Focal Press
  • ISBN-10: 1032857064
  • ISBN-13: 9781032857060
  • Kõva köide
  • Hind: 198,55 €
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  • Formaat: Hardback, 422 pages, kõrgus x laius: 246x174 mm, kaal: 453 g, 1 Tables, black and white; 214 Line drawings, black and white; 48 Halftones, black and white; 262 Illustrations, black and white
  • Sari: Audio Engineering Society Presents
  • Ilmumisaeg: 10-Oct-2025
  • Kirjastus: Focal Press
  • ISBN-10: 1032857064
  • ISBN-13: 9781032857060
"Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music, providing detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, post-production workflow, and the practicalities of working on location. This updated and revised second edition has expanded sections on critical listening and microphone placement troubleshooting, as well as two new chapters on overdubbing and the audiovisual considerations of filming a classical music performance. The book gives practical advice on the other essential skills involved in successfully producing a classical recording, including: the practicalities of running a recording session on location, the skills needed as producer, working in imperfect surroundings, using artificial reverberation alongside the real thing, dealing with overdubs, working with sound and picture, workflow from session to edit suite, and creating a seamless edited master. Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional, with the required knowledge and confidence to tackle everything from a solo piano to an opera, and a choir or symphony orchestra"--

Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music, providing detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, post-production workflow, and the practicalities of working on location.

This updated and revised second edition has expanded sections on critical listening and microphone placement troubleshooting, as well as two new chapters on overdubbing and the audiovisual considerations of filming a classical music performance. The book gives practical advice on the other essential skills involved in successfully producing a classical recording, including: the practicalities of running a recording session on location, the skills needed as producer, working in imperfect surroundings, using artificial reverberation alongside the real thing, dealing with overdubs, working with sound and picture, workflow from session to edit suite, and creating a seamless edited master.

Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional, with the required knowledge and confidence to tackle everything from a solo piano to an opera, and a choir or symphony orchestra.



Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music, providing detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, post-production workflow, and the practicalities of working on location.

Arvustused

This book has become an indispensable teaching tool for the Tonmeister undergraduate degree course. Since making it a reference text there has been a significant improvement in the standard and consistency of the students recordings. This has been coupled with a noticeable lift in student confidence when recording their first sessions, and the robust techniques covered have also had an impact beyond the classical field.

Rupert Flindt, University of Surrey, UK

I cannot imagine a more comprehensively written book about the principles and practicalities of the Decca approach to recorded sound. It is packed with useful facts. The book is essential reading not only for students but also anyone with a true interest in the art and science of recording music is such a way that it connects with the listener. This book will remain relevant for decades to come.

Simon Eadon, Abbas Records on the 1st Edition

This book distils the thoughts and techniques from the pioneers of the business into a definitive reference book for anyone who works in recording or has a passion for recorded music. Wherever you use a microphone, from drum kits to Mahlers 8th symphony, from bathrooms to concert halls, youll discover a wealth of techniques and set ups to help deliver the best musical experience from the kit you have. My aim when recording and mixing is to aim for a specific sound which I hear inside; a specific identity and character which works hand-in-hand with the music. This book is the springboard to help anyone achieve that goal.

Jonathan Allen on the 1st Edition

The authorship(s) from three Decca experts draw on their impressive and vast experience to illuminate one of the greatest traditions of classical recording. This book will become the necessary reference for any engineer or producer wishing to gain an understanding of the timeless techniques that can be employed in any modern recording.

Peter Cobbin and Kirsty Whalley, Such Sweet Thunder on the 1st Edition

This is just the sort of book I wished I'd owned when I was starting out 30 years ago!

Simon Rhodes, Senior Engineer, Abbey Road Studios on the 1st Edition

Part 1: Before Recording
1. Listening Skills
2. Acoustics And The
Recording Venue
3. Studio Techniques And Working On Location Part 2:
Recording
4. Basic Two-Microphone Stereo Techniques
5. Solo Instruments
6.
The Piano
7. Voice Solo and Accompanied
8. Solo Instruments With Piano
9.
The Decca Tree
10. Ancillary Microphones
11. Surround Techniques
12. Solo
Instruments and Orchestra
13. Chamber Ensembles
14. Wind, Brass And
Percussion Bands
15. Organ
16. Choirs
17. Solo Voice, Choir and Orchestra
18.
Overdubbing
19. Recording Sound and Picture Together Part 3: After the
Recording Session
20. Mixing
21. Editing and Post-Production
22. Mastering
for Classical Music
Caroline Haigh spent 18 years working in post-production for Decca and Abbey Road Studios, and is currently an associate lecturer on the Tonmeister course at the University of Surrey, UK. She continues freelance work as a classical producer/editor including for the Royal Opera House, Covent Garden.

John Dunkerley is one of the worlds most highly respected classical recording engineers who learnt his craft with Kenneth Wilkinson at Decca. His 50-year career has included work with countless major artists, and his recordings have won over 15 Grammys. He continues to teach recording techniques.

Mark Rogers worked at Decca, Abbey Road Studios, and Warner Music before becoming a freelance producer/engineer for clients such as the Royal Opera House, Covent Garden. Awards for his recordings include a Grammy. He is a University of Surrey Tonmeister graduate, and now visiting lecturer.